60 Seconds at Carnegie Lake ...

A few weeks ago, when I looked out the window and saw the light fog hanging over the area, I knew I needed to hurry. I quickly assembled my diabetes kit, bolus for my liquid breakfast of Soylent, packed my TimBuk2 messenger bag, grabbed my iPhone 6 and Nikon D5100 and headed out the door. The tripod was already in the car.

Driving along Blue Spring Road, I noticed that the colour start to appear in the sky. A sort of reddish-orange. I headed toward Carnegie Lake intending to capture images of the fog over the lake. But as I pulled into the parking area, I knew I had to do something else. I mounted the iPhone 6 on the tripod and set about capturing some images.

After a few long exposure shots of the lake with Slow Shutter Cam I tried something new. I put myself in the image. I have only done this one time before. I knew I had to stand still to reduce ghosting since I set the shutter speed to 60 seconds.

But as I stood there counting down the second, I forgot about the image. The camera had long ago captured the picture, but still, I stood there. I am not moving. Just enjoying the scene before me. The air was crisp. For 60 seconds, no cars passed by on Route 27. For 60 seconds, I could hear the sound of the lake water lapping against its bank. For 60 seconds, I could listen to the birds call out to each other across the lake.

60 seconds.

This image was captured on my iPhone 6 with the Slow Shutter Cam app. I applied the Fuji Velvia 100F filter in the Really Nice Images Films mobile app.

Blue Sunrise at Rodanthe Pier

I find blues relaxing and that's how I felt walking along the beach early in the morning.

This is the Nikon version of one of the images I captured with my iPhone 6 and the Slow Shutter app. I like the magenta-blue sky. I find blues relaxing and that's how I felt walking along the beach early in the morning.

The images were all shot on a tripod at three exposures (-2/0/2) and combined in Photomatix Pro with the Natural preset to create an HDR.

I removed several sensor spots in Adobe Lightroom and then applied the Kodak Gold 100 Warm preset from VSCO Film 00 (grain to zero). In Photoshop, I removed the lamp poles along the pier. I simply felt that this made the image a bit cleaner. I levelled the horizon and added a post-crop vignette by setting the amount to -21, midpoint to 0, and roundness to 51.

Equipment:

  • Nikon D5100
  • Tokina 12-24 mm f/4.0
  • Manfrotto tripod
  • Hoya 0.9 ND filter