Island in the Net by Khürt Williams
Technology and Photography Musings. Established circa 2000.
This morning, I ventured out to Rojo's Roastery for a cappuccino. There wasn't much activity on Palmer Square.
I am enjoying experimentation with Fuji Film Simulation recipes for my Fuji X-T2. This one from Ritchie Roesch is a simulation of Ilford HP5 Plus. This image is SOC.
The next stop on the New York City Bridges photography tour was the area Down Under Manhattan Bridge Overpass, also nicknamed DUMBO. Despite the cold, the streets were packed with people, most of whom seemed to be taking photos of the Empire State Building framed by one of the Manhattan Bridge towers, which is exactly what we were there to do. After over thirty years of living in the New York1 and New Jersey area, I have finally become a tourist.
After having lunch1 with Michael at PJ's Pancake House I took a leisurely route through Rockingham and Rocky Hill toward home. My mind started to think about the images I had captured and drifted to thinking about street photography.
Is street photography still street photography if the principles are practised indoors? Let's take a look at what James Maher wrote about street photography.
Street photography at its essence means candid photography of people and humanity. A street photograph has to be a real, unposed moment. However, the term itself is inherently unclear and clunky. For instance, a person does not have to be in a photo for it to be considered a street photograph. Trying to define street photography is almost like trying to define what sweet or salty is. You can’t fully describe it, but you know it when you see it.
I took note that Maher's definition does not mention the word street until the second sentence. However, he does admit the term itself is vague. If street photography is meant to show the photographer's subjective view of the world can that goal be accomplished inside a mall or other building? What if I removed the street from the equation but focus on all the other aspects of that type of photography; i.e. candid photography of people and humanity?
He goes on to write:
There are hints, feelings, ideas, stories, or questions. These photos are meant to prompt the viewer. Whether street photography depicts reality or not can be disputed, but I would argue that it depicts the reality of the photographer.
I started thinking about this because Skillman does not have a downtown, a street where people walk about their daily lives. Hopewell and Princeton have a walkable downtown, but Skillman, Hillsborough, West Windsor, South Brunswick, North Brunswick, and Plainsboro do not. This morning and this afternoon after taking photos of customers, I looked at the results and it occurred to me that they had elements of street photography.
Who are these people? What is the relationship? What are they talking about? Then the fears kicked in.
What if they see me taking this photo? Would they be upset? Would they complain to the manager? Would I be asked to leave?
What do you think? What do you call photography that many of the elements of street photography but is not which is not conducted on a street and has no walking around?
