Frustration Versus Reality by Thom Hogan (DSLRBodies)

Hmm, so the Mac Pro is overpriced? If so, then the Macintosh II was overpriced. [Disclosure: I was the publisher and primary editor of The Macintosh II Report]. Indeed, we heard that exact same claim back in the late 80’s about the Mac II (and the Mac Iix and Mac IIfx), and it went on to be a popular and useful tool for many. They were essentially state-of-the-art desktops that appealed to very high end clients. Most folk bought a Mac Plus, Mac SE, or Mac SE/30, though.

Spot on.

Dead Versus Zombie by an author (DSLRBodies)

This is not the first time this has happened with cameras. The tail end of the film SLR era looked a lot like we’re seeing today. Indeed, everyone jumped into digital from film because they all saw the market completely resetting and they all wanted a share of that predicted-to-be-rapidly-expanding growth. For awhile, all was well, as the growth was strong and dramatic for over a decade.

Ecosystems versus Alliances by an author (Sans Mirror)

In essence, the Japanese companies are pretty good at mastering the part of the ecosystem that you hold in your hand (camera, lens, flash). Beyond that? They’re not doing the things that are necessary to make a complete ecosystem thrive. And that’s particularly true at the global level.

Of course, even within that hardware bundle that’s in your hands there are now signs of problems. It’s a dirty secret that a lot of the internals of BIONZ, DIGIC, and EXPEED are licensed from others. But consider this: Apple is now running six 64-bit cores and matching GPU at about 2.5Ghz, along with running their imaging routines in hardware. By contrast, Nikon is running two 32-bit (and older design) cores at a slower clock speed in EXPEED.

I think Thom’s analysis is spot on. Imagine if the image processig prowess of the iPhone XS was matched with the sensor and lens quality and camera controls of the Fuji X series?