One of the first rolls of film I exposed from the box of expired 35mm film I received last year is a 36-exposure cartridge of Fujichrome PROVIA 400F Professional [RHP III]. Fujichrome PROVIA 400F was a high-quality colour reversal film manufactured by Fujifilm. It was known for its excellent colour reproduction, fine grain, and sharpness, making it a popular choice among professional photographers. With a sensitivity of ISO 400, this film was ideal for shooting in low light conditions or for capturing fast-moving subjects. The film's advanced emulsion technology was known to produce vibrant colours and accurate skin tones, making it a popular choice for fashion and advertising photography. I did not know what to expect from a 10-year-old cartridge.
I didn't think much about what it means to expose expired 35mm film. My first, second and third attempts at using expired film stock could have been better. I loaded the cartridge in my Pentax P3n, and despite the cold weather, I hopped on my e-bike and headed off to Rocky Hill, a nearby borough in New Jersey.
The sun shone brightly overhead, but I could still feel the cold as I set off on Salisbury Road towards the western end of Blue Spring Road. It was still early morning as I pedalled through the quiet residential streets of my neighbourhood. Just before entering the borough of Rocky Hill, I stopped on Princeton Avenue to expose a few frames before continuing along the more scenic route, passing through Van Horne Park.
Rocky Hill was incorporated in 1890 and had a rich history dating back to the colonial era. It was an important transportation hub during the Revolutionary War and was once home to the Van Horne estate, now a public park. Van Horne Park offers a variety of amenities, such as walking paths, playgrounds, sports fields, and picnic areas.
Today, Rocky Hill is a quiet residential community with a small-town feel. It has a few local businesses, including a general store, a post office, and a few restaurants.
After leaving the park, I continued along Washington Road, a long stretch of a historic route that cuts through the heart of Rocky Hill. One of the most distinctive features of Washington Road is its historic homes and buildings. Many houses along the street were built in the 18th and 19th centuries and have been preserved as part of Rocky Hill's history. Some of the most notable buildings along Washington Road include the historic Rocky Hill Inn, which dates back to the early 1700s and now operates as a restaurant, and the Rocky Hill Schoolhouse, which was built in 1865 and is now home to the Rocky Hill Historical Society.
Originally built as a private residence, the Rocky Hill Inn building was converted into a tavern in the 1800s and has since operated as an American gastropub. The inn has been beautifully restored and retains many original features, including wide-plank flooring and exposed brick walls. It is a popular spot for locals, offering a cosy rural, small-town atmosphere, delicious food (my favourite is Fish n’ Chips with a crisp pilsner), and a wide selection of beer and wine.
I turned off Washington Road, arriving at Crescent Avenue, a quiet road I often photograph due to its tree-lined sidewalks and charming historic homes. Many houses on the street were built in the late 19th and early 20th centuries and have been carefully preserved. The homes' architecture varies, ranging from Victorian and colonial-style homes to more modern designs.
Crescent Avenue turns into River Road at the southeastern border with Montgomery Township. River Road head south toward the historic town of Kingston. It connects to the other end of Blue Spring Road in a loop that takes me back toward my home.
I think the opportunity to take photographs with expired 35mm film was a unique touch of nostalgia and vintage charm.
I exposed the Fujichrome PROVIA 400F at box speed. After I sent the film off for development, I read that the wisdom on the web is that expired film should be exposed at a lower ISO, one-stop every ten years after it expires. The film should also be pulled during development. I understand it just a bit, but I am stumped about what camera ISO or exposure compensation settings I should have used and what instructions to give the development lab.
- Do I set the ISO dial at ISO 200 and tell the lab to pull one stop?
- Do I set the ISO dial to 400 and the exposure compensation dial to +1 and tell the lab to pull one stop?
- Do I set the ISO dial to 400 and the exposure compensation dial to +1 and tell the lab to develop normally?
- Do I expose at ISO 400, EV0
It was too late to correct my potential mistake. I sent the cartridge off to Boutique Film Lab and waited. When the slides arrived, I nervously scanned them with VueScan using my Epson Perfection V600. As I watched the previews, my confidence grew. My efforts were not wasted.
I added camera and lens meta-data and imported the images to Adobe Lightroom to finalise things. I was excited when I saw that the scans produced usable photos. I was even more excited when the photos improved further when I adjusted the exposure,contrast, highlights and shadows.
I am so excited. This worked out better than I expected. While the colours are muted, almost all of the images are usable. This post includes the ones I consider the best of the 36 exposures. A few frames are underexposed, but I think that is primarily because of operator error (i.e. me). I have five more cartridges of expired Fujichrome PROVIA 400F, and I am excited to use them all.
| Name | Fujichrome PROVIA 400F |
|---|---|
| Format | 35mm |
| Type | Colour Reversal |
| Native ISO | 400 |
| Exposed ISO | 400 |
| Lab | Boutique Film Labs |
| Process | E-6 |
| Scanner | Epson Perfection V600 |
| Software | VueScan 9, Negative Lab Pro, Adobe Lightroom |
