Bequia, August 1998

NOTE: Last year, after I bought a scanner to digitise my 35mm film negatives and old prints, I discovered a box full of developed Fujicolor Nexia Smart APS ISO 200 canisters. I was excited when I found a roll containing images from the last time I visited the land of my birth. I quickly sent off the rolls to be scanned by ScanSafe in their Noritsu Koki EZ scanner. I apologise for the quality of the images. I was technologically ignorant of photography then and bought into the hype behind APS (compact and easy) without understanding the downsides (low quality, expensive). The APS canister was in poor condition in my basement and didn't age well. I was also an inexperienced photographer, and whatever point-n-shoot thingy I put these rolls through was probably cheap. Here are the images and as much as I can remember about our trip.

Decades ago, in August 1998, Bhavna were in Antigua for my younger brother’s wedding. A few days after the wedding, we hopped on a charter flight to visit St. Vincent to visit Dad and then to Bequia to visit my grandmother. Bhavna had her first chance to experience the islands where I was born and raised.

Leaving Kingstown Harbour | 6 August 1998
In the Bequia Channel | 13 August 1998

Dad was still working as a Kingstown branch manager for Barclays Bank, PLC. Bhavna and I stayed with Dad and Mom at the bunkhouse. Barclays always provided housing for senior staff. My parents had rented out the family home on Dorsetshire Hill. We took a few days to explore St. Vincent, but I was excited to get to Bequia. Bhavna had heard so much about this magical island that was lost in time, and I wanted her to meet Mom’s mother, whom I affectionately called “Mama”.

My cousin, Cashena "Suzie" Wallace and her husband, Elvis Gooding, operate Admiralty Transport Company Ltd, one of two ferry services between St. Vincent and Bequia. Around 9 AM, we took the ferry leaving from Kingstown Harbour. Bequia and St.Vincent's are about nine miles apart; depending on the weather, it takes about one hour from port to port.

Arriving at Admiralty Bay, Port Elizabeth | 5 August 1998 | Noritsu Koki EZ Controller | SMC Pentax-A 50mm f/2 | Fujicolor Nexia Smart APS ISO 200
Mom, her cousin Emmanuel Corea, and me | 6 August 1998

Admiralty Bay is on the sheltered west side of Bequia and is known locally in Bequia as "de Harbour". The horseshoe bay offers good protection from the weather for visiting yachts & local ferries, which run between the Grenadine islands regularly. The capital village of Port Elizabeth is tucked safely in the heart of Admiralty Bay, with a selection of shops clustered along the front street.

As we arrived at the dock at Port Elizabeth, memories of summers long past flooded my mind. The noise level in the ferry increased with the chatter of passengers readying their belongings for departure. Mom's cousin, Emmanuel Corea, who runs a taxi service around Bequia, greeted us at the dock. In Bequia, a taxi is any vehicle that can seat six or more passengers, typically a Kei sized van or minibus imported from Japan. These vans tend to be smaller than the vans in the USA. In between fares, most taxi drivers sit while cooling under "The Almond Tree" near the dock in Port Elizabeth.

"Mama" Celena | 6 August 1998
The last time we were together | 6 August 1998

After a 20-minute drive, we arrived at my grandmother's home on the hill near Friendship Bay. Friendship Bay is located on the south side of Bequia with a horseshoe of fine white sand. It is suitable for snorkelling, diving and sailing. The gentle trade winds swept over me. It was great to be home.

I spent most of that week hanging out with my grandmother. Bhavna and I took vigorous hikes to the ancestral home near the mid-section of Monkey Hill. I followed my grandmother around as she tended to her chickens and goats. It was like old times. It's always windy at the top of the hill.

The Friendship Bay House | 6 August 1998
The Friendship Bay House | 6 August 1998

I'm not sure if it was the next day or later that week, but two of Mom's cousins had spent several hours crossing the Caribbean Sea in a speed boat from Grenada (or maybe it was Carriacou) to dive for lobster near Petit Nevis. Carriacou is 60 kilometres (37 miles) from Bequia. I think my ass would be in pain. The next day, Mom's cousins took us to Petit Nevis, a private island my Mom and her family own.

Bhavna enjoyed the cool breezes of the Trade Winds while we hiked around Petit Nevis island. I showed Bhavna where the whalers pulled ashore captured whales for slaughter. She didn't like learning about this part of her family history. I explained that all the family whalers had retired and were focused on nature conservation efforts.

The Friendship Bay House | 6 August 1998
The Friendship Bay House | 6 August 1998

Mom's cousins were successful with their lobster dive, and later that night, I dined on fresh lobster meat while Mom's cousins regaled us with tales of their recent adventures.

Later that week, we visited my great uncle, Athneal Ollivierre (my grandfather's brother), at his home, a part of which is a whaling museum. When I was a lad, Athneal was the most heralded of the Yankee-style whalers in Bequia. He died several years ago, and though my family is no longer involved in whaling, the other whalers have continued the tradition.

Sometime during the week, Bhavna and I visited Spring. Spring Bay is on the Eastern side of the island. It is the quieter and more remote Atlantic side of Bequia, where you will find a few rental villas, former sugar plantations and nothing else apart from the spectacular scenery.

The Friendship Bay House | 6 August 1998
The Friendship Bay House | 6 August 1998

When I was a child living a the Bequia bank house (atop the bank), Mom’s brother, Uncle Errol, would go out crabbing near the northern end of Bequia in an area known as Spring Bay. Spring Bay is on the Eastern side of the island. This is the quieter and more remote Atlantic side of Bequia, where one will find former sugar plantations and palm tree-lined scenery. My mom would wake me up just before dusk, make sure I had some breakfast (bakes and saltfish), and get me up into the rear of my uncle’s Land Rover, the back already filled with other people and kids. We would spend the morning chasing crabs in the mangrove at Spring Bay, stuffing them into large "coco sacks" made of coconut coir. Later in the morning, after we returned to the bank house, Mom would spend the morning cooking up crab. I enjoyed those moments, stuffing my face with delicious crab meat.

View of Friendship Bay | 6 August 1998 | Fujicolor Nexia Smart APS ISO 200
View of Friendship Bay from Monkey Hill | 6 August 1998 | Fujicolor Nexia Smart APS ISO 200
6 August 1998 | Fujicolor Nexia Smart APS ISO 200
The old outdoor shower | 6 August 1998 | Fujicolor Nexia Smart APS ISO 200
Moving the goat at Monkey Hill | 6 August 1998 | Fujicolor Nexia Smart APS ISO 200
Petit Nevis in the distance | 5 August 1998 | Fujicolor Nexia Smart APS ISO 200
Getting ready to go lobster diving on Petit Nevis | 6 August 1998 | Fujicolor Nexia Smart APS ISO 200
Petit Nevis in the distance | 6 August 1998 | Fujicolor Nexia Smart APS ISO 200
Petit Nevis | 5 August 1998 | Fujicolor Nexia Smart APS ISO 200
Petit Nevis is a private island | 6 August 1998 | Fujicolor Nexia Smart APS ISO 200
Petit Nevis | 6 August 1998 | Fujicolor Nexia Smart APS ISO 200
Bhavna enjoyed Petit Nevis | 6 August 1998 | Fujicolor Nexia Smart APS ISO 200
Visiting Uncle Athneal | 5 August 1998 | Fujicolor Nexia Smart APS ISO 200
Bhavna enjoying the beaches at Spring | 6 August 1998 | Fujicolor Nexia Smart APS ISO 200

Isolation Photo Project, Day 66

I exposed a roll of FPP RetroChrome 400 using a Pentax Spotmatic II with SMC Takumar 55mm f/2 lens with unexpected results.

NOTE: I'll begin this experience report with a brief disclaimer. It's been less than two years since I returned to shooting 35mm film after switching to digital photography over 20 years ago. I've inundated myself with as much 35mm film education as possible between web articles and advice from experienced film shooters. But, with my former experience way in the past and limited recent experience, this review is coming from a relative novice point of view.

A few weeks ago, I shot 35 frames of Film Photography Project RetroChrome 400 35mm Colour Reversal Film with my Asahi Optical Co. Pentax Spotmatic II and SMC Takumar 55mm f/2 lens. I was anxious to see how the film performed and impatiently captured all the frames on a single day.

I focused my efforts on the Delaware & Raritan Canal State Park Trail near the Kingston Lock and Kingston Grist Mill. I have photographed this area many times. I wanted someplace familiar to test my 35mm film photography skills.

The description from the Darkroom website:

RetroChrome is government surplus High Speed Eastman Ektachrome color positive film. Made for industrial and governmental applications, Kodak adds “it is color reversal camera film that is intended for photography under daylight illumination. Among its many applications are news photography, sporting events and industrial photography.” The film is cold-stored 2004 expired. The film performs excellent at it’s intended box speed of 400 iso which leads us to believe that this film has been stored in the “deep freeze” for the past decade. Please read all about RetroChrome history in our RetroChrome blog!

I received an email from the Darkroom and mistakenly thought I had developed a blank roll. But today, I received notification from Darkroom that the FPP RetroChrome 400 Colour Slide Film cartridge was successfully developed using the E-6 process and the negatives were scanned and ready for download. I had chosen the Super Scans, which produces JPEG images at 4492×6774 pixels. Darkroom scanned the negatives on a NORITSU KOKI EZ Controller.

I added EXIF data to the images using Exif Editor.

From the samples on the Film Photography Project website and Flickr, I had some idea of how the scanned negatives would look. However, I knew I struggled to get proper exposure to the Spotmatic II. I was challenged to find the appropriate shutter speed and aperture that centred the metering needle. This is one reason I purchased a Pentax ES II.

Most of the frames were captured on the Delaware & Raritan Canal State Park near the Kingston Mill House, which I have frequently photographed. I uploaded the ten best images as is.

I think the grain and colour cast is what one can expect from FPP RetroChrome 400. Many of these frames are slightly overexposed. Tweaking them in Adobe Lightroom improved contrast, but the grain is noticeable. I’m not too fond of the quality of the grain, and I could have picked better subject matter. I love the look of the photographs of the Kingston Mill House and Lochtender’s house, but I think the images of the greenery are boring. I believe that scenes of old diners and 1970’s cars parked in front of downtown scenes would make good subject matter.

Would I shoot another roll of FPP RetroChrome 400? Yes, but I will either use my Pentax ES II or Pentax P3 so that I can use automatic metering and aperture priority.

Have you used PP RetroChrome 400 Colour Slide Film? What do you think of the grain and colours produced by this film?

Kingston Lock Tender House
8 May 2020 * Asahi Pentax Spotmatic II * SMC Takumar 55mm f/2
Kingston Lock Tender House
8 May 2020 * Asahi Pentax Spotmatic II * SMC Takumar 55mm f/2
Kingston Grist Mill House
8 May 2020 * Asahi Pentax Spotmatic II * SMC Takumar 55mm f/2
Kingston Grist Mill House
8 May 2020 * Asahi Pentax Spotmatic II * SMC Takumar 55mm f/2
Kingston Grist Mill House
8 May 2020 * Asahi Pentax Spotmatic II * SMC Takumar 55mm f/2
Kingston Lock
8 May 2020 * Asahi Pentax Spotmatic II * SMC Takumar 55mm f/2
Kingston Lock
8 May 2020 * Asahi Pentax Spotmatic II * SMC Takumar 55mm f/2

Submitted as part of the 100DaysToOffload project.