When the skies are cloudy all day

This week started on a positive note but ended in the gloom.

Monday 23 August 2021

On Friday, I called the Fujifilm repair facility in Edison to inquire about the status of my damaged X-T2. The person who answered the phone told me that it would cost nearly $600 to repair. I was disappointed, very disappointed. I ask for my broken companion to be returned to me.

When Bhavna woke up, I told her about the cost, and she agreed that she didn't think it was worth it to repair. I had bought the X-T2 used for $1000. I told her it made more sense to buy another used one. She agreed.

I looked on KEH and MPB and Lensrentals. Initially, I focused on buying an X-T2, but I mainly found silver body choices, and I prefer the black body. KEH and MPB sell used X-T2 bodies for $630 to $790 depending on the condition (Excellent to Like New). I noticed that MPB and KEH had more used black body X-T3 models for sale for $900-$1029 for bodies in Excellent to Like New condition. A new X-T3 sells for $1200. I discussed with Bhavna, and she suggested that since we did not vacation in 2019 and 2020, perhaps it was ok to spend that money and get something "new".

My "Like New" Fujifilm X-T3 arrives this Wednesday. Yay!


Henri has brought some heavy rainfall to New Jersey this past weekend and even today. But hopefully, the sun will come out this week, and I can practice some Komorebi for the Lens-Artists Challenge #162 – It's All About the Light.

Wednesday 25 August 2021

Last week I bought a pre-owned "Like New" Fuji X-T3 from MPB. I had expected delivery today, but it arrived one day earlier on Tuesday. It was a pleasant surprise and lifted my spirits. During my last meeting of the day, I programmed the settings on the cameras using my memory of what was set on my Fuji X-T2. The Fuji repair site in Edison has still not returned my broken companion.

This morning as I inspected the unit more closely, I realised that though used, it is in excellent shape with no scratches or dings. I want it to stay that way. After some thought, I bought a pre-owned Fujifilm BLC-XT3 Bottom Leather Case from Adorama for $34. The Fujifilm BLC-XT3 is a genuine leather bottom case designed for X-T3, that according to Fujifilm's description, has premium textures and normally retails for $77. My web searches found other attractive (and handmade) options, but they all cost two to three times more. I cannot justify spending that much money.

I also realise that I want a new L-bracket (base plate and L-plate). I have a Really Right Stuff (RRS) BXT2B-L for the Fuji X-T2. It sort of fits and would work in a pinch but doesn't fit snugly in the right places. The Fuji X-T3 is a slightly longer and broader camera by an mm or so. But the RRS BXT3-L plates for Fuji X-T3 seems so expensive. I'm on a hunt for a used one. The best price I have found so far is one in "EX" condition on KEH. I don't require it right now. I'll hold off and maybe find one cheaper.

Thursday 26 August 2021

First images from the Fuji X-T3.

Allium canadense
Allium canadense | Thursday 26 August, 2021 | FujiFilm X-T3 | MD ROKKOR-X 45mm F2 | 1340 sec at f/2.8 | ISO 320
The Kurayoshi Malt Whisky
The Kurayoshi Malt Whisky | Thursday 26 August, 2021 | FujiFilm X-T3 | MD ROKKOR-X 50mm F1.7 | 175 sec at f/2.8 | ISO 3200

Friday 27 August 2021

Two weeks ago, Bhavna and I had stopped at Magnifico's late at night, and since my broken Fuji was still out for repair, I exposed a few frames of a 35mm roll of Kodak Velvia 100 that I had in my Minolta XD-11. We had driven to Source Brewing to pick up the new release and ended up staying to sit in the back lawn and enjoy a flight before heading home. The sunset was setting as we were leaving.

On the way up through New Brunswick, we stopped for soft-serve ice at Magnifico's, a popular ice creamery we often visited when my nephews lived in South River. Honestly, despite some blurring from low shutter speeds, some of the images from the Minolta are decent. I sent the film off for development and scanning to Boutique Film Lab.

As you may know, in July, Fujifilm has discontinued Velvia 100. The film cannot be sold or developed after September 2021. This is the last roll of Fuji Velvia for me.

August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100
August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100
August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100
Source Brewing
August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100

10811_KW_8108_Velvia-100_108968-R1-E039-960x661.jpg" alt="Magnifico's" width="960" height="661" class="size-medium wp-image-82509" /> August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100[/caption]

Source Brewing
August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100
Source Brewing
August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100
Source Brewing
August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100
https://islandinthenet.com/
Magnifico's | August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100
https://islandinthenet.com/
Magnifico's | August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100

Kodachrome 64

I've been preparing to sit the CCSP certification exam for several months. Despite knowledge of the material, some people, like myself, don't perform well on multiple-choice tests. We do better on practical tests or tests where you write in your answer. I completed an online CCSP training course a few months ago, and since then, I have been taking practice tests. I completed a practice test every chance I had, especially this week. I feel confident that I will pass the exam on Saturday.

Today after my last practice test, Bhavna, Shaan, and I drove up to New Brunswick for soft-serve ice cream at Magnifico. I wanted to capture some images for the Lens-Artists Challenge #162 – It's All About the Light before the weekend. The images below are the JPEGs created in cameras using Fuji X Weekly's Kodachrome 64 Film Simulation Recipe.

Magnifico's
Magnifico's | Friday 27 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 140 sec at f/7.1 | ISO 640
Magnifico's
Magnifico's | Friday 27 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 140 sec at f/7.1 | ISO 1000
Magnifico's
Magnifico's | Friday 27 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 170 sec at f/7.1 | ISO 320
Magnifico's
Magnifico's | Friday 27 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 140 sec at f/7.1 | ISO 640

Saturday 28 August 2021

I was excited about today. Today was supposed to be special in a few ways. I would participate in The Photographers Group one day project, One Summer Day.

The 28th is the last Saturday of blissful August. Our objective for this project is to chronicle the day, to visually record this summer day from dawn to dusk. We will create an online gallery of all the photos and the top photos will be exhibited at the South Harrison Street Outdoor Gallery and compiled into a book.

I had a busy day ahead of me. Blood draws in the morning for my quarterly blood work. Then stop in at Sakrid Coffee Roasters for a cappuccino. Then home for two hours to watch the F1 qualifying race for the Belgian Grand Prix at Spa-Francorchamps. Then back out to Princeton University for about an hour to help an international student - child of some doctors from St. Vincent - get his smartphone set up on Verizon. Then back home to relax until my scheduled three-hour exam for my CCSP certification.

I’m interviewing with Amazon Web Services on Monday, and I wanted to mention that I had passed the exam. I had prepared for this certification which I feel will help open doors to more career opportunities. I completed my online training months ago and have been doing practice tests and exams to prepare for the exams. This week I did about eight hours of testing, and I felt confident I would pass the exam. It also meant that I had very little time this week for photography.

But at 2 PM, when I arrived at the testing centre, I found the doors locked, and no one answered the phone. This was the end of my excitement for the day. I checked my email and found this disappointing message.

**PLEASE DO NOT REPLY TO THIS EMAIL **

Client name: (ISC)2
Site name: Pearson Professional Centers-Princeton(Trenton) NJ
Exam name: Certified Cloud Security Professional (CCSP)
Exam date and time: 28 Aug 2021 2:00 PM
Case ID: 06992499

Dear Khurt L Williams,

\*This is a system generated message.\*

Unfortunately, we are unable to deliver your exam as scheduled on 28 Aug 2021 2:00 PM. We know this is disappointing news, and we sincerely apologize for the inconvenience.

We are working to clear out your existing appointment. In most circumstances, you can select a new appointment for your exam on our website by signing in to your account.

Some event- or window-based exams may not be available for rescheduling on our website. If you are not able to reschedule, your program-specific customer service team is available to assist you. Additionally, if you have any special accommodations, you must call to reschedule your exam.

Please allow one business day before trying to choose a new appointment date through our website.
Thank you for your patience. We look forward to seeing you for your test soon.
Thank you,

Pearson VUE Customer Service

An automated system generated message with no explanation and no contact information?

I am so furious. Livid. Too angry to continue the one summer day project.

I found a new exam date, September 18, but I’m worried about how I’ll maintain my momentum until then. I have strong knowledge of the subject is but sitting exams is challenging for me. I’m also worried that the testing centre will also cancel the new exam date with no explanation.

I feel defeated. I don’t know how to let go of the anger. But I have to find a way before my interview with AWS on Monday. But for now, I want to sit on the couch.


I want to mention that we've had overcast conditions the entire weekend. Any thoughts of Komerebi are dashed. Flat light from the giant softbox that is the sky.

Where's the sun | Saturday 28 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 160 sec at f/7.1 | ISO 6400
Blood draw | Saturday 28 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 140 sec at f/7.1 | ISO 800
Sakrid Coffee
Sakrid Coffee | Saturday 28 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 140 sec at f/2.8 | ISO 250
Sakrid Coffee
Sakrid Coffee | Saturday 28 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 140 sec at f/2.8 | ISO 160
Sakrid Coffee
Sakrid Coffee | Saturday 28 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 140 sec at f/2.8 | ISO 250
Lupita Bodega
Lupita Bodega | Saturday 28 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 180 sec at f/2.8 | ISO 160
Lupita Bodega
Lupita Bodega | Saturday 28 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 175 sec at f/2.8 | ISO 160
Sir Alphonso Mango | Saturday 28 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 170 sec at f/2.8 | ISO 160

Fujichrome Velvia 100 Professional

NOTE: I’ll begin this experience report with a brief disclaimer. It’s been less than three years since I returned to shooting 35mm film after switching to digital photography over 20 years ago. I’ve inundated myself with as much film education as possible between web articles and advice from experienced film shooters. But, since my prior experience with film is decades old, this review is from a rather novice point of view.

Two weeks ago, Bhavna and I had stopped at Magnifico's late at night, and since my broken Fuji was still out for repair, I exposed a few frames of a 35mm roll of Kodak Velvia 100 that I had in my Minolta XD-11. We had driven to Source Brewing to pick up the new release and ended up sitting on the back lawn and enjoying a flight before heading home. The sunset was setting as we were leaving.

On the way up through New Brunswick, we stopped for soft-serve ice at Magnifico's, a popular ice creamery we often visited when my nephews lived in South River. Despite some blurring from low shutter speeds, some of the images from the Minolta are decent. I sent the film for development and scanning to Boutique Film Lab.

As you may know, in July, Fujifilm has discontinued Velvia 100. The film cannot be sold or developed after September 2021. This is the last roll of Fuji Velvia for me.

August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100
August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100
August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100
Source Brewing
August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100

10811_KW_8108_Velvia-100_108968-R1-E039-960x661.jpg" alt="Magnifico's" width="960" height="661" class="size-medium wp-image-82509" /> August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100[/caption]

Source Brewing
August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100
Source Brewing
August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100
Source Brewing
August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100
https://islandinthenet.com/
Magnifico's | August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100
https://islandinthenet.com/
Magnifico's | August 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FUJICHROME Velvia 100

The Black and the White

Tuesday 6 July 2021

The Online Photographer compares the Fujinon XF27mmF2.8 R WR to a Nikon SE.

The new version of the Fuji XF 27mm ƒ/2.8 R is 22.7 mm shorter than the Nikon SE and about the same diameter. It's also considerably lighter at 84g / 3 oz.

It also sports about the tiniest lens hood ever...almost comical-looking. And yet, who wants a giant hood on a small lens?

There are a few more differences. The Nikon SE has nine elements, and the Fujinon has seven. The XF 27mm has an aperture ring, and the 28mm SE doesn't (neither did the original Fuji 27mm). The Fuji costs $399 (although, as Fujiphiles know, Fuji has periodic sales), and Nikon says the SE will cost $299 when available.

I keep reading good things about the XF27mmF2.8 R LM WR lens, which makes me smile, but then I am reminded that the lens is sold out everywhere, and the smile turns to a frown. It's good that I didn't sell my XF27mmF2.8 lens and place my order when the XF27mmF2.8 R LM WR was announced.


I watched the most recent episode of Apple's TV series, Home Before Dark. The episode is titled "Dark Rooms". During an emotional outburst, the main character, Hilde, breaks the lens on her camera and borrows her grandpa's old-school film camera. There is a great learning moment with the whole family huddled around Hilde holding the film camera. Her dad, Matt, explains that with 35mm film, you take pictures by exposing the roll of film, then when the roll is finished, you drop the film off at the drug store, and two weeks later, you get photographic prints by which time you've forgotten why you took them. Later in the episode, her dad helps her develop the images in the darkroom he set up in the basement of their home.

I have not developed a 35mm colour film since 1989. I'm inspired by nostalgia to develop a roll of 35mm film myself. I've got a kit from Film Photography Project in my shopping cart, but I'm nervous about completing the purchase.

I'm worried about failing.

Wednesday, 7 July 2021

"The discussion was 'what are we doing in the future in terms of engine', because we want to save costs, so we don't want to reinvent the wheel," [Toto] Wolff, who did not attend the summit but is protecting vested interests, told the FIA conference on Monday.

"We also want to have a relevant engine from 2025 to 2030, and we can't be old petrolheads with screaming engines when everybody expects us to be going electric.

"So these engines are still going to be fuelled [by zero-carbon fuels]. We are staying with the current V6 format, but the electric component is going to massively increase."

The FIA are increasingly aware that a sport primarily based on burning gas station amounts of fuel on a single weekend needs to adjust expectations for a world where the phrase internal combustion engine is increasingly seen in a negative light.

Thursday 8 July 2021

Over on 35hunter, Dan James asked:

Do you prefer manual or autofocus, and why?

One of the things I love about my Fuji X-T2 is how easy manual focusing can be when using the focus peaking feature. On the Fuji, focus peaking detects the edges of the highest contrast in the scene and highlights them in bright colours (red, blue, or white).

I can adapt almost any manual focus 35mm film-era lens to my Fuji X and never worry about focusing. The ability to use decades-old 35mm film lenses on my Fuji X-T2 brought me back to 35mm film photography after a nearly thirty-year hiatus.

The digital Fujinon lenses for the Fuji X-series also have a focus ring with an instant manual focus feature. Just grab the focus ring and turn. In the viewfinder (or LCD), a manual focus indicator shows the distance to the subject (in meters or feet ), which is useful when zone-focusing. There is also a manual focus assist feature. When activated, the camera zooms in digitally, filling the viewfinder/LCD with a section of the scene for more accurate focusing. There is a digital split image focusing feature, but I have never used it. When using manual 35mm lenses at their largest aperture, I tend to use focus peaking and the "move the body forward-back" technique.

I enjoy using manual and autofocus lenses, but I prefer autofocus.

Saturday 10 July 2021

Inspired by Steve Schwartzman's horsemint portraits post, I grabbed my Fuji X-T2, FotodioX adapter, and a 1980's era manual film lens, my Minolta MD Rokkor-X 50mm F1.7 and headed outside to my garden.

I love this lens. It creates a beautiful buttery soft cinematic look perfect for a portrait photograph. My lens was part of a Minolta X-700 bundle I bought from a local amateur who had owned the lens and kit for over three decades.

The MD Rokkor-X 50mm F1.7 is constructed almost entirely of metal1. It feels hefty compared to my Fujinon XF27mmF2.8 lens, especially with the weight of the FotodioX MD-FX adapter, but it was a reasonably lightweight lens (165g) for its time. My X-T2 has a crop factor of 1.52, so the 50mm is roughly a 76mm full-frame equivalent when adapted to my Fuji.

MD Rokkor-X 50mm F1.7 adapted to Fuji X-T2
MD Rokkor-X 50mm F1.7 adapted to Fuji X-T2 | Saturday 27 February, 2021 | Apple iPhone 11 Pro | iPhone 11 Pro back dual camera 6mm f/2 | 1120 sec at f/2.0 | ISO 80

Extirpation is when a plant or animal species ceases to exist in a chosen geographic area of study, though it still exists elsewhere. In densely populated areas like New Jersey, all the large native predators like the wolf, bear, wolverine, and cougar have suffered extirpation, allowing herbivores such as white-tailed deer to reproduce unchecked except by hunting. White-tailed deer are a problem in New Jersey.

Several years ago, I planted some Hosta, which I translated from my brother's garden in Stamford, Connecticut. Over the years, the Hosta have colonised a good section of the tiny garden and provided a short-lived burst of flowers in the summer. They are short-lived because deer find them tasty. This year I used Deer Out to keep the deer at bay; however, I still lost some flowers. But I had enough left over for this experiment.

The lens, camera and FotodioX adapter's overall weight make precise manual focusing extremely tough to nail at f/1.7. I was also kneeling on the concrete in the driveway. I used focus peaking to get the image to where things appeared sharp and then rocked my body back and forth to hit the right spot, but this made the kneeling even more painful. I need to invest in some garden knee pads. I gave up and went inside for my RRS L-bracket and Manfrotto tripod.

With the camera firmly placed to frame the flowers, I used the focus peaking and focus-check features on my Fuji to dial in focus. I captured three frames, one each at f/1.7, f/2.8 and f/4.

Bokeh was nice and circular at f/1.7, but highlights in the background became hexagonal once I stopped the lens down. This lens has six non-rounded blades. Here are three examples of how the bokeh looks at f/1.7, f/2.8, and f/4. I skipped f/3.32.

The flower at f/1.7 has a dreamy look that I love, but the DOF is too shallow. The bokeh of the f/4 image is less soft and feels a bit muddy, but the DOF is better. That f/2.8 is the sweet spot with pleasing bokeh and just enough DOF.

While I prefer the f/1.7, I think I'll experiment using this lens at f/2.8 for a while.

Hosta Flower
Hosta Flower | Saturday 10 July, 2021 | FujiFilm X-T2 | MD ROKKOR-X 50mm F1.7 | 1500 sec at f/1.7 | ISO 200
Hosta Flower
Hosta Flower | Saturday 10 July, 2021 | FujiFilm X-T2 | MD ROKKOR-X 50mm F1.7 | 1280 sec at f/2.8 | ISO 200
Hosta Flower
Hosta Flower | Saturday 10 July, 2021 | FujiFilm X-T2 | MD ROKKOR-X 50mm F1.7 | 1125 sec at f/4.0 | ISO 200

I practised using the Minolta MD Rokkor-X 50mm F1.7 at f/2.8. First, at the Brick Farm Tavern and Sourland Mountain Spirits.

Saturday 10 July, 2021 | FujiFilm X-T2 | MD ROKKOR-X 50mm F1.7 | 1/1700 sec at f/2.8 | ISO 200
Saturday 10 July, 2021 | FujiFilm X-T2 | MD ROKKOR-X 50mm F1.7 | 1/1250 sec at f/2.8 | ISO 400
Saturday 10 July, 2021 | FujiFilm X-T2 | MD ROKKOR-X 50mm F1.7 | 1950 sec at f/2.8 | ISO 200

After cocktails, we drove to East Broad Street to order takeout at Tomatello's Latin Cuisine, a clever assemble of the word tomatillo and the owner's last name, Tello. We had a large order for Bhavna, Shaan and myself. While the restaurant prepared our food, we walked around East Broad Street and Seminary Avenue.

Broad Street, Hopewell | Saturday 10 July, 2021 | FujiFilm X-T2 | MD ROKKOR-X 50mm F1.7 | 1/1700 sec at f/2.8 | ISO 400
Harley Davidson
Harley Davidson | Saturday 10 July, 2021 | FujiFilm X-T2 | MD ROKKOR-X 50mm F1.7 | 1500 sec at f/2.8 | ISO 400

East Broad Street is a popular location for showing off cars and motorbikes.

East Broad Street | Saturday 10 July, 2021 | FujiFilm X-T2 | MD ROKKOR-X 50mm F1.7 | 1125 sec at f/2.8 | ISO 400
East Broad Street | Saturday 10 July, 2021 | FujiFilm X-T2 | MD ROKKOR-X 50mm F1.7 | 1/2200 sec at f/2.8 | ISO 400
East Broad Street | Saturday 10 July, 2021 | FujiFilm X-T2 | MD ROKKOR-X 50mm F1.7 | 1/1250 sec at f/2.8 | ISO 400
Saturday 10 July, 2021 | FujiFilm X-T2 | MD ROKKOR-X 50mm F1.7 | 1250 sec at f/2.8 | ISO 200
Saturday 10 July, 2021 | FujiFilm X-T2 | MD ROKKOR-X 50mm F1.7 | 1750 sec at f/2.8 | ISO 400
Flowers | Saturday 10 July, 2021 | FujiFilm X-T2 | MD ROKKOR-X 50mm F1.7 | 1200 sec at f/2.8 | ISO 400

Sunday, 11 July, 2021

Lens-Artists Challenge – Black and White

This week, Anne Sandler hosts the Lens Artist Challenge #156. She has picked the topic of black and white.

I love the colour of colour photography. The colour reminds me of the vibrancy of life. In the West Indies, where I grew up, colour is everywhere. People paint their homes and shops in bright reds, greens, blues, pinks, yellow etc. When I was a child, the mode of public transportation was a large diesel truck with a wood cab mounted to the flatbed with the body painted in whimsical colours of the owner's choosing. The local fishing boats were similarly painted in a multitude of colours.

Bhavna is from India, and the women of that country wear vibrantly coloured saris and kurta pyjamas. There is even a festival, Holi, that celebrates colour.

I don't often photograph in black and white. Except for winter, almost all of my photography is colour photography. Why winter? It seems that people in the United States must dislike colour. How else to explain the drab colours of the cities and suburbs? How else to explain the beige and grey cookie-cutter homes that pepper the suburbs of the North Eastern United States? When I drive around New Jersey, especially in the winter, I often wonder why so very few think to paint some colour to their homes and shops front so that we could enjoy a break from the seemingly depressing days of winter when the trees have no leaves, the ground is covered in a mixture of dirt and snow, and the skies are cloudy all day.

two women playing in snow
Drew University, 1988 | Thursday 1 December, 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX 400

I have included examples of my black and white photographs from my early days as a student photographer to more recent ones photographed on my Fuji X-T2 and Minolta and Pentax 35mm film cameras. I remember back in the days shooting Ilford HP5 400, Kodak Tri-X Pan 400, and Kodak T-Max 400, but in the last two years, I have tried using film again after nearly a 30-year hiatus. The original Tri-X, T-MAX and Ilford are no longer available, but I could shoot modern versions of these films. I love Ilford HP5+ 400, but I have also exposed rolls of RPX 25 and RPX 100.

Wall Street Ferry, Manhattan, New York | Tuesday 11 February, 2020 | Asahi Pentax Spotmatic II | SMC Takumar 55mm f/2 | Ilford HP5+ 400
Molisana Deli, Witherspoon Street, Princeton, Rollei RPX 25 | Saturday 5 December 2020 | Minolta X-700 | MD Rokkor-X 45mm f/2 | Rollei RPX 25
Bridge Street, Lambertville, Ilford HP5+ 400
Bridge Street, Lambertville, Ilford HP5+ 400 | Sunday 9 February, 2020 | Pentax P3 | SMC Pentax-A 50mm f/2 | f/5.6 | ISO 400

When I process digital images to black and white, I use some of the same tools Anne uses, but most often, it's a mixture of things. Sometimes, I use Silver EFX Pro, and sometimes I use in-camera film simulation recipes. Sometimes, I apply an Adobe Lightroom preset and tweak the image to my liking. I don't use one set method. I use whatever works to create the image I want. However, I get the best results when I shoot in B&W on my Fuji X-T2 using the ACROS film simulation, or I flip to B&W in Adobe Lightroom and edit the images using the Lightroom histogram exposure, shadows, highlight and whites slider.

Kiran | Sunday 5 June, 2011 | Nikon D40 | 35 mm f/1.8 | 1/1600 sec at f/2.8 | ISO 450
Wonder Bar,Asbury Park | Sunday 13 November, 2011 | NIKON D40 | 35 mm f/1.8 | 1160 sec at f/11 | ISO 200
Princeton School of Public and International Affairs | Monday 28 September, 2020 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR @ 16 mm | 1250 sec at f/11 | ISO 250
Flowing Water
Flowing Water, Millstone River | Thursday 4 February, 2021 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR @ 55 mm | 13 sec at f/20 | ISO 200
Kingston Mill House, Kingston | Thursday 4 February, 2021 | FujiFilm X-T2 | XF27mmF2.8 | 1/1600 sec at f/6.4 | ISO 400
Sunday 26 July, 2015 | Nikon D5100 | 35 mm f/1.8 | 180 sec at f/4.0 | ISO 800
Dandelion | Tuesday 2 May, 2017 | Nikon D5100 | 18-55 mm f/3.5-5.6 @ 55 mm | 1160 sec at f/11 | ISO 500
,Gifford Pinchot State Park | Saturday 20 May, 2017 | Nikon D5100 | 18-200 mm f/3.5-5.6 @ 56 mm | 1250 sec at f/4.8 | ISO 180
Battle of Princeton Enactment, Battlefield Park | Saturday 27 May, 2017 | Nikon D5100 | 18-55 mm f/3.5-5.6 @ 22 mm | 1320 sec at f/5.6 | ISO 100
Diwalii Fireworks | Saturday 21 October, 2017 | Nikon D5100 | 35 mm f/1.8 | 1.0 sec at f/4.0 | ISO 100
Happy Birthday | Sunday 24 December, 2017 | FujiFilm X100F | 23 mm | 1240 sec at f/2.8 | ISO 12800

  1. The aperture ring is plastic. 
  2. Full click stops are at f/1.7, f/2.8, f/16 and f/22. Half-stop clicks are from f/2.8 through f/16.