Fujifilm Film Simulation Challenge Roll 11: Kodak Ektar 100

For the eleventh instalment of the Film Simulation Challenge, I chose Ritchie's Kodak Ektar 100 Film Simulation Recipe. The goal of the challenge is to use the same settings for 24 or 36 exposures, similar to shooting a roll of film. This particular film simulation recipe is intended to imitate the look of Kodak Ektachrome 100SW film. I “loaded” this “film” into my Fujifilm X-T2.

Another hot, humid day of al fresco dining at the Brick Farm Tavern provided the opportunity to try this film simulation.

Ektar is a color negative film made by Kodak. It’s known for vibrant colors, high contrast and fine grain, and, even though it is a negative film, it is more like reversal (slide) film. I would say that, while the results aren’t 100% identical, there are a lot of similarities between Ektar 100 and Ektachrome 100VS. In fact, when Kodak discontinued Ektachrome 100VS, they recommended Ektar 100 as the closest film.

Ektar is ideal for vibrant landscapes or any situation where you want lots of contrast and saturated colors. It’s not usually one’s first choice for portrait photography because skin tones can be off. Some people use it extensively for portraits, but the general advice is to use Ektar for everything other than people pictures. I’ve shot a few rolls of it in the past, but it’s been probably seven or eight years.

I am not a fan of this film simulation. I'm not too fond of the noticeable red cast in the images, especially in the skin tones. Perhaps I prefer my images on the cooler side.

Tuesday 23 June, 2020 | FujiFilm X-T2 | XF27mmF2.8 | Kodak Ektar 100 Film Simulation
Tuesday 23 June, 2020 | FujiFilm X-T2 | XF27mmF2.8 | Kodak Ektar 100 Film Simulation
Tuesday 23 June, 2020 | FujiFilm X-T2 | XF27mmF2.8 | Kodak Ektar 100 Film Simulation
Tuesday 23 June, 2020 | FujiFilm X-T2 | XF27mmF2.8 | Kodak Ektar 100 Film Simulation
Tuesday 23 June, 2020 | FujiFilm X-T2 | XF27mmF2.8 | Kodak Ektar 100 Film Simulation
Tuesday 23 June, 2020 | FujiFilm X-T2 | XF27mmF2.8 | Kodak Ektar 100 Film Simulation
Tuesday 23 June, 2020 | FujiFilm X-T2 | XF27mmF2.8 | Kodak Ektar 100 Film Simulation
Tuesday 23 June, 2020 | FujiFilm X-T2 | XF27mmF2.8 | Kodak Ektar 100 Film Simulation
Tuesday 23 June, 2020 | FujiFilm X-T2 | XF27mmF2.8 | Kodak Ektar 100 Film Simulation
Tuesday 23 June, 2020 | FujiFilm X-T2 | XF27mmF2.8 | Kodak Ektar 100 Film Simulation

Submitted as part of the 100DaysToOffload project.

52 Week Smartphone Challenge : Week 28 : Your Culture

Photographers participating in the challenge come from nearly every country and culture. Tell us the story of your culture.

I was born in the British West Indies, but I have lived 34 of my 54 years of life in the United States. I have lived on the islands of St. Vincent, Bequia, Barbados, St. Lucia, Antigua and Long Island (Queens County, NY). I have lived in New York City (Borough of Queens), Atlanta (Georgia), Ann Arbor (Michigan), and Central New Jersey (Plainsboro, Franklin Park, Montgomery Township). Of my 34 years in the USA, I have lived in Montgomery Township the longest. Each of those places has had an impact on me, and none are like each other.

But additionally, I married a Brahmin Hindu woman from Gujarat, India and I have embraced the richness of that culture as well. We were married in a Hindu temple and our children, Shaan and Kiran, have traditional Indian first names.

So which culture should I choose to represent via photography? My British West Indies heritage? My adopted American or East Coast or Central New Jersey culture? Or the selected Asian culture? Each culture is layered one on top the other and over time created the person writing this blog.

How do I fit that all into one photograph?

For this post, I cheated. I took several iPhone 11 Pro photographers that I captured over the year, photographs that represent various cultural elements imported them as layers in Adobe Photoshop and used the Auto-Blend feature and stacked the images. I used pictures of pizza, local micro-breweries, Indian food, hikes in the woods, my wife, etc.

The result is an indefinable mess, just like me.

It seems that theOnlyD800intheHameau was similarly challenged but did find a way to choose.

Submitted as part of my 52 Week Smartphone Challenge

Fujifilm Film Simulation Challenge Roll 10 : Kodak Ektachrome 100SW

I took Ritchie’s Ektachrome 100SW recipe out for al fresco dining at the Brick Farm Tavern.

For the tenth instalment of the Film Simulation Challenge, I chose Ritchie's Kodak Ektachrome 100SW Film Simulation Recipe. The goal of the challenge is to use the same settings for 24 or 36 exposures, similar to shooting a roll of film. This particular film simulation recipe is intended to imitate the look of Kodak Ektachrome 100SW film. I “loaded” this “film” into my Fujifilm X-T2.

The bright and warm weather on this early evening dinner at the Brick Farm Tavern provided me with the opportunity to test out this film simulation recipe. The weather was just right for Brick Farm Tavern to open their outdoor seating for reservations. They had announced it last week, and I booked us for a table right away. They offered twenty-four socially distanced outdoor tables, of which sixteen of them can be reserved via OpenTable starting today! The rest of the tables are available for walk-ins on a first-come-first-served basis.

Kodak Ektachrome 100SW is another film which I have never used and since the film is discontinued, I will never get to use. Kodak discontinued Ektachrome 100 in 2002, ceased all production of Ektachrome films in 2012, but then brought it back in 2018 with a newer formulation. I have a 36 exposure roll of Ektachrome E100 that I will soon get to try in my Pentax ESII. Here's Ritchie's overview of Kodak Ektachrome 100SW Film:

Ektachrome was a line of color transparency (slide) films made by Kodak that used the E-6 development process. Some people preferred it to Kodachrome because of the faster ISO (100 vs 64 or 25), more saturated colors and easier development (although Kodachrome had finer grain, a larger dynamic range and didn’t fade as easily). A lot of National Geographic photographs were shot on Ektachrome back in the day.

There were a number of varieties of Ektachrome produced over the years, and I’ve used five of them myself. My favorite was Ektachrome 100VS (VS = “very saturated”), which was Kodak’s attempt at Fujifilm Velvia. Occasionally I used Ektachrome 100SW (SW = “saturated warm”), which was introduced in 1996 and produced vivid photographs with a warm color balance. Kodak stopped production of Ektachrome 100SW in 2002 and all Ektachrome film in 2012.

The images have a slightly green cast to them but I think that added to the feeling of "summer" al fresco dining.

Tuesday 16 June, 2020 | Day 86 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR
Tuesday 16 June, 2020 | Day 86 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR
Tuesday 16 June, 2020 | Day 86 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR
Tuesday 16 June, 2020 | Day 86 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR
Tuesday 16 June, 2020 | Day 86 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR
Tuesday 16 June, 2020 | Day 86 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR
Tuesday 16 June, 2020 | Day 86 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR
Tuesday 16 June, 2020 | Day 86 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR
Tuesday 16 June, 2020 | Day 86 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR

Submitted as part of the 100DaysToOffload project.