Kodachrome 64 Memories

Early in my photography journey, shooting in 35mm B&W film was easier. I thought 35mm colour film was too distracting and did not have the pretension “art” look I was into at the time. But a few years later, I found myself experimenting with 35mm colour film including a lot of crap films. But I also tried out now famous 35mm films such as Kodachrome. I don't know if I ever exposed Kodachrome 25 or Kodachrome 200 but I found a set of slides of Kodachrome 64 among my things in the basement.

According to the B&H website which list this as Kodak KR 135-36 Kodachrome 64 Color Slide Film (ISO-64):

Kodachrome 64 is an extremely fine grain film demonstrating very high sharpness. It is an excellent choices for a wide variety of applications. The history and reputation of Kodachrome films is legendary. They possess a "look" that is hard to reproduce in more contemporary films.

Kodachrome 64 is a member of the "Select Series" of Kodak films. The Select Series offers serious snapshooters and photo enthusiasts the widest selection of high-performance films. Choose from Kodachrome or Kodak Elite Chrome films for slides, or Royal Gold films for prints.

The date on the box containing the slides is 26 July 1989. I scanned the slides with my Epson Perfection V600. Some of the exposure appears to be test shots take in the camera store. Looking at the images of the stores accross the street taken from inside the camera store, I see an address that apepars to be 7008 Third Avenue. I would love to find out what was at 7008 Third Avenye in New York City circa 1989. I do not remember why I chose to expose this roll at my cousin's wedding.

Type: 35mm color slide film
Speed: ISO 64
Applications: General photographic outdoor use
Process: Process K-14
Color Saturation: Produces rich, vibrant colors with a strong pallette
Grain: Fine
Sharpness: Very high
Exposure Latitude: Narrow

Cousins Tony and Colin Cozier | 26 July, 1989 | Pentax P3 | SMC Pentax-A 50mm f/2
Beverly and Karen | 26 July, 1989 | Pentax P3 | SMC Pentax-A 50mm f/2
David Jackson | 26 July, 1989 | Pentax P3 | SMC Pentax-A 50mm f/2
Grand Dad Edmund Williams and Samantha Williams | 26 July, 1989 | Pentax P3 | SMC Pentax-A 50mm f/2
Beverly | 26 July, 1989 | Pentax P3 | SMC Pentax-A 50mm f/2
David Jackson and Roseanne Pompey | 26 July, 1989 | Pentax P3 | SMC Pentax-A 50mm f/2

It’s a wonderful world

Monday

Insta Repeat posts collages of photos from the same geographical location that look remarkably similar, even though they were taken by different photographers.
...
The intent on Insta Repeat is deliberate—to duplicate a photo in order to evoke a similar response from viewers.

Feet dangling over Horseshoe Bend evoke a sense of adventure and thrill-seeking. The woman paddling in a mountain lake evokes wonder and serenity. So, if you want to conjure those emotions in your audience (while also projecting those qualities onto yourself), just retrace the steps, and—voilà—success! Follow the formula and you'll achieve similar results.

Sometimes, the Internet makes me sad.

Alphonso Mango cat
Alphonso Mango | Monday 14 June, 2021 | Apple iPhone 11 Pro | iPhone 11 Pro back triple camera 6mm f/2 | 1120 sec at f/2.0 | ISO 25

I’ve inconsistently used Day One for a daily journal for several years. But over the last few weeks, I’ve finally got into a grove of writing in my Day One daily journal. In addition, I’ve used the journal entries to create a weekly post on WordPress. So today, I was excited to read that the Day One team is joining Automattic, creators of my favourite website software, WordPress.

Today, I’m thrilled to announce that Day One is being acquired by Automattic Inc. This is incredibly exciting news. For the past 10 years since I started Day One, I’ve worked to not only create the best digital journaling experience in the world, but one that will last. By joining Automattic, I’m now more confident than ever that the preservation and longevity of Day One is sure. This acquisition will provide Day One access to the same technological, financial, and security benefits that WordPress.com, Tumblr, and other Automattic entities enjoy.

Automattic is led by founder Matt Mullenweg, a pioneer in the web publishing space and founder of WordPress.com. The Automattic teams have built and supported products and services with massive global scale, and I can’t imagine a more ideal home for Day One now and for the future.

Wednesday

I grew up in the West Indies in the 1960-the 1980s, and I don't remember anyone on any of the islands using mulch. I live in a townhouse community. Every few years, the landscapers come out with trucks loaded with mulch and start laying it down in every planting bed and around every tree in the neighbourhood. I've never understood or liked the smell of mulch. What was its purpose?

Many who grew up in the 1970s and earlier will remember when mulch was not a 'thing'. People did not put annual layers of wood chips on their gardens and there were not bags of mulch for sale at garden centers. Wood mulch became popular with the Clean Air Act of 1970. Until then, sawmills burnt their extra sawdust and wood chips and tree bark.

This was a source of air pollution, so they sought an alternative use for their by-product. The National Forest Service reported that tree bark chips were a useful source of humus in the forest. From there, an American obsession was born. It has grown to the point where mulch is now manufactured specifically for gardens, sometimes from old pallets and other material that does not serve the purpose of enriching the soil, and is instead, purely decorative.

For several years I have attempted to create a native plant garden in the tiny 25 square foot bit of dirt in the front of the house under the partial shade of a large maple tree. First, I would attend native plant sales once a year and purchase something suitable. Then, I put out the required flags to indicate to the landscapers that the homeowner was managing the garden bed and did not want them to touch my plants. Invariably the grounds crew would ignore the flags, pull out my budding native plants and dump the mulch.

Last year I planted several native plants that grow during the early spring. My plants had just started to put out leaves about the ground. I came home to find them buried under the mulch. I complained a bit more forcefully with the HOA management. The landscaper returned and removed the mulch, further damaging the fragile shoots. The leaves were gone.

Since I am now responsible for mulching, I am exploring alternatives better suited to a native plant garden. When deep mulch is pushed against trunks of woody plants or over the crowns of native plant perennials, it kills the plants. I am looking for an ecological alternative. I am considering using inexpensive mushroom compost, but I don't know if that will work. An option is mycorrhizal fungi compost which naturally increases microbial activity in the soil, but it's expensive.

I am now reading up on "green mulch". The idea is to plant short, spreading, perennial ground cover between larger plants. The challenge is that my native plants are still small and have not yet established themselves. The green mulch may compete with the smaller natives. I want to forego the mulch and fill in some of the bare spots in the garden with [native plants of varying sizes](I grew up in the West Indies in the 1960-the 1980s, and I don't remember anyone on any of the island using mulch. I live in a townhouse community. Every few years, the landscapers come out with trucks loaded with mulch and start laying it down in every planting bed and around every tree in the neighbourhood. I've never understood or liked the smell of mulch. What was its purpose?


I consult for a well known international bank based in Spain. The topic of corporate business to business VPN across country boundaries came up in a recent discussion at the office, so the conversation was fresh in my mind when I read this post by Bruce Schneier

We don't talk about it a lot, but VPNs are entirely based on trust. As a consumer, you have no idea which company will best protect your privacy. You don't know the data protection laws of the Seychelles or Panama. You don't know which countries can put extra-legal pressure on companies operating within their jurisdiction. You don't know who owns and runs the VPNs. You don't even know which foreign companies the NSA has targeted for mass surveillance. All you can do is make your best guess, and hope you guessed well.

Corporations will align themselves to the laws of the counties where they operate. However, consumers are working from ignorance regarding the privacy of consumer VPN connections.


In the past, I have immersed myself in the woods around Somerset and Mercer county, practising "shinrin-yoku". I did it in 2020, but my 2021 forest bathing is deficient. Andy Summons writing in Urth Magazine offers tips on making the best of the experience.

The simple act of immersing ourselves in nature helps calm our mind and focus our awareness on the present moment. Yesterday and tomorrow melt into insignificance as our brains race to take in the details and sensations around us. Even Albert Einstein understood and touted the benefits of spending time in nature, saying: 'Look deep into nature, and then you will understand everything better.'


cat
Alphonso Mango | Wednesday 16 June, 2021 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR @ 55 mm | 1125 sec at f/8.0 | ISO 640

I think our cat Alphie gets lonely now that I'm back to working full-time. My day is hectic, and I don't have time during the day for us to play fetch or just sit for a tummy rub. Kiran is at Oberlin College for her summer semester. At her suggestion, I moved the corporate laptop setup to the desk in her room. It's worked out well, providing a change of environment when I "leave" at the end of the workday. These few weeks, I noticed that Alphie quietly sits on Kiran's bed or the carpet, cleaning himself or enjoying the sun coming through the window. He's good company.

cat
Alphonso Mango | Wednesday 16 June, 2021 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR @ 55 mm | 1240 sec at f/8.0 | ISO 400

Friday

Earlier this week, I discovered two tiny green caterpillars with brilliant yellow dotted black bands across each body segment. They were busy devouring the leafy bits of a parsley plant growing in the garden planter in the front deck of our home. I don't recall, but I may have planted parsley or parsley seeds in the past. So I let the caterpillars have their way. The benefit of attracting a future pollinator outweighs the loss of the plant.

swallowtail butterfly caterpillar
swallowtail butterfly caterpillar | Monday 14 June, 2021 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR @ 55 mm | 1125 sec at f/5.6 | ISO 400

Shaan did some Google-foo, and we think these are black swallowtail butterfly caterpillars, commonly known as parsley worms. These caterpillars can grow up to 5 cm. I think they are almost full size. I noticed that they had devoured most of the plant and wondered what they would do once the plant was stripped if they were not yet fully grown. With any luck, these caterpillars will pupate into new black swallowtail butterflies, and I'll get a photograph or two.

swallowtail butterfly caterpillar
swallowtail butterfly caterpillar | Friday 18 June, 2021 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR @ 55 mm | 1125 sec at f/4.0 | ISO 1250
swallowtail butterfly caterpillar
swallowtail butterfly caterpillar | Friday 18 June, 2021 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR @ 55 mm | 1125 sec at f/5.6 | ISO 1250

Sometimes life is challenging, but overall, it's a wonderful world.

Saturday

I skipped my usual morning coffee brewing ritual. Instead, I picked up two cups of coffee and a bacon, egg & cheese sandwich from Buy the Cup. Governor Murphy has lifted the mask mandate for non-governmental and non-health organisations, so I walked into Buy the Cup unmasked for the first time in eighteen months. It was great to see Vitaliy.

coffee sign
Saturday 19 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 120 sec at f/8.0 | ISO 6400

I noticed the light shining through the thick cloud layer onto the neighbourhood tot-lot on the drive home. The light was bouncing off the light morning fog. I pulled over to look for photographic opportunities. I looked through the viewfinder, and suddenly, I realised that the "caution" tape that had once covered the swings and slides had been removed.

Saturday 19 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 1340 sec at f/8.0 | ISO 400

The New Jersey Blueberry I planted this spring is doing well. Well enough to produce a few berries. I don't expect to eat these. I bought the plant for ornamental reasons. When the plant is larger and producing more berries in a few years, I'll try some berries.

New Jersey Berry
New Jersey Blueberry | Saturday 19 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 1125 sec at f/2.8 | ISO 640

I feel like I see the barbers at Revival very often. My hair grows so quickly that I need a haircut every two weeks.

Clifford Family Farm
Clifford Family Farm | Saturday 19 June, 2021 | FujiFilm X-T2 | 27 mm f/2.8 | 1420 sec at f/8.0 | ISO 400

After my haircut this morning, I stopped in at the Farmers' Market. I said hello to familiar faces, Zelle, Lorette, and Todd and welcomed new faces. Ringoes based Roastwell Coffee Roaster are new to the market. I tried their bourbon-infused cold brew coffee. Delicious. I bought a bag of their Ethiopia Natural Kembata Grade 1 beans to brew in the Chemex.

Roastwell Coffee Roasters
Roastwell Coffee Roasters | Saturday 19 June, 2021 | FujiFilm X-T2 | 27 mm f/2.8 | 1550 sec at f/8.0 | ISO 400

Bhavna, Shaan and I spent the evening at Ironbound Farm in Asbury, eating flatbread pizza and drinking hard cider. I enjoyed the drive from Montgomery through the hills and narrow country roads in Hunterdon County.

flatbread pizza
Saturday 19 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 1125 sec at f/4.0 | ISO 2000

The forecast was partially cloudy, so I reserved a table in the courtyard, but when we arrived, a slight drizzle turned into a downpour as we sat. We were seated at a table under a large tent. Despite the weather, we had a great time.

Saturday 19 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 1125 sec at f/8.0 | ISO 640
Saturday 19 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 1125 sec at f/8.0 | ISO 2500
Saturday 19 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 190 sec at f/8.0 | ISO 6400

Sunday

I know I've harped on this before. I'll keep bringing up this topic every time an ignorant photographer tell me that their 35mm or 50mm lens is a "normal" lens.

Contrary to the traditional industry standard of 50 - 55mm, the actual focal length of a 135 format "perfect normal" lens is 43mm. ~ Alan Weitz at B&H Photo

The 35mm and 50mm focal lengths are 7mm to 8 mm too far from normal. The XF27mmF2.8 lens (41mm FF-e) is the closest I can get to normal on my APS-C Fuji X-T2. The MD Rokkor-X is the closest I can get to normal on my Minolta XD-11. But they are both much more comparable to normal than 35mm or 50mm.


Today was a lazy Sunday. I sat on the couching watching all the Fast and Furious movies. Bhavna suggested we go to Brick Farm Tavern for a drink. I had the latest Troon beer. Then we came home.

Brick Farm Tavern
Sunday 20 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 1280 sec at f/8.0 | ISO 200

Kodak Vision3 250D

I saw the email notice from Old School Photo Lab to download my scans of the negatives from my roll of Kodak Vision3 250D 35mm film. I exposed this roll of film in May of this year. We were all vaccinated, so Jeremy and Neha wanted to visit so their baby, Ronith, could meet the rest of his family. It was great to see them. Neha is Bhavna's cousin. We were all still getting used to being with people so we sat outside and wore masks when we were close to Ronith. The family event provided the opportunity to expose a 24 exposure roll of Vision3 250D Colour Negative Film which I purchased from the Film Photography Project. FPP sells Vision3 Motion Picture film which they hand-roll into 35mm film canisters.

father and child
Baby Ronith and Dad Jeremy | May 2021 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Vision3 250D

This is one of the challenges I have with film photography. With digital photography, the image has dense metadata about the images - camera, lens, ISO, aperture, shutter speed, exposure compensation etc. With film, unless I take copious notes, most of this information is lost. I may remember that I used my Minolta XD-11. I may remember that I used my MD Rokkor-X 45mm f/2 lens. I know that the film I used is ISO 250. But unless I write it all down, I don't remember what aperture ad shutter speed was used.

Some of the images were blurry, but I liked the look of the sharper ones. Perhaps it's how the images were scanned but the images have a slight reddish hue that I do not see in the examples I found online.

Unfortunately, I can't just send Kodak Vision3 250D to just any lab. Like most colour motion picture stocks, 250D has a protective layer called Remjet, which helps deal with the tremendous heat generated while running through a motion picture camera. This Remjet layer must be removed during processing and requires specialist developing equipment not available at most film development labs. The film ($10) and the development and scanning ($24-$34) are expensive. I think I'll shoot this film again, but not often.

  • Name: Kodak VISION3 250D (5207)
  • Vendor: Kodak
  • Type: Color negative
  • Format: 35mm
  • Speed (ISO): 250
  • Exposure latitude: -5 to +5 stops
woman and child
Ronith and Nilima | May 2021 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Vision3 250D
Shaan | May 2021 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Vision3 250D
Rocky Hill Inn Gastro Pub
Rocky Hill Inn Gastro Pub | May 2021 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Vision3 250D
Red Doors, Rocky Hill
Red Doors, Rocky Hill | May 2021 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Vision3 250D
Front Porch, Rocky Hill
Front Porch, Rocky Hill | May 2021 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Vision3 250D
Source Farmhouse Brewing
Source Farmhouse Brewing | May 2021 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Vision3 250D

Why are you doing this to yourself? You don’t even know if the pictures will be good!

The hobby within a hobby.

NOTE: I’ll begin this experience report with a brief disclaimer. It’s been less than three years since I returned to shooting 35mm film after switching to digital photography over 20 years ago. I’ve inundated myself with as much film education as possible between web articles and advice from experienced film shooters. But, since my prior experience with film is decades old, this review is from a rather novice point of view.

When I was a young teenager, I had lots of hobbies. I collected stamps, coins, and shells. I learned a lot about physics designing paper aeroplanes, kites and trebuchets.

My buddy, Andy, and I experimented with the aerodynamics of different wing and body shapes, trying to see how far or how high we could throw a paper plane. Far, very far.

Andy and I were inseparable. We did covert chemistry experiments in my bedroom, making a mess of the rug and the bedroom walls. I loved physics and chemistry. We took apart discarded electronics and built new things with them. I remember one time, we built a radio transmitter. I insisted on hooking it up to the television antenna. We had fun broadcasting our ramblings on the airwaves. Dad was not amused.

Flounder Beer Garden | Saturday 22 August, 2020 | Pentax P3 | Pentax-A SMC 50mm f/2 | Fujicolor Pro 400H

But we loved biology, too. One year, we got into fishkeeping. My dad bought me an 18-litre fish tank where I kept some guppies we netted from a nearby stream. Later, he bought me a larger tank, perhaps 100 litres. I kept guppies and swordfish and platys. Dad gifted me the book he had used when he had a tank as a young boy. That surprised me. Up to then, I had had no idea Dad was into fishkeeping. I read the book cover to cover, learning about the difference between fish that lay eggs and fish that have live births. I was fascinated by fish breeding.

I saved up my birthday money and bought another 100-litre tank to breed guppies and platys. I wanted to see what wild combinations I could produce. Could I do it successfully? We created all sorts of fun combinations of these fish. Other than curiosity, there was no point in breeding tropical fish. We lived on a tropical island with lots of "free" fish to be caught from nearby streams. It was a fun challenge.

Camilla | Saturday 22 August, 2020 | Pentax P3 | Pentax-A SMC 50mm f/2 | Fujicolor Pro 400H

I can speculate as much as I want about why photographic film is making a comeback. I think it’s nostalgia and a desire for a more challenging and hands-on medium. After decades of digital photography, I recently started using 35mm film again. I bought a film camera on eBay, had it cleaned, lubed and adjusted, slapped in a roll of film and failed. I had forgotten the film roll in the pocket of my jeans, and it didn’t survive the laundry.

35mm film is inferior to 35mm digital. 35mm digital IQ is superior. 35mm digital lenses are superior. 35mm digital dynamic range is higher, and the colour is more true to life. Too many things can go wrong with making prints from 35mm film - in the camera, in the development process, and in the printing process. There are far fewer variables with 35mm digital. 35mm film takes much more work. More work does not mean better images. It just means more work.

Flounder Brewing Co. | Saturday 22 August, 2020 | Pentax P3 | Pentax-A SMC 50mm f/2 | Fujicolor Pro 400H

We are used to how 35mm film looks from seeing it in magazines or family albums. We have cultural emotions and memories associated with 35mm film. At some point, all these people, including myself, will die, and only weirdos will make inane statements like “I like the aesthetics of film”. Sometimes, I like to fish, and sometimes, I like chicken, but in 50 years, when vegans rule the world, that statement will seem quaint.

I use 35mm film because it reminds me of the 1970s when I was ten. Dad would pile us into his white Volkswagen Beetle for a road trip around the mountains of St. Vincent or to the beach. He always took photos using his Asahi Optical Co. Pentax Spotmatic II. Or when my uncle, Dad’s brother, would host his yearly “cookout” with all the family. He would break out his slide projector, and we would go through the family photos, laugh, and have fun.

Source Brewing | Saturday 22 August, 2020 | Pentax P3 | Pentax-A SMC 50mm f/2 | Fujicolor Pro 400H

Every time I pick up my X-700, those are the memories that come back to me.

I’ll quote Ken Rockwell, who hit the nail on the head.

If and only if you're an accomplished artist who can extract every last drop from film's quality, then film, meaning large format film, technically is better than digital in every way. Few people have the skill to work film out to this level, thus the debate.
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Convenience has always won out over ultimate quality throughout the history of photography. Huge homemade wet glass plates led to store-bought dry plates which led to 8 x 10" sheet film which led to 4 x 5" sheet film which led to 2-1/4" roll film which led to 35mm which led to digital. As the years roll on the ultimate quality obtained in each smaller medium drops, while the average results obtained by everyone climbs. In 1860 only a few skilled artisans like my great-great-great-grandfather in Scotland could coax any sort of an image at all from a plate camera while normal people couldn't even take photos at all. In 1940 normal people got fuzzy snaps from their Brownies and flashbulbs while artists got incredible results on 8 x 10" film. Today artists still mess with 4 x 5" cameras and normal people are getting the best photos they ever have on 3 MP digital cameras printed at the local photo lab.
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So why the debate? I suspect the debate is among amateurs who've really only shot 35mm since it's been the only popular amateur film format for the past 25 years. Pros never say "film," they say a format like "120," "4x5," "6x17," "8x20" or "35" since "film" could mean so many things. Amateurs say "film" since they only use one format and presume 35mm. Therein lies the potential for debate when people don't first define their terminology. Today's digital SLRs replace 35mm, no big deal. Ken Rockwell

Saturday 22 August, 2020 | Pentax P3 | Pentax-A SMC 50mm f/2 | Fujicolor Pro 400H

The second roll came out better, but the results are nowhere close to what I can do with my digital camera. My wife chided me for wasting money. I bought another gently used film camera, and my results were much better. Then, the most recent roll was developed after the film door on one of my cameras accidentally opened. My wife looked at the photographs.

“Why are you doing this to yourself? You don’t even know if the pictures will be good.”

I looked at her, trying to think of an answer.

“It’s a fun challenge. It’s my hobby within a hobby.”

Unfortunately, like other Fujifilm stocks, Pro 400H is prone to green and magenta color casts. I was really hoping this wouldn't be a problem with Fuji's flagship film, but it remains a distinct characteristic of Fuji's color science. ~ Fuji Pro 400H — 35mm film review by Tobias

All images in this post were made on a 36-exposure roll of Fujicolor Pro 400H in a Minolta X-700 with MD Rokkor-X 50mm f/1.7 lens and developed and scanned at The Darkroom. in San Clemente, CA. The images are presented here as scanned, without any colour correction, to show the characteristics of the film. If you don't like the green cast, use another film or shoot digitally and use a film simulation. Now that I understand the Fujicolor Pro 400 film better, I may use it when the subject can benefit from the green cast on a sunny day, e.g., in the woods or on a sunny winter day in the city.

Submitted for the 100DaysToOffload project.