Kodak Professional Portra 400BW - Expired

I exposed another expired 35mm roll of Kodak Portra 400 BW.

I'm unsure why or how it happened, but I exposed almost an entire cartridge of expired Kodak Professional Portra 400BW with pictures of my orange tabby, Alphonso Mango. I had written "snow day" in my notes, but when I looked at the scans, I realised that I had also written the same thing on the notes for the expired Ilford HP5 400 I had exposed the previous day. I intended to expose both cartridges from the box of expired 35mm film during the snow. But ... I didn't.

Kodak Professional Portra 400BW was a multi-purpose chromogenic black and white negative film designed to be processed in standard C-41 chemistry alongside rolls of colour negative film and printed on traditional colour paper. It was developed like a colour-negative film in the C-41 process and delivered monochrome images like a black-and-white film. The film was intended for exposure with daylight, electronic flash, and artificial illumination. Kodak Professional Portra 400BWW was a versatile film for 35mm and medium format cameras. It was made with a Kodak T-Grain emulsion and had a wide exposure latitude. Production of the Kodak Portra 400BW was discontinued and replaced with Kodak Professional BW400CN, which was also discontinued. This film incorporated Kodak T-GRAIN® emulsions, which provided wonderful grain and sharpness at a relatively high speed. This film was used for portrait and wedding applications and many commercial applications.

The first time I used Kodak Porta 400BW, I exposed it at box speed. I realised then that I needed to overexpose the expired film. I exposed this 35mm roll of Kodak Professional Portra 400BW at ISO 100. The results are much better. But I think ISO 160 may have produced better results.

The film cartridge was developed at Boutique Photo Lab and scanned on my Epson Perfection V600 with VueScan 9. I processed the negative scans using Negatvibe Lab Pro, adjusted the exposure by -1/3 EV in Adobe Lightroom and cropped out the film borders.

Name Kodak Professional Portra 400BW
Price FREE
Native ISO 400
Format 35mm
Features chromogenic black and white negative
Exposed ISO 100
Lab Boutique Film Lab
Process C41
Scanner Epson Perfection V600
Software VueScan 9, Negative Lab Pro, Adobe Lightroom
Alphonso Mango · Tuesday 7 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 400
Tuesday 7 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 400
Tuesday 7 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 400
Tuesday 7 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 400
Tuesday 7 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 400
Alphonso Mango · Tuesday 7 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 400
Alphonso Mango · Tuesday 7 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 400
Alphonso Mango · Tuesday 7 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 400
Alphonso Mango · Tuesday 7 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 400
Alphonso Mango · Tuesday 7 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 400

Ilford HP5 400 - Expired

Ilford HP5 400 35mm film was a black and white photographic film that gained a reputation as a versatile and reliable choice for both amateur and professional photographers.

We have had very little snow this winter. One morning in early March, we had snow that lasted more than a few minutes. It was early morning, and I had no pressing meetings. I grabbed the Minolta X-700 and loaded an unlabeled black cartridge from the box of expired 35mm film. The film cartridge was inside a smaller box labelled Ilford HP5 400. I went outside for a quick walk along Salisbury Road.

I have not exposed snowy scenes with any film stock. Snow confuses the camera's exposure meter. It will most likely underexpose your shots because it can't recognise the brightness of the snow. The X-700 doesn’t have the advanced "WYSIWYG" preview features of my Fuji X-T3, so I expected that my exposure would all be shit.

Ilford HP5 400 35mm film was a black and white photographic film that gained a reputation as a versatile and reliable choice for both amateur and professional photographers. This film has been a staple in the photography industry for decades, known for its fine grain, high contrast, and excellent tonal range.

The ISO rating of 400 made this film suitable for many lighting conditions, including low-light situations. It was ideal for capturing sharp, detailed images with a high level of contrast and emphasising deep blacks and bright whites. This made it particularly well-suited for portraits, street photography, and documentary-style photography.

Ilford HP5 400 was also known for its wide exposure latitude, which means it could handle a wide range of exposures without sacrificing image quality. This made it an excellent choice for photographers who needed to work quickly in changing light conditions or who wanted to experiment with different exposure settings.

The film was sold in 35mm format, one of the world’s most widely used film formats, and came in 36 exposure rolls. It was processed using standard black-and-white processing techniques and was compatible with various developers and fixers.

Ilford HP5 400 35mm film was a classic black and white film that has stood the test of time. Its current iteration, HP5 Plus, continues to be famous for black-and-white photography. Its versatility, reliability, and high-quality results have made it a photographer’s favourite for decades. It remains a popular choice for those who value the timeless beauty of black-and-white photography.

To compensate for the number of years that have passed since the film expired, I overexposed this cartridge of expired Ilford HP 400. I exposed it at ASA 50 and sent it to Boutique Film Lab for development. The cartridge was listed for 36 exposure, but I got 38 usable frames from the cartridge. The negatives were scanned with VueScan 9 on my Epson Perfection V600. I added meta-data using Exif Editor and imported the images into Adobe Lightroom, where they were converted to viewable images using Negative Lab Pro. I asked my regular lab, Boutique Film Lab, to pull the film -3 during development. At least, that’s what I have in my notes. I’m not sure if they did that or not.

Name Ilford HP5 400
Format 35mm
ASA 400
Features High contrast. Wide exposure latitude.
Camera Minolta X-700
Lens. Minolta MD Rokkor-X 50mm F1.7
Exposed ISO 50
Price FREE
Lab Boutique Film Lab
Process B+W, pull -3
Scanner Epson Perfection V600
Software VueScan 9, Negative Lab Pro, Adobe Lightroom
Montgomery Hills neighbourhood in the snow
Montgomery Hills · Tuesday 7 March 2023 · Minolta X-700 · MD Rokkor-X 50mm F1.7 · ISO 50
Montgomery Hills neighbourhood in the snow
Montgomery Hills · Tuesday 7 March 2023 · Minolta X-700 · MD Rokkor-X 50mm F1.7 · ISO 50
Montgomery Hills neighbourhood in the snow
Montgomery Hills · Tuesday 7 March 2023 · Minolta X-700 · MD Rokkor-X 50mm F1.7 · ISO 50
Montgomery Hills neighbourhood in the snow
Montgomery Hills · Tuesday 7 March 2023 · Minolta X-700 · MD Rokkor-X 50mm F1.7 · ISO 50
Montgomery Hills neighbourhood in the snow
Montgomery Hills · Tuesday 7 March 2023 · Minolta X-700 · MD Rokkor-X 50mm F1.7 · ISO 50
Montgomery Hills neighbourhood in the snow
Montgomery Hills · Tuesday 7 March 2023 · Minolta X-700 · MD Rokkor-X 50mm F1.7 · ISO 50
Montgomery Hills neighbourhood in the snow
Montgomery Hills · Tuesday 7 March 2023 · Minolta X-700 · MD Rokkor-X 50mm F1.7 · ISO 50
Montgomery Hills neighbourhood in the snow
Montgomery Hills · Tuesday 7 March 2023 · Minolta X-700 · MD Rokkor-X 50mm F1.7 · ISO 50
Montgomery Hills neighbourhood in the snow
Montgomery Hills · Tuesday 7 March 2023 · Minolta X-700 · MD Rokkor-X 50mm F1.7 · ISO 50
Montgomery Hills neighbourhood in the snow
Montgomery Hills · Tuesday 7 March 2023 · Minolta X-700 · MD Rokkor-X 50mm F1.7 · ISO 50
Montgomery Hills neighbourhood in the snow
Montgomery Hills · Tuesday 7 March 2023 · Minolta X-700 · MD Rokkor-X 50mm F1.7 · ISO 50
Montgomery Hills neighbourhood in the snow
Montgomery Hills · Tuesday 7 March 2023 · Minolta X-700 · MD Rokkor-X 50mm F1.7 · ISO 50
Montgomery Hills neighbourhood in the snow
Montgomery Hills · Tuesday 7 March 2023 · Minolta X-700 · MD Rokkor-X 50mm F1.7 · ISO 50
Montgomery Hills neighbourhood in the snow
Montgomery Hills · Tuesday 7 March 2023 · Minolta X-700 · MD Rokkor-X 50mm F1.7 · ISO 50
Montgomery Hills neighbourhood in the snow
Montgomery Hills · Tuesday 7 March 2023 · Minolta X-700 · MD Rokkor-X 50mm F1.7 · ISO 50
Montgomery Hills neighbourhood in the snow
Montgomery Hills · Tuesday 7 March 2023 · Minolta X-700 · MD Rokkor-X 50mm F1.7 · ISO 50
Montgomery Hills neighbourhood in the snow
Montgomery Hills · Tuesday 7 March 2023 · Minolta X-700 · MD Rokkor-X 50mm F1.7 · ISO 50

Fujicolor Super HQ 200 - Expired

Fujicolor Super HQ 200 35mm film was a colour negative film produced by Fujifilm. This film was popular with photographers seeking an affordable yet high-quality option for their 35mm film cameras.

Fujicolor Super HQ 200 offered a medium-speed ISO rating of 200, making it versatile enough to use in various lighting conditions. It produced vibrant, true-to-life colours with fine grain, providing sharp and detailed images. Its colour balance was optimised for daylight conditions but could perform well in mixed-lighting environments.

This film was designed for outdoor and indoor shooting scenarios, from portraits to landscapes. It was compatible with a wide range of 35mm film cameras and could be quickly processed using standard C-41 colour processing.

Fujicolor Super HQ 200 was also known for its high exposure latitude, meaning it could handle a wide range of exposure settings without sacrificing image quality. This made it an excellent choice for photographers of all levels, from beginners to professionals.

I grabbed the film box from the box of expired 35mm film I received from my friend last summer and loaded the cartridge into my X-700. With my MD Rokkor-X 35mm F2 lens attached, I drove off to a nearby area I know well and have photographed often, the Kingston Village Historic District.

It was early morning, and the sky was bright and sunny, giving me plenty of light to ensure I could expose the film at ASA 100. The film's expiration date indicated that it was about 20 years old. Had I known then what I know now about exposing expired film, I might have exposed the film at ASA 50.

When exposing each frame, I mounted the X-700 on my Manfrotto tripod to reduce camera shake. I first focused on the historic Kingston Grist Mill, later moving to the historic buildings around the Kingston Lock. My goal was to capture the light and shadow cast by the trees.

The Fujicolor Super HQ 200 was developed at Boutique Film Lab using the C-41 process, scanned at home using my Epson Perfection V600 and VueScan 9, and processed using Negative Lab Pro and Adobe Lightroom using my standard 35mm film scanning workflow. In Negative Lab Pro, I set the colour balance to "Auto-Neutral". This is the best setting, but I wanted to keep things simple. I adjusted the exposure in Adobe Lightroom by -1/3 EV. I also corrected for alignment and cropped in to remove the frame borders. I exposed the subject once or twice for some of the frames, just to be sure.

The results are better than I expected. While the colours may not be as vibrant as what might get from the unexpired film stock, the process produced usable results. This is my third time using expired Fuji film stock and my second success. The first success was using Fujichrome PROVIA 400F – Expired. The victory gave me the confidence to keep trying the expired 35mm film. At this success rate, I may give up buying and exposing fresh film stock unless the situation requires being sure I captured an image. But if that's the case, I would use my Fuji-X camera system. Digital is significantly less likely to fail1.

I got 22 usable frames from the 24-exposure cartridge. I have uploaded the ones I think are the best of the 22. I have three more cartridges from the box of expired 35mm film I received from my friend.

Name Fujicolor Super HQ 200
Format 35mm
Features vibrant, true-to-life colours with fine grain
Native ISO 200
Price FREE
Exposed ISO 100
Lab Boutique Film Lab
Process C-41
Scanner Epson Perfection V600
Software VueScan 9, Negative Lab Pro, Adobe Lightroom
Kingston Locktender's House · Minolta XD-11 · ·
Kingston Grist Mill · Sunday 5 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 100
Kingston Grist Mill · Sunday 5 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 100
Kingston Grist Mill · Sunday 5 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 100
Kingston Lock Tollhouse · Sunday 5 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 100
Lincoln Highway (Route 27) · Sunday 5 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 100
Kingston Grist Mill
Kingston Village Historic District on the Millstone River · Sunday 5 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 100
Kingston Lock · Sunday 5 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 100
Kingston Lock Tollhouse · Sunday 5 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 100
Kingston Lock Tollhouse · Sunday 5 March 2023 · Minolta XD-11 · MD Rokkor-X 45mm F2 · ISO 100

  1. I have six batteries for my Fuji, which can shoot at ASA 80-12,800, with a maximum shutter speed of 132000 second at 22 frames per second. I have a 64GB memory card in the two slots, and the camera is configured to save a duplicate RAW image to each card. I can safely record 2000 images before the card is filled. ?