It was a cold day, but after the weekend of winter hell we experienced during our trip to Champaign, Illinois, I wanted to get outside for a bike ride. The air was cold this morning; I expected to warm up once I got going. I put on some layers, stuck the Minolta XD-11 camera in the basket of the e-bike, donned my helmet and started for Van Horne Park.
Van Horne Park is a recreational park located in Rocky Hill Borough and an independent municipality within the borders of Montgomery Township. The Montgomery Township Parks and Recreation Department maintain the park. It offers a variety of recreational activities. Spread across sprawling green lawns, Van Horner Park features well-maintained playing fields, tennis and basketball courts, picnic areas, playgrounds, and walking paths.
In 2020, the Montgomery Township Parks and Recreation Department planned to host a “Movies in the Park” event. I assumed they had not completed the event. The wall serving as the outdoor movie screen is now full of graffiti. Perhaps this is another opportunity for community building lost to the pandemic.
During the warmer months of the year, area residents can enjoy a game of catch with friends or family, go for a leisurely walk or jog, or play a game of tennis. Children play on the swings, slides and other play structures in the playground area while adults relax on the benches and enjoy the scenery. When our children were younger, we often took them to Van Horne Park to fly kites.
The park is a popular destination for picnics in the summer, with several covered picnic shelters available for rent.
All of these were absent during my bicycle ride. It was cold. I quickly made my way through the park, stopping briefly to expose a few frames of Kosmo Foto Agent Shadow.
Mercer White Oak was a historic tree at Princeton Battlefield Park that stood tall amidst the park's rolling hills and lush fields. The tree was named after General Hugh Mercer, who died from wounds he received at the Battle of Princeton during the American Revolution. The tree became a symbol of the battle and a testament to the bravery of the American soldiers who fought there. The tree was one of the largest and oldest white oaks in the state of New Jersey, with a massive trunk and sprawling branches that provided shade for visitors to the park. The Mercer White Oak was not only a natural landmark but also a crucial part of the park's rich history, serving as a reminder of the sacrifices made during the American Revolution.
The Mercer White Oak tree was about 300 years old when strong winds ripped it apart in March 2000. Soon after the tree's death, an arborist planted an 8-foot sapling from a Mercer Oak acorn inside the former tree's stump. That fenced-in young oak tree is the one that is seen in Princeton Battlefield Park today.
On this misty, foggy day, the tree takes on an ethereal quality, shrouded in a mysterious veil of white. The fog seems to wrap around the trunk and branches of the tree, adding to its already stately presence.
This is one of several frames from one of the four cartridges of Kosmo Foto Agent Shadow 400 35mm film I bought last year. The film was developed in Tennessee at Boutique Film Labs and scanned at home using an Epson Perfection V600 and VueScan software. The negatives were converted as part of my workflow using Negative Lab Pro.
One of my frustrations with 35mm film photography is the effort involved in compensation for the lack of metadata. This week, I spent a lot of time learning to read 35mm film strip edge DX bar codes. The photographs are all from around Palmer Square.
One of my frustrations with 35mm film photography is the effort involved in compensation for the lack of metadata. I tried using apps to track the information about each frame, but the process has inherent limitations. When I load the 35mm film cartridge into the camera body, I can record the film stock, type, ISO, camera make and model, and lens make and model in the app. With some effort, and assuming I expose each frame without the use of aperture priority or shutter priority, I can record the aperture and shutter speed. The action of manually documenting this information for each frame gets in the way of concentrating on the making of the photograph. I have given up on tracking the minutiae of each frame. I do the bare minimum by recording the camera, lens, film stock information, and the date the film was loaded into the camera.
When I send my film off for development, I usually use Boutique Film Lab, which lets me put a note with each order. I put information about the camera, lens, film stock, and the date the film was loaded into the camera. Just in case I forget to make an entry, I rely on the information on the film strip to identify the film stock. The process has worked well enough.
However, the entire process is easily subject to failure. I had one such recent loss. I exposed the film and wrote down the information on paper. I wanted a faster development turnaround time, so I sent the 35m film cartridge to Bleeker Digital Solutions, a lab in New York City. Bleeker’s interface does not have an area to input notes. I expected that I would rely on the information on the paper. But before the negatives were returned, I lost the paper with my notes. I then hoped that I could rely on the information on the negatives. When the negatives were returned, I stuck them in a drawer and waited for when I had time to scan them in.
Yesterday when I looked at the film strip, I realised I had made an error. There was nothing human-readable to help me identify the film stock. So now what? I had read that on some film stock, the information is DX encoded on the film strip. I spent hours last night searching the internet, learning to decode the binary code on the film strip. I combined the information I found on the post, Decoding 35mm DX Film Edge Barcodes, the Wikipedia entry for DX encoding, then converted the bar code to binary, then used a binary to decimal converter, and a DX codes lookup table. All that effort to find out that I had exposed a 36 exposure roll of Kodak Ektar 100 Color Negative Film. Whew!
I had a lot of challenges with scanning. I used VueScan Preview to line up the border around each frame. However, after scanning, the images were scanned off-axis. I watched the negative twice, but the results were the same. I cropped the imported images. I also had a challenge getting the white balance. I used the same technique I always use. I used the white balance dropper in Adobe Lightroom.
All in all, my experience with Kodak Ektar 100 was dismal. After I expose that roll, I will be done with Kodak Ektar.
Most of the frames were exposed in downtown Princeton around Palmer Square and Witherspoon Street.
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