During my sophomore year at Drew University, I took a winter semester course on photography with access to a fully stocked darkroom. As a student, the only thing I needed was a camera, film, and 8×10 photographic paper. I shot colour reversal, but thinking back to that time, I was enamoured with B& W film,…Continue Reading
After trying Jean-Pascal Remon’s Classic Negative recipe, I tried Ritchie Roesch’s Classic Negative recipe, which is based on the Pro Negative Standard film simulation recipe. I do not have a Fujifilm X-Pro3 or Fujifilm X100V so I don't know how closely Ritchie's recipe matched Classic Negative, but I do like the look. [caption id="attachment_63841" align="aligncenter"…Continue Reading
Jamie Chance wrote a blog post about attempts by three photographers to recreate the Classic Negative look for Fujifilm X-Tran III sensors. Writing on Fujirumours, photographer Jean-Pascal Remon, offers his recipe to approximate the looks of Fujifilm’s new Classic Negative Film Simulation. Dynamic Range: 400% Film Simulation: Classic Chrome Grain Effect: Strong White Balance: Auto,…Continue Reading
This past Thursday, I got my camera back from the Fujifilm repair centre in Edison. The shutter button had failed, and they had to replace the entire top plate. I missed the camera, and while it was out for repair, I could feel what I can only describe as withdrawal. While the iPhone is capable…Continue Reading
It's time to look at Fujifilm's ACROS simulation in the real world. This pushes black and white photography to another level, it is legendary!
Trying out something new with ACROS. [caption id="attachment_63720" align="aligncenter" width="960"] FujiFilm X-T2 | XF16-55mmF2.8 R LM WR | 55 mm | f/2.8 | ISO 1250[/caption] [caption id="attachment_63721" align="aligncenter" width="960"] FujiFilm X-T2 | XF16-55mmF2.8 R LM WR | 55 mm | f/2.8 | ISO 1250[/caption]Continue Reading