Language and Communication, Cameras, Street Photography, and Envy

The desire to affirm that women are equal has made some scholars reluctant to show they are different, because differences can be used to justify unequal treatment and opportunity. Much as I understand and am in sympathy with those who wish there were no differences between women and men—only reparable social injustice—my research, others’ research, and my own and others’ experience tell me it simply isn’t so. There are gender differences in ways of speaking, and we need to identify and understand them. Without such understanding, we are doomed to blame others or ourselves—or the relationship)—for the otherwise mystifying and damaging effects of our contrasting conversational styles.

Excerpt from a book I am currently reading in iBooks Store. The book, “You Just Don't Understand.”, is by Deborah Tannen.

Remember that the camera itself is only half of what makes a camera good. How dedicated you are, how hard you work, and how many good and great pictures you get out of it are the other half. How much you use it is just as important as whatever it is.What makes a camera good

As humans we are naturally wired to focus on important things and filter out all the rest. Although such an approach has served us well over the ages, in creative seeing it’s a major obstacle. In addition, our education system and our daily routine push us to see and react in a certain way. Have you noticed when walking around the city how your brain filters out the noise and visuals? We usually stroll around town without challenging what we see or how we see it. In order to find “something interesting in an ordinary place,” you need to break your seeing patterns and go for something new, uncomfortable and different.A personal rant about street photography

Avoid letting yourself fall into the all-too-common kinds of comparative thinking that breed envy, self-doubt and other kinds of unproductive energy. Nip that shiz in the bud if you do feel yourself going down that road. Snuff it out before it take take root and steal your energy – and instead, use the power of comparative thinking to your advantage– turn it into positive energy and critical thinking about craft– that will fuel your progression as a creative professional. Compare your work to that of the best, and do it with unflinching honesty. Rinse and repeat.Chase Jarvis

The High Line

This week, I went into New York City on a field trip along The High Line with professional photographer Frank Veronsky, who hosted the field trip for Princeton Photo Workshop. There were many familiar faces from previous New Jersey photo walks and field trips, including my friend Jack Batty. Frank's wife Jennifer Pierce accompanied the group.

Frank Veronsky | Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1200 sec at f/3.5 | ISO 100
Jennifer Pierce | Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1640 sec at f/3.5 | ISO 100
Jack Batty | Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1125 sec at f/5.6 | ISO 100

The High Line is a park built on the abandoned rail lines that run from Hudson Yards out to 30th Street. There are trees and shrubs planted along the rail line with observation decks to view the streets below. I had a good view of buildings, restaurant courtyards, and rooftop apartments. On my first visit to The High Line I didn't know what to expect. My photographs from that visit tended to focus on photographing the park and the surrounding building. This was my second visit, and I knew a little more about what to expect and I think I focused more on people.

Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1/1000 sec at f/3.5 | ISO 100
Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1500 sec at f/3.5 | ISO 100
Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1400 sec at f/2.8 | ISO 100
Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1160 sec at f/2.8 | ISO 100

If this is street photography, then unless I am mistaken, this would be my first time doing it. I have, for the most part, kept to capturing landscapes and architecture. The High Line was filled with families and friends, walking, hanging out, shopping, and dining.

Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1400 sec at f/3.5 | ISO 100
Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1200 sec at f/3.5 | ISO 100
Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1400 sec at f/3.5 | ISO 100
Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1200 sec at f/2.8 | ISO 100
Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1100 sec at f/2.8 | ISO 100
Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1160 sec at f/2.8 | ISO 100
Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1/1600 sec at f/2.8 | ISO 100
Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1/1000 sec at f/2.8 | ISO 100
Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1500 sec at f/5.0 | ISO 100
Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1500 sec at f/2.8 | ISO 100
Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1/1600 sec at f/2.8 | ISO 100
Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1400 sec at f/2.8 | ISO 100
I just love her smile.
Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1320 sec at f/5.6 | ISO 100
Saturday 5 October, 2013 | Nikon D5100 | 35 mm f/1.8 | 1400 sec at f/5.6 | ISO 100

There were, of course, many people taking photographs of themselves.

Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1250 sec at f/2.8 | ISO 100
Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1640 sec at f/2.8 | ISO 100

Except for student photographer Gianluca Vasallo, who endeavoured to make free portraits of any passerby.

GIanluca Vasallo
GIanluca Vasallo | Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1/1250 sec at f/2.8 | ISO 100
GIanluca Vasallo
GIanluca Vasallo | Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1800 sec at f/2.8 | ISO 100

After the field trip, we gathered together at a nearby restaurant for food and company.

Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1200 sec at f/5.6 | ISO 100
Saturday 5 October, 2013 | Nikon D5100 | 85 mm f/1.8 | 1160 sec at f/2.8 | ISO 400