Changing Seasons September 2017

The Changing Seasons Monthly Photo Challenge is a blogging challenge by photographer Max a.k.a Cardinal Guzman. Each month participants post a photo that represents the month.

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It rained for most of the month. This is unusual for September. Sometimes the camera had to make do with what was available.
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I celebrated Labour Day with American style. by driking New England style American IPA.
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My cousin\'s daughter was married to a man she\'s known since elementary school. The ceremony was held outside in the beautiful garden of the Williams Penn Inn.
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We were alread in Pennsylvania for the weddng so ... we took the opportunity to have brunch at a nearby craft ale brewery, Forest & Main.
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We were are the third annual Montgomery FunFest. One or two photos just can\'t do this event justice. But … hopefully a photo of me and my wife making a DSLR selfie with my pro photographer friend Frank Veronsky will.
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Yes, that\'s a picnic table.
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Boys will be boys
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We\'ve attended the Princeton Jazz Feast for so many years I can\'t remember when we started attending.
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Jazz and food on the green at Palmer Square in Princeton. What\’s not to like.
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We did two brewery tours in one day. The first was Kane Brewing, Ocean Township, Monmouth County, New Jersey
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September, Jughandle Brewing
The second brewery we visited was Jughandle Brewing in Tinton Falls. Bhavna and I are becoming brewery tourist.
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signatiure

The Changing Seasons Monthly Photo Challenge is a blogging challenge by photographer Max a.k.a Cardinal Guzman. Each month I will post a photo that I think represents the month.

People!

Language is impossible to nail down: any description can become a label, and any label can become a self-fulfilling inference. What these labels mean in society, hearts, and minds is more than the sum of their syntax.

Then it struck me, the term ‘people with lived experience’ only changes semantics, not attitudes and assumptions. Whether you say people experience homelessness or are homeless, the fundamental question is what you presume and presuppose about the concept of homelessness itself. Psychologically speaking, the influence of our syntax is quite limited here: rejigging the subject and predicate of a sentence does not somehow automatically override the feelings and beliefs we have internalized about the nature of homelessness. Even though the new term grammatically reframes homelessness as a condition instead of an identity, it nonetheless continues to carry the assumptions, biases, and stigmas of its speakers and hearers.James Shelley

James is right. One thing that has annoyed me about many recent efforts to change the meanings of words is that they do not account for human behaviour. Human beings are meaning making machines. The word “dude” can mean anything from “you are awesome” to “you are an ass”. It’s the same word, the difference being only the intent of the person using the word.

And if you, like me and many others, didn’t receive the memo that the word has changed meaning, the assumption is that you are intentionally trying to cause harm.

Consider the implications here: the phrase ‘people with lived experience’ can easily be used as a cognitive-linguistic short-cut for an extremely complex set of circumstances. It can be as presumptive as the terminology it was created to replace; it can be as equally typecasting and prejudicial as referring to people as ‘the homeless’, ‘those people’. Given time, a phrase originally intended to reduce generalizations and identity-imputing stereotypes can itself become a plug-and-play term for conventionalizing and pigeonholing. Language is impossible to nail down: any description can become a label, and any label can become a self-fulfilling inference. What these labels mean in society, hearts, and minds is more than the sum of their syntax.

The challenge is that words only have the meaning given to them by human beings.

Brooklyn Bridge

The last of three images I captured during a photo walk around the Brooklyn Bridge Park with Trey Ratcliff as part of the #TreyUSA tour.

This is 3 exposure HDR (-2/0/+2) shot on my Nikon D5100 with a Tokina 12-24mm f/4 AT-X Pro DX-II (rented) and a 0.9 (3 stop) ND filter. The images were imported into Adobe Lightroom and then combined in Photomatix Pro using an export preset. I applied the natural preset in Photomatix Pro then imported the resultant image back into Adobe Lightroom for further processing.