I acquired more Minolta photographic gear during the second year of the global pandemic after buying a used X-700 and MD Rokkor-X 50mm f/1.7 lens in 2020. I bought a used Minolta XD-11, MD Rokkor-X 45mm f/2 lens, MD W.Rokkor-X 28mm f/2.8 lens, and other non-Minolta branded lenses. I also bought a used Pentax P3n even though I already had a working Pentax P3 from college. I convinced myself that I needed aperture priority. All of this gear worked, and I enjoyed using them. I had developed some G.A.S.
With poor judgment, I bought two used Minolta XG-1 bodies, one of which the seller told me did not work. I purchased these in person and tested the mechanicals, confirming the seller's claim. I don't remember what I paid, but it was a nominal amount, perhaps $20. One of the camera bodies has a sticky on-off switch. The other camera body had a jammed shutter curtain, but I convinced myself I could fix it.
But soon, I lost my enthusiasm for fixing them and put them on a shelf where they sat until a few weeks ago. At the beginning of the year, I decided to simplify and minimise my film photography. I sold the Pentax P3n and SMC Pentax-A 50mm f/1.8 lens. I sold it after replacing my Fujifilm XF27mmF2.8 lens with the Fujifilm XF27mmF2.8 R LM WR lens. It was time to sell the Minolta XG-1s, as is, for parts. But first, I wanted to see if I could successfully expose some frames. I loaded a New Classic EZ 400 cartridge into the Minolta XG-1 with the sticky on-off switch.
The New Classic EZ 400 is a black and white film that the Chinese company Luckyfilm manufactured for 35mm cameras. Luckyfilm has been producing photographic materials since 1958. The company produces a range of film products for both professional and amateur photographers, and their products are known for their quality and affordability. New Classic EZ 400 was hyped as a good choice for photographers who want a versatile, high-quality film that can be used in various situations.
Of the four cartridges of the New Classic EZ 400 I bought last year, I have used two and given two away. This was the last one of the four. Here's what I wrote after the first time I used New Classic EZ.
I exposed the first roll at box speed at Palmer Square and around my neighbourhood. I sent the cassette off for Boutique Film Lab to develop. Here are some frames scanned with an Epson V600 with my scanning workflow. All film frames were exposed at box speed. The results are okay, nothing spectacular. But EZ 400 is low-price and an excellent alternative black and white film to put in my Minolta. I have four more rolls of EZ400. Maybe it will grow on me.
It did not grow on me.
I'm not too fond of the strong contrast and chunky grain. I've said it before. I'm not too fond of grain. I'm not too fond of this film stock. New Classic EZ 400 is more affordable than most black and white film stock, but Kentmere 400 is just as inexpensive, and I got much better results.
| Name | New Classic Film EZ400 400 |
|---|---|
| Type | Black and White (negative) |
| Native ISO | 400 |
| Format | 35mm |
| Process | Black and White |
| Lab | Boutique Film Labs |
| Scanner | Epson Perfection V600 |
| Software | SilverFast 9 SE and Negative Lab Pro |
