Somerville at Night

A months ago I attended a night photography workshop in Somerville, NJ led by photographer Loren Fisher. I’ve completed workshops and field trips on night photography with various instructors. Each instructor provides a different perspective and I was curious as to what Loren might do in this workshop.

We started in the Somerville Cemetery, a cemetery that has some large and spooky looking monuments. We met at Loren’s home in Somerville and drove over in a rented commuter van. We arrived at the cemetery before it was dark so there would still be some light in the sky to help set up the cameras. We had a full view of the night sky but as a state sandwich between two large metropolitan cities, there is so much light pollution in New Jersey that few stars are visible.

Loren gave the group some tips on setting our cameras for some light painting. I think I had an easier time setting up my camera. Changing the ISO, shutter speed and aperture was as easy as turning a dial. Loren used various coloured flashlights to illuminate dark objects — monuments and trees — in the cemetery. I am sure that for drivers passing by we made for a strange sight.

Somerville at Night—FujiFilm X-T2 + XF16-55mmF2.8 R LM WR — © 28 September, 2018 by Khürt L. Williams

After we got out of the cemetery -- the zombies must have been on holiday -- we drove to downtown Somerville.

We some light painting on several buildings in downtown Somerville including the Somerset County Courthouse and the Somerset Hotel. The Somerset Hotel sign on the roof isn’t lit so Loren used his flashlight to add some light. I combined two shots of the hotel to create this final image; one with the hotel sign lit by Loren's flashlight and the other with a better light trail.

Somerville at Night—FujiFilm X-T2 + XF16-55mmF2.8 R LM WR — © 28 September, 2018 by Khürt L. Williams
Somerville at Night—FujiFilm X-T2 + XF16-55mmF2.8 R LM WR — © 28 September, 2018 by Khürt L. Williams

We also played with some long exposure tricks, like spinning the camera while photographing neon signs. It was a lot of fun.

Somerville at Night—FujiFilm X-T2 + XF16-55mmF2.8 R LM WR — © 28 September, 2018 by Khürt L. Williams
Somerville at Night—FujiFilm X-T2 + XF16-55mmF2.8 R LM WR — © 28 September, 2018 by Khürt L. Williams
Somerville at Night—FujiFilm X-T2 + XF16-55mmF2.8 R LM WR — © 28 September, 2018 by Khürt L. Williams

We stopped at the intersection of North Bridge Street and Main Street to photography the light trails left by the tails lights of cars. Pedestrians and diners leaving bars and restaurants stopped to ask what was going on. Some of them looked at our group with a quizzical look. I imagined that some were thinking “what kind of weirdos stand out in the cold on street corners with a camera.”

Somerville at Night—FujiFilm X-T2 + XF16-55mmF2.8 R LM WR — © 28 September, 2018 by Khürt L. Williams
Somerville at Night—FujiFilm X-T2 + XF16-55mmF2.8 R LM WR — © 28 September, 2018 by Khürt L. Williams
Somerville at Night—FujiFilm X-T2 + XF16-55mmF2.8 R LM WR — © 28 September, 2018 by Khürt L. Williams

One of our commented that a particular police car had driven by in both directions several times. Eventually, he stopped in the road and called out from his patrol car to ask what was going on. I don’t think he liked our answer. He drove away with an annoyed look. What does it say about our society if photography is a suspicious activity?

Somerville at Night—FujiFilm X-T2 + XF16-55mmF2.8 R LM WR — © 28 September, 2018 by Khürt L. Williams
Somerville at Night—FujiFilm X-T2 + XF16-55mmF2.8 R LM WR — © 28 September, 2018 by Khürt L. Williams

We finished the night on Division St., a pedestrian mall about half way down North Bridge Street.

Somerville at Night—FujiFilm X-T2 + XF16-55mmF2.8 R LM WR — © 28 September, 2018 by Khürt L. Williams
Somerville at Night—FujiFilm X-T2 + XF16-55mmF2.8 R LM WR — © 28 September, 2018 by Khürt L. Williams

Quotidian object and buildings and scenes look very different and interesting at night. This was the purpose of the workshop.

Satisfaction

Each Wednesday, The Daily Prompt Photo Challenge provides a theme for creative inspiration. Participants take photographs based on their interpretation of the theme, and post them on their blog anytime before the following Wednesday.

Last weekend I attended a macro photography workshop by Don Komerechka hosted by the Princeton Photography Workshop. It was a fun but challenging workshop, and I learned just how much I have yet to learn. I am so far from where I want to be with macro, but with patience and perseverance, and I think I can improve my craft. Water droplet macro -- or in this case, the term "micro" might be more appropriate -- is much harder than any macro photography I have attempted so far. Macros of flowers or insects are all I have tried to date; even those seemed easy compared to the water droplets.

Water Droplet, Macro, Satisfaction
Water Droplet Macro
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Don gave the class a quick primer on focus stacking, a technique I have used a few times with my macro. One excellent tip I learned is that Photoshop's auto-align and auto-blend layers features make it relatively easy to focus-stack capture images.

Macro photography can be time-consuming. Water droplet photography is even more so. Getting the water droplets to be spherical to my satisfaction required a lot of trial and error. And I had a lot of failures. I deleted most of the images I captured that morning. The one included with this post is the best of them.

Water Droplet, Macro, Satisfaction
Water Droplet Macro
[exif id="30839"]

The featured image is a blend of several photos. As you can see, it's flawed in many ways. It's not sharp. The flower that I placed behind the dandelion doesn't appear clearly.

I need more practice.

Each Wednesday, The Daily Prompt Photo Challenge provides a theme for creative inspiration. Participants take photographs based on their interpretation of the theme and post them on their blog anytime before Wednesday.

The Contact Sheet

This month's #WE35 expedition is ‘The Contact Sheet’. Apparently back in the day[^1], film photographers would make a print of all the images they had shot on a roll of film. The images would be printed, thumbnail size, on a single sheet of photographic paper. The photographer could then review the images and pick the one or more images she wanted to print.

I have never created a contact sheet.

is a global visual survey and creative research project conducted by explorers from around the world. The goal of is to push your creative boundaries, share in each other’s artistic development, and forge friendships that will last a lifetime. All of this, using nothing more than a single 35mm lens. We will achieve this goal through monthly assignments designed to expand your creativity like never before, foster an encouraging community where we can discuss one another’s work and provide opportunities for critiques and constructive feedback.The Photo Frontier

I took these images during a still life and tabletop photography workshop hosted by Princeton Photography Workshop. Photographer Frank Veronsky instructed our small group on lighting and staging before we set to work photographing anything we could find in his studio. I decided to shoot some squash and a vintage film camera brought by one of the students. I considered the exposure, the composition, and what message I wanted to convey.

I used Frank's homemade reflectors to bounce light coming in from his studio windows. It was a fairly cloudless day so we had a great deal of light. I also tried blocking the light using dark coloured and black painted surfaces. One thing that I had to pay special attention to was the focal length of my lens. My Nikon D5100 has an APS-C sensor and I do not own a 24mm (~35mm full-frame equivalent) lens. I used my AF-S Nikkor 18-55mm f/3.5-5.6G VR DX lens and set the focal length to 24 mm. One of the restrictions of the expedition is that photographers must shoot as though they were shooting film. I only had 36 negatives on my roll so I had to slow down and concentrate on what I was doing.

[exif id="24846"]

Making the pick was also a slow process. None of the images was post-processed. I re-considered the exposure, the composition, and what message I wanted to convey. The image I picked from the contact sheet conveys, in my opinion, the idea of fall. The orange-red-yellow of the squash match the orange-red-yellow of the autumn leaves that one sees in New Jersey during that time of year. One thing I would have liked to add is a few sticks of cinnamon to invoke the memory of the spices that one might smell in the house when someone is baking the squash.