Scottish-inspired Saturday

Saturday

Perhaps it's the season, but I thought about Hogmanay and the annual bonfire at the Brearley House in Lawrenceville for some reason. Because of the pandemic, the in-person Hogmanay celebrations and bonfires were cancelled in 2020 and 2021. But I wanted to see Brearley House, so I planned a weekend visit last week. I tried to walk from Port Mercer Canal House along the D&R Canal Trail to the Brearley House.

More inspiration hit, and soon I was ordering black pudding and rashers of bacon online. They arrived earlier this week, just in time for the weekend.

My Scottish-inspired breakfast is incomplete without baked beans, sausage, tattie scones and salted mushrooms. However, rashers of bacon, black pudding, tomato, fried eggs, and toast are still a delicious and hearty prep for walking the D&R Canal trail from Port Mercer Canal House to Brearley House.

Rasher of bacon, black pudding, tomato, fried eggs, toast | 18 December 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR

I read about some of Princeton University's Scottish origins and was not surprised to discover that John Witherspoon, for whom Witherspoon Street is named, was a Scot. Princeton University was initially called the College of New Jersey, which should not be confused with the current university of the same name.

I’m not sure that all Princetonians recognize that Witherspoon was a Scottish Presbyterian minister persuaded to leave his parish in Paisley, Scotland, to take up the presidency of the College of New Jersey in 1768. After the early deaths of the previous five presidents, it was Witherspoon alone who over the following 26 years transformed the struggling college into a major institution of American higher education. Even fewer of us, I suspect, realize that Nassau Hall itself was largely built with Scottish money.

In 1753–54, the Presbyterian Synod of New York, desperate for funds to establish its new college, dispatched Gilbert Tennant and Samuel Davies (the College’s fourth president) to the U.K. in search of financial help. In Scotland they found success.

On May 31, 1754, the General Assembly of the Church of Scotland resolved that “a general collection” should be made “at all the church-doors in Scotland” on behalf of the College of New Jersey. As a result, the very substantial sum of £3200 was raised, and that money largely paid for the building of Nassau Hall.

Interesting trivia, John Witherspoon is related to the actor Reece Witherspoon.

Until 1697, every Governor of East Jersey was Scottish, and Scots maintained great influence in politics and business even after 1702, when East Jersey and West Jersey were merged to become a Royal Colony.

I found this quite interesting considering that information passed down from my mother and grandmother indicates that I am the descendant of [Scots] who became landowners and whalers in Bequia.

One young Bequian, William “Old Bill” Wallace Jr., son of the late, Scottish-born owner of the large, but by now defunct sugar plantation in Friendship, determined that whaling would be the key to the future of his island and its struggling population. He left home in 1855 at the age of 15 to work as an apprentice on a New England whaleship. He returned to his native island in the late 1860s with two New England whaleboats, the Iron Duke and the Nancy Dawson, ready to commence his whaling operation in Friendship Bay. A second station - set up by landowner Joseph "Pa" Ollivierre, son of a Bequia-based French cotton planter - swiftly followed, and whaling went on to become the premier economic activity on the island for many years to follow.

Brearley House and a walk along the D&R Canal

The universe was cooperating to make my Scottish-inspired day. The air was cold and damp, and the sky was 100% overcast. Grey skies. Check. Cold and damp. Check. I might as well be in Scotland.

Due to the rains, the bridge at Port Mercer was closed. I chose to reverse the order of my walk. I drove to the Brearley House, captured a few images, and started walking the Brearley Meadow Trail toward the D&R Canal.

The Brearley House was erected in 1761 on the Great Meadow on the farming and grazing land of the Leni-Lanapi People who lived in the area thousands of years before the arrival of Europeans.

In fact, students of Lawrence Middle School in archaeological digs beginning in 1998 uncovered projectile points and other artifacts from the fields around the house.

1761 Brearley House
1761 Brearley House | 18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR

Typical of many 181h century colonial houses, the Brearley House is built in the Georgian style English manor houses, albeit smaller.

1761 Brearley House
1761 Brearley House | 18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR

The house changed ownership many times, undergoing alterations that damaged the home. In 1998 the Lawrence Historical Society, the Township of Lawrence, and the New Jersey Historic Trust funded an effort to restore the Brearley House to its 18th-century charm.

1761 Brearley House
1761 Brearley House | 18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
1761 Brearley House
1761 Brearley House | 18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR

Restored by the noted Philadelphia firm of Theodore H. Nickels, the exterior and interior of the house look much as they did in 1761, or as much as modern research and technology and present day needs make feasible. An addition on the southeast corner houses modern kitchen and restroom facilities as well as handicap accessibility. The addition is similar in size and shape to other such features in 181h century houses in New Jersey, but no attempt has been made to suggest that it is anything but modern. The basement and attic house state of the art heating and air-conditioning, but ducts and electric wiring have been concealed as much as possible. Two rooms on the second floor have been fitted with a small efficiency kitchen and a bathroom to convert them into an apartment for a resident caretaker, who is deemed necessary on such a secluded site. The house is once more a one family home with a concerned, permanent owner - the citizenry of Lawrence Township. Tom Fawcett, who was so distressed that his boyhood home had not been maintained after his family sold it, would indeed be proud.

1761 Brearley House
1761 Brearley House | 18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR

D&R Canal Trail

Over the next 150 years, the lack of natural drainage from the D & R Canal construction and the building of many primary and secondary roads caused the Great Meadow to become wooded wetlands. I met a man and a woman walking two dogs along the trail. After I snapped their photo, the man asked what I was up to, and I explained how the cancellation of the Hogmanay celebrations had inspired my Scottish breakfast, and the weather for the photo walk agreed with the theme. Guess what? The man is from Scotland.

18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR

Port Mercer Canal House

After about thirty minutes of brisk walking, I arrived at the The Port Mercer Canal House. As I mentioned earlier, the bridge over the canal was closed. The D&R Canal, the Port Mercer Canal House and the Port Mercer area are listed on the National Register of Historic Places and are part of a New Jersey State Park.

The Port Mercer Canal House was built in the 1830's next to a swing bridge over the Delaware and Raritan Canal to house the bridgetender and his family. The D&R Canal provided a safe and short waterway from Philadelphia to New York City from its opening in 1834 until 1932.

18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR

Belle Mara

Subconsciously I had also planned to attend the soft opening of Belle Mara Spirits, right next door to Flounder Brewing. The head distiller and co-founder, Camden Winkelstein, was the head distiller at Sourland Mountain Spirits during the first few months of 2015. I attended that opening and the tour at Sourland Mountain Spirits back then and was impressed when I learned that Camden had recently married and then went off to Scotland to earn a Masters in Brewing and Distilling from Heriot-Watt University in Edinburgh.

We are a different kind of distillery with a unique approach to making spirits that blends traditional production techniques from Scotland with distinctly American innovations.

Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8

The word bellemara roughly translates to “beauty of the sea”, which is an odd name to assign to something about an hour from the ocean, but Camden has his reasons.

Our Founder and Head Distiller, Camden, had first-hand experience with the sea during his years in the Navy. He dreamed of how he wanted to create something that captured the calm and peaceful feeling that we all get when staring out over the ocean and the seed for Bellemara was planted.

Currently, Belle Mara is distilling a single malt spirit only while hoping to bring a gin and Scotch to market.

Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8
Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8
Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8
Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8
Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8
Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8
Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8
Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8

This is my entry for Lens-Artists Challenge #178 – You Choose.

CCSP!

Saturday 18 September 2021

A few weeks ago, after several months of study and hours of practise tests, I was scheduled to sit the Cloud Certified Security Professional (CCSP) on 28 August. To build my career and prove my skills, I wanted to earn a globally recognised cloud security certification. But the testing centre had some issues with the roof, the testing centre cancelled the test last minute, and I had to reschedule for 18 September. I was disappointed but went back to preparing myself for the exam which I took this morning.

I PASSED!!!

CCSP
I PASSED!!

After the ISC2 officially validates my test score, I'll update my LinkedIn profile.

But this is the worst test-taking experience I have ever had. The testing centre is inside a small office in the Princeton Forrestal Village.

The Westin Princeton at Forrestal Village
The Westin Princeton at Forrestal Village | Saturday 18 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1/1800 sec at f/8.0 | ISO 6400

The reception staff asked us to wash our hands as soon as we entered the testing facility, which is not a CDC recommendation for preventing the spread of COVID, so I suspect this is just Security theatre. But what the hell? Clean hands are not a hassle. We had to be vaccinated to take the test, but the testing centre required that we wear a face mask while in the waiting room (30 min) and during the exam (3 hours). That was a challenge.

I get anxious when my face and mouth are covered. Even when I had my radiation treatments for Graves Eye Disease (2019) and had to wear a mesh mask over my face, it was only possible because they dosed me up on Xanax first. I do not recommend taking Xanax before sitting an exam.

At one point, while in the waiting room before the exam, my heart started racing. I got up and went outside. By wearing the face mask, I added to my usual test anxiety. Fortunately, I remembered my deep breathing exercises from when I had hyperthyroidism (2018). That, combined with an intense focus on the test questions, helped me make it through. That is the longest I have ever worn a face mask. PearsonVUE determines these safety requirements.

We endured a pre-exam authentication procedure that made me feel like a criminal. I endure two palm vein scans, two scans for each hand, presented two forms of identification (I used my passport and New Jersey drivers license), sat for a photograph (the type they use in mug-shots), removed all clothing not attached to my body, locked them in a locker, turned out my empty pockets to show that I had no hidden items, etc. The admin told me that sometimes they also do a pat-down.

Then after that first authentication procedure, we were asked to get into another queue behind an opaque wall. We had to show ID again, turn our pockets again, and have our palms scanned again. The exam proctor informed us that the exam room had audio and video recording. I was allowed to enter the exam room with my insulin pump (federal ADA laws), but not my blood glucose testing kit or hard candy (in case I got hypoglycaemia). Before the test would start, I had to read and acknowledge a non-disclosure agreement regarding the test itself.

The ISC2 determines the authentication requirements for sitting the exam.

At the end of the test, I raised my hand, got the proctor and bolted for the exit. The admin staff reminded me to get my stuff from the locker and handed me my test result. I crumpled it up, stuffed it in my pocket and got out.

If they insist on in-person testing, then the ISC2 needs to find a mask-less process. I recommend they move the exam online.


Bhavana and Shaan were excited about my accomplishment. We decided to visit Flounder Brewing for a celebratory ale and rustic pizza from Testo.

Bhavna and Shaan
Bhavna and Shaan | Saturday 18 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 20 mm | 190 sec at f/8.0 | ISO 640
Saturday 18 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 55 mm | 1340 sec at f/2.8 | ISO 640
Saturday 18 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 55 mm | 1340 sec at f/2.8 | ISO 640
Corn and bacon | Saturday 18 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 55 mm | 1200 sec at f/6.4 | ISO 640
Saturday 18 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 55 mm | 1350 sec at f/2.8 | ISO 640
Saturday 18 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 55 mm | 1210 sec at f/2.8 | ISO 640
Testo Pizza
Saturday 18 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 55 mm | 160 sec at f/5.6 | ISO 1600
Testo Pizza
Saturday 18 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 32.1 mm | 160 sec at f/5.6 | ISO 1000

Friday 17 September 2021

Friday 17 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 55 mm | 140 sec at f/2.8 | ISO 12800

Wednesday 15 September 2021

Wednesday 15 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 55 mm | 1280 sec at f/2.8 | ISO 640

When Kiran was born, Bhavna and I were sleep-deprived zombies from taking care of her "still in a diaper" 18-month-old sibling, Shaan. Bhavna had a long exhausting labour experience. My right hand was nearly crushed by providing father support. Father's are so useless. When the nurse requested that I complete the requisite birth registration paperwork, I ended up with some creative spellings for our newest experiment's name.

I spelt Kiran, a gender-neutral Hindi name meaning "ray of light", with a "y", as Kyran, an Irish Celtic male first name meaning "little dark one". Oy! Not at all flattering and the opposite meaning of what we intended.

Kiran learned to spell her name with the "i", which caused issues when she started kindergarten. Why are Americans, predominantly white and black Americans, so bad at pronouncing non-Western normative names? It's not like Asians haven't lived in the USA for centuries. Our district is nearly 40% Asian, so this bothered me. She had more problems later on at college with paperwork, etc.

Recently, I went online looking for how to legally change her name to set her right before things got worse.

Tuesday 14 September 2021

Pachira aquatica
Pachira aquatica | Tuesday 14 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 55 mm | 150 sec at f/2.8 | ISO 6400

Like Phillip Caron, I too have an intense dislike of games of chance.

All games that are luck driven are strictly a waste of time after the age of six. Sorry, Chutes and Ladders, Trouble, and War are all on the list. I’m on a warpath against these games. Now, I do play these games on occasion. I have a four year old. These games serve their purpose to introduce young children to games. Children can learn basic rule structures socially and technically. There is nothing better to teach them about the unfairness of life. Having them lose at something that they had no control over anyway.

Beyond that they are useless.

Have you ever seen someone get excited when they beat you at one of these games? Pathetic. You won at a game… of pure chance. There wasn’t a shred of skill used in that victory. Can you even call it a victory? I could have played that game by myself. Your presence wasn’t even required for my loss.


The John Clyde Memorial Native Grassland Preserve, formerly the Griggstown Native Grassland Preserve, is a nature reserve and bird reserve located in Griggstown, an unincorporated community within Franklin Township, New Jersey. I visited the Preserve for the second time last November and for the first time in February 2019. This time Bhavna accompanied me. I have finally got around to posting the images.

The Preserve's meadow is 102 acres, and another 345 acres is woodland. The Preserve connects to 218 acres of the Ten Mile Run Greenway - the Bunker Hill and Franklin Park Natural Areas. It is home to many migratory birds and dozens of other birds and animals that make their permanent home in the surrounding wetlands. Some species found on this meadow include:

  • Grasshopper Sparrow and Bobolink (both New Jersey state threatened species)
  • American Kestrel and eastern box turtle (both New Jersey special concern species)
  • Short-eared Owl (New Jersey special concern species - non-breeding)

The township has engaged in extensive habitat restoration activities to assist these species, including removing 5,800 feet of fence and hedgerow - a vital step in creating 102 acres of meadow. The meadow is restored with a mixed planting of native grasses and native wildflowers. The Preserve has six trails through restored grasslands and mature forests.

Some local Eagle Scout projects have included constructing a kiosk, trail construction and marking, building a Barn Swallow nesting structure, and placing Bluebird and bat nesting boxes throughout the western portions.

There are no restrooms on-site.

Griggstown Native Grassland Preserve
Griggstown Native Grassland Preserve | Saturday 21 November, 2020 | FujiFilm X-T2 | XF27mmF2.8 | 1280 sec at f/8.0 | ISO 400
Griggstown Native Grassland Preserve
Griggstown Native Grassland Preserve | Saturday 21 November, 2020 | FujiFilm X-T2 | XF27mmF2.8 | 1250 sec at f/8.0 | ISO 500
Griggstown Native Grassland Preserve
Griggstown Native Grassland Preserve | Saturday 21 November, 2020 | FujiFilm X-T2 | XF27mmF2.8 | 1600 sec at f/4.5 | ISO 400
Griggstown Native Grassland Preserve
Griggstown Native Grassland Preserve | Saturday 21 November, 2020 | FujiFilm X-T2 | XF27mmF2.8 | 1250 sec at f/8.0 | ISO 800
Griggstown Native Grassland Preserve
Griggstown Native Grassland Preserve | Saturday 21 November, 2020 | FujiFilm X-T2 | XF27mmF2.8 | 1/1250 sec at f/2.8 | ISO 400

This is another set of images that I forgot to post. I don't remember all the details but one day in November, after we expected that some of the snow had melted and that the ground might be dryer, Bhavna and I took a hike around the Meadow, Pond and Stony Brook Trail Loop.

Stony Brook Trail Loop
Sunday 29 November, 2020 | Apple iPhone 11 Pro | iPhone 11 Pro back camera 6mm f/2 | 1120 sec at f/2.0 | ISO 20
Stony Brook Trail Loop
Sunday 29 November, 2020 | FujiFilm X-T2 | 80 mm | 1350 sec at f/8.0 | ISO 200
Stony Brook Trail Loop
Sunday 29 November, 2020 | FujiFilm X-T2 | 80 mm | 1250 sec at f/8.0 | ISO 3200
Stony Brook Trail Loop
Sunday 29 November, 2020 | FujiFilm X-T2 | 80 mm | 1250 sec at f/8.0 | ISO 640
Stony Brook Trail Loop
Sunday 29 November, 2020 | FujiFilm X-T2 | 80 mm | 1250 sec at f/8.0 | ISO 2000
Stony Brook Trail Loop
Sunday 29 November, 2020 | FujiFilm X-T2 | 80 mm | 1250 sec at f/8.0 | ISO 2500
Stony Brook Trail Loop
Sunday 29 November, 2020 | FujiFilm X-T2 | 80 mm | 1/2900 sec at f/8.0 | ISO 400
Stony Brook Trail Loop
Sunday 29 November, 2020 | FujiFilm X-T2 | 80 mm | 1250 sec at f/8.0 | ISO 500
Stony Brook Trail Loop
Sunday 29 November, 2020 | FujiFilm X-T2 | 80 mm | 1250 sec at f/8.0 | ISO 1000
Stony Brook Trail Loop
Sunday 29 November, 2020 | FujiFilm X-T2 | 80 mm | 1250 sec at f/8.0 | ISO 12800
Stony Brook Trail Loop
Sunday 29 November, 2020 | FujiFilm X-T2 | 80 mm | 1250 sec at f/8.0 | ISO 10000
Stony Brook Trail Loop
Sunday 29 November, 2020 | FujiFilm X-T2 | 80 mm | 1250 sec at f/8.0 | ISO 1250
Stony Brook Trail Loop
Sunday 29 November, 2020 | FujiFilm X-T2 | 80 mm | 1250 sec at f/8.0 | ISO 640
Stony Brook Trail Loop
Sunday 29 November, 2020 | FujiFilm X-T2 | 80 mm | 1250 sec at f/8.0 | ISO 3200
Stony Brook Trail Loop
Sunday 29 November, 2020 | FujiFilm X-T2 | 80 mm | 150 sec at f/8.0 | ISO 12800
Stony Brook Trail Loop
Sunday 29 November, 2020 | FujiFilm X-T2 | 80 mm | 1/2000 sec at f/8.0 | ISO 400
Stony Brook Trail Loop
Sunday 29 November, 2020 | FujiFilm X-T2 | 80 mm | 1350 sec at f/8.0 | ISO 400
Stony Brook Trail Loop
Sunday 29 November, 2020 | FujiFilm X-T2 | 80 mm | 1250 sec at f/8.0 | ISO 1000

Delta House

What happened this week.

Tuesday

Travel photographer Jamie Chance has updated his Fujifilm JPEG Settings for 2021.

Whilst the below settings are on my cameras right now, this is by no means my final and complete setup. I love changing and dialling in new recipes depending on my mood. However, I think I might have cracked the perfect seven settings to cover as wide a range as possible.

I’ve used well-crafted film simulation settings from Jamie and Ritchie in the past. What I like about Jamie’s settings is that he offers guidance on when to use them. Summer is almost here, and when I get the updated XF27mmF2.8 R WR lens, I think the Kodachrome II settings will serve me well.

Constant observation is a way of life for some, and the next generation looks set to be worse. We have become so used to look at other peoples lives so much that we expect our own to be under the same scrutiny. ~ Insides vs Outsides

Wednesday

I met a friend and former Squibb colleague for dinner tonight. We haven't seen each other since November 2019, and we both lost a loved one, my Dad in 2019 and her mom, to COVID early in the pandemic. We chatted for a few hours, talking about our concerns over ageing parents, work and kids going off to college. I needed this.


Riccardo makes a point about modern digital camera user interfaces that resonate with me and perhaps many other photographers.

Buttons and dials should be used for all basic functions, everything a photographer needs to quickly adjust in an intuitive way. Setting ISO speeds, changing the white balance, adjusting exposure compensation, focus lock, shooting modes, etc. — all these are functions the user should be able to change without having to look for them in a sprawling menu hierarchy.

This is one of the many reasons I bought my Fuji X-T2 three years ago. The experience of using the controls on my Minolta XD-11 35mm film camera is similar to using the controls on my Fuji X-T2. Buttons and dials allow for “muscle memory” to guide my use of each camera.

Thursday

I am looking outside at a dreary overcast morning and feel some dread that I haven't taken a photograph all this week.


I’ve followed Riccardo's writing for several years. His pieces are typically long and well written. He’s a fan but not a fanatic. It seems I will want to wait until the end of the year (or longer) to replace my 2013 iMac.

In this regard, if you’re a regular user who uses their Mac for everyday tasks, has a minimal backup strategy mainly consisting of Time Machine backups and the occasional manual backup of the most crucial stuff, doesn’t tinker with their machine, and so forth — then the transition from an Intel Mac to an Apple Silicon Mac should be relatively painless.
...
I’m what you would call a power user, but for what I do, I don’t need the latest and more performant machine, so I can play the waiting game without much hassle. Whenever I decide it’s time to upgrade, I always aim for a slightly more powerful Mac than I need because I plan to use such Mac as long as possible as opposed to upgrading frequently.

I think this is sound advice. My late 2013 iMac has served me well over the last 7 years. Unfortunately, it doesn't run the latest macOS, Big Sur, but when Apple releases more power M1X machines later this year, I can maybe ready to order the most powerful machine1 they have that will serve me for the next 7 years.

Friday

W. Abdullah Brooks, MD writing in the Mac Observer..

Apple-critical pieces in the mainstream press often follow one of two patterns: they either negatively evaluate Apple’s policies or products, supplemented with commentary from Apple’s competitors or critics; or they are thinly veiled advocacy pieces designed to get Apple to take a specific action, focussed almost exclusively on Apple irrespective of other industry involvement. This NYT piece seems to fall into the latter category. Either way, like many of both types of criticisms, it was long on complaint and short on solutions. To be clear, big tech, Apple included, have much upon which they can improve; but critical analysis requires context, which in turn defines both expectations and performance indicators.
...
Whenever anyone opines that companies can simply opt not to compete in a market, specifically China’s, they assert that a global company can ignore the world’s largest market whilst their competitors, many of them Chinese, engage.
...
Survival is the long game, requiring both adaptability and seizing of opportunity when it presents itself. Adaptation necessitates sacrifice, not just of the non-essential, but often-times things that are valued. That sacrifice is the price of survival, not simply for survival’s sake, but to help create opportunity and then seize it to change the power dynamics in favor of one’s core values and the freest expression of one’s policies across the board.

By consistent adherence to those core values and policies, that has become Apple’s stratagem and Apple’s gambit.


In his most recent post, Photography And The Joy Of Numbers, Dan James writes about the wonderments of his early days with 35mm film photography and understanding the numbers on his Praktica BMS Electronic and 50mm lens. He then poses the question.??

Do you remember your first days with an SLR or DSLR? How did you make sense of all those numbers?

The first camera I owned, a Pentax P3, was purchased in 1988 solely to take a film photography course at Drew University (C'91) for art credits. Students were expected to provide their own camera equipment and film, but the course fee included access to the on-campus darkroom. I think that on some level, I had an interest in photography. Still, the initial impulse was to meet the expected requirements to graduate with my Bachelor of Arts degree in Physics.

I naively bought the Pentax P3 because the man at the camera store in Flushing (Queens, New York) said it was the best camera for the price. I was further swayed by the fact that it was a Pentax, part of the Asahi Spotmatic II brand name that Dad owned. Had I known that the P3 was being discontinued that same year, I may have bought something else; a Pentax K1000 or better alternatives. I might have bought those instead. But the Pentax P3 was good enough for learning the photography basics covered in the course.

My initial film of choice was black and white, mostly Kodak Tri-X Pan (the update is now called 400TX) and (then new) T-Max 400, but I also used Kodachrome when I could afford it. The P3 can read the DX coding on the film. I quickly learned that ISO 400 film was often too sensitive for bright scenes requiring a shutter speed beyond the 1/1000 sec limit of the P3. I learned that ISO 200 films were best for sunny days and ISO 400 films were a good fit for those dreary winter days on campus. I didn't know about the sunny 16 technique back then, but I wish I had. It would have resulted in more keepers in the early days.

While I enjoyed the occasional one-person portrait, most of my early subjects were objects in my room, buildings around campus, and friends. Looking at my early work, it seems I was in love with f/5.6 and f/4. I rarely used anything wider, and even to this day, these are the most often used apertures on my Fuji X-T2.

It took me several weeks to understand the relationship between ISO, aperture, and film speed. Still, I eventually learned how to combine the "numbers" to achieve my goals and complete the course assignments.

Saturday

Since about 2012, Bhavna and I have been fans of Flounder Brewing in Hillsborough. In the "old days", the only way to get Flounder beer was to sign up for the mailing list, wait for an email announcement, and then queue up outside the warehouse garage on the right day and time with a clean empty growler and hope that the beer didn't run out before we got to the front of the queue.

In 2016, the Boston Brewing Company, makers of Samuel Adams ales, selected Flounder Brewing as the winner of the 2016 “Brewing and Business Experienceship,” a mentoring opportunity awarded to one craft brewer annually as part of the Samuel Adams Brewing the American Dream program.

Saturday 5 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 1550 sec at f/4.0 | ISO 400

Co-founder Jeremy “Flounder” Lees used that opportunity and the growing popularity of craft beer brewing in New Jersey to slowly build out his business, crafting easily accessible ales for Somerset County residents. Flounder Brewing was the first extant nano craft brewery in Somerset County. For years, Flounder Brewing served porters, stouts, IPAs, hefeweizens, and farmhouse ales out of a garage in an industrial park at 1 Ilene Court in Hillsborough.

When they expanded production to more regularly releases and added a few bar height tables, we were excited. So while our kids took Tae Kwon Do classes at the nearby Kickside Martial Arts Academy, Bhavna and I would pop into Jersey Mikes for a sub sandwich and then drive over to Flounder Brewing for a pint of the flagship ale Hill Street Honey Blonder or treat ourselves to Double Dry Hopped Genevieve. Over the years, we have come to know the taproom staff (William (Billy) Jordan, Bill "Woody" Woodrugg, Caitlin, the brewmaster Doug Duschl) and founder Jeremy. Today we saw the manifestation of a vision Jeremy had nearly nine years when Flounder Brewing started selling beer to the public.

Saturday 5 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 180 sec at f/5.6 | ISO 3200

The soft opening of the new brewery was just for the Delta House Membership, a limited set of customers who have paid a membership fee for access to special events and promotions. On our first visit as a Delta House Member, we received a membership card, limited edition Delta House glassware and a limited edition 32oz Delta House growler. The glass was to take home (not to be used at the brewery), and the 32oz growler was for special fills at later dates. Flounder Brewing will not be fulfilling any to-go orders for the first month or so of operations as they manage their inventory while bringing the larger 15 barrel brewhouse online.

Saturday 5 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 180 sec at f/5.6 | ISO 3200
Saturday 5 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 1420 sec at f/5.6 | ISO 400
Saturday 5 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 1550 sec at f/5.6 | ISO 400

The new location is constructed from floor and beams from the original Dutch barn at Carriage Farm, a 250-year-old working farm on Clerico Lane. This helps anchors the brewery with character, historical and agriculture elements. In addition, flounder recycles the used hops and grains from brewing and gives them to Dutch Hollow Farms in Bridgewater for animal food. The brewery also collects and reuses rainwater. Large garage doors on either side of the barn lead outside the taproom to a beer garden with picnic tables.

Saturday 5 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 180 sec at f/5.6 | ISO 4000
Saturday 5 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 130 sec at f/5.6 | ISO 6400
Saturday 5 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 150 sec at f/5.6 | ISO 12800
Saturday 5 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 180 sec at f/5.6 | ISO 2000

Upstairs we found another large tasting room that I think is perfect for hosting a private party. My 55th birthday is in November.

The tasting room is friendly and open, with plenty of airflow and tables that are spaced out, along with two outdoor patios. This is the first time Flounder has had a dedicated tasting space, the first time they served beer glassware, and the first time they ran a long draw draft system.

Bhavna and I were allowed to each bring two guests. Given that this was the first weekend that Governor Murphy had removed pandemic mask-wearing and other restrictions, most of our invitees declined to decline. But my friend and fellow photographer Ed Velez joined us. We had fun exploring the new farmhouse building, and Ed enjoyed tasting the ales.

Bhavna's hair blowing in the breeze | Saturday 5 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 1100 sec at f/5.6 | ISO 400
Strawberry Patch | Saturday 5 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 180 sec at f/5.6 | ISO 1250
Finishing Touches | Saturday 5 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 180 sec at f/4.0 | ISO 1000
Saturday 5 June, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 180 sec at f/5.6 | ISO 3200
Saturday 5 June, 2021 | FujiFilm X-T2 | XF27mmF2.8

Sunday

Argh! The Darkroom refunded a portion of my recent 35mm film developing order. I sent them a 35mm film roll each of ADOX Scala 160, Rollei 100, and Svema Foto 200. Darkroom says they can't process B&W white reversal film. The Scala 100 is a B&W film reversal film. I've just wasted 30 minutes trying to find somewhere in the USA to process this roll of the film once it is returned to me. The ADOX.de website recommended dr5 chrome, a Stuart, Iowa based film lab offering custom B&W slide film processing that was created by a photographer and photographic chemist David Wood.

I don't remember why I bought this film if I had no way to develop the film and get scans.


There are various blue objects, from umbrellas to signage, to t-shirts, to glassware, that I hope suitable for the Lens-Artists Photo Challenge #151: From Large to Small.


  1. My iMac sees: 3.5 GHz Quad-Core Intel Core i7, 32 GB 1600 MHz DDR3, NVIDIA GeForce GTX 780M 4 GB