Navigating the Numbers : Understanding iPhone Camera Specs

I'm tackling the sometimes confusing world of iPhone camera specs and third-party iPhone lenses.

Today, I'm tackling the sometimes confusing world of iPhone camera specs and third-party iPhone lenses. I'll write about exciting technical aspects of iPhone photography, such as focal lengths, crop factors, and lens capabilities. My post focuses on the iPhone 11 Pro, but with some Googlefoo, you can look up your pocket camera information.

Understanding Focal Lengths and Crop Factors

I'll start with the basics. The iPhone 11 Pro boasts three different cameras, each with a unique focal length. But here's where the misunderstanding begins: Apple gives these focal lengths in 35mm full-frame equivalent terms. So, when the Photos app shows information for a lens like the "Telephoto", it's not the actual physical length but how it compares to the traditional 35mm camera system. However, Apple's technical literature does not mention this. I'll wait while you visit Apple's website to read the technical specs for iPhone 15 Pro, iPhone 14 Pro, or iPhone 11 Pro. As a photographer and someone who understands physics, I assumed the focal length was quoted in full-frame terms. However, Apple's technical literature must mention this explicitly.

Screenshot from iOS Photos App
Screenshot from iOS Photos App · 15 January 2024 ·

The physical focal length of the iPhone 11 Pro's cameras are listed in the table below, along with their crop factor. I also calculated the crop factors for each iPhone 11 Pro camera based on their sensor sizes. This number is important; it helps us understand how the iPhone's sensor size affects the field of view compared to a full-frame1 camera.

Camera Lens (Physical Focal Length) Sensor Size (mm) Crop Factor 35mm Full-Frame Equivalent Focal Length
Telephoto 6mm 4.15 x 3.11 8.34 50.04mm
Wide 4.25mm 5.88 x 4.42 5.88 24.99mm
Ultra-Wide 1.54mm 3.96 x 2.97 8.74 13.46mm

This table shows the conversion of the physical focal lengths to their 35mm full-frame equivalents based on each camera's crop factor. Using the telephoto lens as an example, multiply the physical focal length of 6mm by the crop factor of 8.34 to get a 35mm full-frame equivalent of 50.04mm. In the iOS Photos app, this is shown as 52mm. The sensor sizes I found online may be wrong.

Adobe Lightroom reveals the information that Apple seems intent on hiding away. I redid the table above using the information reported in Adobe Lightroom and removed the possibly inaccurate sensor dimensions.

Camera Lens (Physical Focal Length) 35mm Full-Frame Equivalent Focal Length Crop Factor
Telephoto 6mm 52mm 8.67
Wide 4.25mm 26mm 6.12
Ultra-Wide 1.54mm 13mm 8.44
Adobe Lightroom EXIF
Adobe Lightroom EXIF

With its 136mm full-frame equivalent focal length, the ultra-wide lens is ideal for capturing wide landscapes or architectural scenes where I want to fit more into the frame. The wide lens, at 26mm, is versatile for everyday photography, including street scenes and portraits, offering a natural perspective. With a 52mm equivalent, the "short" telephoto lens helps you get closer to distant subjects for portrait photography, where I want to focus on the subject with a somewhat blurred background.

Third-party Lens Magic

Now that I have a basis for understanding the iPhone's technical specs, let's talk about a third-party "lens" like the Moment 58mm Tele Mobile Lens. I have read positive reviews about Moment mobile lenses and was touched by a bit of G.A.S.2, I dropped in on their website to look around. Moment, unfortunately, assumes I know that this 58mm focal length is achieved with the iPhone's "default" 4.25mm camera (26mm FF FOV). That confusion is, in fact, what prompted me to write this blog post. In my opinion, the "58mm" name is a distraction and a misnomer.

Moment 58mm Tele Mobile Lens
Moment 58mm Tele Mobile Lens

An optical multiplier is a lens attachment that increases the effective focal length of a camera lens, allowing for closer magnification of distant subjects without compromising image quality. According to the information on the Moment website, the Moment 58mm Tele Mobile Lens is a "~2X" optical multiplier. So, when used on the native 4.25mm, 6mm and 1.54mm lenses on the iPhone, we get different focal lengths and fields of view.

Here's how it breaks down:

Camera Physical Focal Length With Moment 2X Multiplier 35mm FF FOV
Telephoto 6mm 12mm 104mm
Wide 4.25mm 8.50mm 52mm
Ultra-Wide 1.54mm 3.08mm 26mm

I found a link on Reddit that explains the expected focal lengths. I also received an email from Moment explaining that the multiplier is 1.75. With that revised information and assuming it's correct, here's what I think I know about using a Moment lens with an iPhone 11 Pro. So "~2X" means "1.75x". That’s technically correct.

Camera Physical Focal Length With Moment 1.75X Multiplier 35mm FF FOV
Telephoto 6mm 10.5mm 91mm
Wide 4.25mm 7.44mm 45.5mm
Ultra-Wide 1.54mm 2.7mm 22.75mm

Why This Matters

Understanding these specifications is important for photographers like myself who want to make the most of their pocket cameras. Knowing the crop factors and how the Moment lens alters the field of view, I can make informed decisions about my photography purchases.

Now that I understand that the Moment lenses are just optical multipliers, I can see how they open up new possibilities. They enhance the iPhone's capabilities, offering versatility for casual snapshots or skilled compositions.

I think the 45.5mmm FF equivalent focal length is nearly perfect for street and general photography. The 91mm FF equivalent focal length is an excellent focal length for portraits.

Final Thoughts

Photography is an art and a science. We blend technical knowledge with creative vision. Whether you're a professional photographer or a hobbyist, understanding your tools can transform how you capture the world around you.

  1. Apple. (n.d.). iPhone 11 Pro - Technical Specifications. Retrieved from https://support.apple.com/kb/SP805?locale=en_US
  2. Reddit user drunk_caterpillar. (2019, September 28). Gate dimensions of individual iPhone 11 Pro sensors with comparisons to traditional film formats. Retrieved from https://www.reddit.com/r/cinematography/comments/dadfas/gate_dimensions_of_individual_iphone_11_pro/

  1. Full-frame refers to a digital camera sensor size that matches the 36mm x 24mm dimensions of traditional 35mm film, frequently used as a standard for comparing different camera sensor sizes ?
  2. G.A.S., or Gear Acquisition Syndrome, refers to the urge to continuously acquire new equipment or gear, often driven by the belief that it will improve one's skills or results, typically seen in hobbies like photography or music. ?

Create this Twirl effect in Adobe Photoshop

I learned a new technique which I have used to transform a mundane set of images into something I find exciting.

I first read about this twirl technique on Hanne Siebers's blog. Dina learned about the technique from her camera club, The North Norfolk Photographic Society. She has used it to transform a photograph of Klausbernd into a twist. I loved the idea and looked at this video to which Dina provided a link.

The video shows how to create exciting artistic twirl effects in Adobe Photoshop. For me, the process is a way to explore the features of Photoshop, but I also found it to be a distraction from pandemic social isolation as well as a way to find more creativity in my day. While I was able to learn the process via the video, I did a lot of stopping and rewinding and flipping back and forth from the video to Photoshop. I find all of that annoying. I find any kind of online video learning annoying. It's not my learning style. I wrote down the steps to do it, and I hope this is useful to others. The text-based steps below are how I have created all subsequent twirls. It does, however, require knowledge of and familiarity with the Adobe Photoshop menus. For people who are not familiar with the right-side panel, the video may be a better choice.

Any image will do, but I got the best results from simple images that contain one to three main colours. As the starting point for the twirl created in this blog post, I used one of my recent iPhone photographs of East Pyne Hall on the Princeton University Campus. Once you have selected an image open the image in Adobe Photoshop. NOTE: I am using Adobe Photoshop CC.

If any of this is unclear please let me know. I have screenshots of the menus that I hope to include in an update to this blogs post.

Monday 4 May, 2020 | Apple iPhone 11 Pro | iPhone 11 Pro back camera 1.54mm f/2.4 | ISO 20
  1. In the right-side panel, right-click on the layer and select “Convert to Smart Object”.
  2. From the main menu, choose Filter->Pixelate->Mezzoint.
    1. Select “Medium Strokes” for type.
    2. Click Ok.
  3. From the main menu select Filter->Blur->Radial Blur.
    1. Set Blur Method to “Zoom” and amount to 100%.
    2. Click Ok.
    3. Repeat these steps two more times.
  4. From the main menu, Select Filter->Distort->Twirl.
    1. Set the Angle to -100% and click Ok.
    2. Right-click on the Twirl layer you just created and select "Edit Smart Filter Blending Options"
    3. Set the Blending Mode to Lighten.
  5. Repeat the Twirl from the step above but in the other direction. From the main menu, Select Filter->Distort->Twirl.
    1. Set the Angle to 100% and click Ok.
    2. Right-click on the Twirl layer you just created and select "Edit Smart Filter Blending Options"
    3. Set Blending Mode to Lighten.
    4. Click Ok.
  6. From the right-side at the bottom of the Layers panel click the Adjustment Layer button adjustment layers button and select Curves.
    1. Adjust black and whites to create a slight S curve.
  7. From the right-side at the bottom of the Layers panel click the Adjustment Layer button adjustment layers button and select Vibrance
    1. Change the Vibrance setting to personal taste.
  8. From the right-side at the bottom of the Layers panel click the Adjustment Layer button adjustment layers button and select Color Balance
    1. Play around with the sliders until you get something you like.
  9. Select the original layer and add another Twirl. From the main menu, select Filter->Distort->Twirl.
    1. Set the Angle to -150% and click Ok.
    2. Right-click on the Twirl layer you just created and select "Edit Smart Filter Blending Options"
    3. Set Blending Mode to Lighten.
    4. Click Ok.
Instant Miso Soup Package | Thursday 30 April, 2020 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR | f/6.4 | ISO 3200
Yellow orchid flowers | Wednesday 29 April, 2020 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR | f/2.8 | ISO 400
Pink orchids flowers | Wednesday 29 April, 2020 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR | f/2.8 | ISO 800
Pantry door | Wednesday 29 April, 2020 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR | f/2.8 | ISO 250
Bowl of oranges | Wednesday 29 April, 2020 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR | f/2.8 | ISO 4000