My Best Images From 2020

Once again, Brent Huntley has invited photographers to participated in his yearly “Top Images from the Photography and Travel Community” project.

Once again, Brent Huntley has invited photographers to participate in his yearly Top Images from the Photography and Travel Community photograph project. It's a year in review project, and photographers are encouraged to choose their top "10(ish)" images, publish them to a website, and submit the link to Brent for inclusion in a photography blogroll. You can see the submissions for 2018 and the submissions for 2019. I think it's a fun way to review the year in pictures with far away (and near) photography enthusiasts, and each year I discover interesting photography blogs to add to my RSS reader.

Each year Jim Goldstein hosts a similar project. This year would have marked my fifth year of participation, but it seems that Brent and Jim's calendars did not match up, or perhaps Jim has decided not to host this year. If Jim does host, I will update this post with a link.

Selecting just ten photographs from the thousands I made each year is always challenging, and a challenge made even more so by the advent of COVID-19. The office where I worked is located right across the street from Pier 11. The office has a break room with an excellent view of Governor's Island, a helicopter pad and the water traffic on the lower Hudson River. Up until March 10 of 2020, I rode the very crowded New Jersey Transit and PATH trains to Exchange Place in Jersey City to catch the NY Waterway Ferry to Wall Street. I don't usually pay much attention to the news, but I started to hear something about a new, highly contagious virus spreading throughout the city. That night, Bhavna suggested that I work from home.

Everything changed when the New York governor issued "stay at home" executive orders. I knew New Jersey's governor would follow that lead and by the following Monday, all of us were "sheltered in place". The world had changed. Our travel plans were on indefinite hold. I cried. I had struggled with my health in 2019 so much that I didn't even attend my father's funeral. After my last surgery in December 2019, Bhavna and I looked forward to travelling and entertaining. The kids would be off to college and university—the kitchen renovation project would be complete. I had wanted to host craft beer tasting parties with my close friends for the longest time. At the same time, I was dealing with my health challenges, I had stocked the beer fridge with ales from some of the best craft micro-breweries from around the United States. I had also started to get into street photography and wanted to do more of that. We talked about returning to the finger lakes and visiting my family in Bequia for the first time since 1998. I had plans to go out of state for some wildlife photography.

But that's not how things worked out.

Just weeks after COVID-19 had a name, it savaged the nursing homes in our area. Bhavna lost her dad to COVID in April, just a year and a few days after my dad passed away. Then a few weeks after that, a close friend called to tell me her mother had also passed away from COVID. We helped our children pack their things and find desks for "remote college”, another disaster in the making. We would spend the rest of the year living in fear of other people.

The shelter-in-place orders allowed us to leave our homes for essentials-food, medicine, and exercise. The neighbourhood streets became full of people looking to escape their home offices. Work from home isn’t much fun if you can’t get out with friends for lunch or dinner or a pint of ale.

For a while, every other day, I escaped to the woods of Hunterdon County and Mercer County with Bhavna. The virus continued to ravage New York and New Jersey. The executive orders became more stringent, and all state, county and township parks were closed. I am thankful that the local conservation societies kept their open spaces open. The woods provide a change of scenery, a place to contemplate the "new normal", and a place to sit alone and cry. The woods and the forests helped me survive the summer.

Several northeastern states formed a COVID coalition, restricting the movement and setting quarantine rules for out-of-state visitors. Travelling had potential health risks and additional consequences. We had to adapt.

While many were protesting bad policing or systemic racism and inequality, the streets, restaurants and shops in the local area were empty. We were all in this together, except unequally.

We added to our family. Bhavna adopted a rescue cat, Sir Alphonso Mango, Alfie, from Kiran's adopted Camilla last year. Alfie is gentle and loving but mischievous.

We learned that dining outdoors was less risky when the tables (and other guests) were socially distanced and our waitstaff masked up. We developed a weekly habit of dining at the Brick Farm Tavern in Hopewell; every week since May. Except for this week when the outdoor temperatures dropped below 0ºC.

To keep me from boredom, I bought a few 1970's and 1980's 35mm film cameras and lenses, bought several rolls of film and rediscovered the joys and agony of film photography. My favourite film camera is my Minolta X-700. I bought adapters and adapted some of the long lenses to my Fuji X-T2, and photographed the wildlife in my backyard.

I completed the iPhone 11 Pro 365 day project I started last fall but abandoned the 52 Week Smartphone project. I participated in Jeff Sinon's Isolation Photo Project for as long as possible. My motivation for photography dropped off near the end of the summer.

All of that is a backdrop to the challenges in choosing images for this year. What criteria should I use to determine which images are posted below, technical or emotional? Should my best images also tell the story of the year? How do I choose? I think the photos below are selected for a combination of reasons that I may not even know, but they are a mixture of both. And it's more than ten.

I wish all of you a Happy Healthy New Year.

Sign of the times. | Wednesday 18 March, 2020 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR
Aunt Molly Trail, St. Michaels Farm Preserve | Monday 6 April, 2020 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR
Zion Crossing Park | Saturday 11 April, 2020 | FujiFilm X-T2 | XF80mmF2.8 R LM OIS WR Macro
Outdoor dining at Brick Farm Tavern | Saturday 16 May, 2020 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR
The Office | Tuesday 26 May, 2020 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR
Sunday 31 May, 2020 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR
Saturday 13 June, 2020 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR
Mimi aka Camilla | Wednesday 15 July, 2020 | FujiFilm X-T2 | XF27mmF2.8
Movie night. | Saturday 25 July, 2020 | Apple iPhone 11 Pro | iPhone 11 Pro back triple camera 4.25mm f/1.8
Avalon Beach | Wednesday 26 August, 2020 | Minolta X-700 | Minolta MD Rokkor-X 50mm F1.7 | Kodak Ektachrome E100 35mm Colour Reversal Film
Avalon Beach | Wednesday, 26 August, 2020 | Minolta X-700 | Minolta MD Rokkor-X 50mm f/1.7 | Kodak Ektachrome E100 35mm Colour Reversal Film
AMA Pizza e Cucina at Flounder Brewing's Beer Garden | Saturday 10 October, 2020 | Minolta X-700 | 45mm f/2 MD Rokkor-X
We adopted a rescue cat, Sir Alphonso Mango, aka Alfie | Friday 2 October, 2020 | FujiFilm X-T2 | XF16-80mmF4 R OIS WR
Brick Farm Tavern's Outdoor Bar | Friday 23 October, 2020 | FujiFilm X-T2 | XF27mmF2.8
Saturday 7 November, 2020 | FujiFilm X-T2 | XF27mmF2.8
Japanese Maple | Wednesday 11 November, 2020 | FujiFilm X-T2 | Vivitar 135mm f/2.8 MC Telephoto M42

Kodak Pro Image 100 with Minolta X-700 and MD Rokkor-X 45mm F:2

In October I shot a roll of Kodak Pro Image 100 35mm Colour Negative Film.

NOTE: I’ll begin this experience report with a brief disclaimer. It’s been less than three years since I returned to shooting 35mm film after switching to digital photography over 20 years ago. I’ve inundated myself with as much film education as possible between web articles and advice from experienced film shooters. But, since my prior experience with film is decades old, this review is from a rather novice point of view.

I started drinking ales from Flounder Brewing about five years ago. Back then, founder Jeremy Lees and his friends brewed up a batch of beer when they could, sometimes once a month, sometimes more. Whenever they had a batch of beer for sale, they emailed a mailing list with dates and times. One release day was not unusual to see a line of beer geeks, growlers in hand, standing outside their "brewery", a small space inside an industrial building in Hillsborough. Eventually, word spread, the lines got longer, the beer got better and more varied, and the team were able to expand. Flounder Brewing retained its small-town micro-brewery feel, but Jeremey had a vision for growing into a space that reflected the historic farm town character of Hillsborough. This year he had the green light to start renovating a barn on the historic farm property at Clerico Lane.

To continue the sense of the community that Flounder Brewing Co. has created over the year, Jeremy hosted a monthly socially-distanced and fully-masked outdoor beer garden at the new property with stringent rules. Throughout the summer and fall, Bhavna and I attended each of these outdoor beer gardens. We brought portable chairs and tables and found a spot under the trees. It was a joy to be with people (from eight feet away) enjoying the same beer, food and local musician.

On one of these occasions in October, I attached an MD Rokkor-X 45mm F2 lens to my Minolta X-700 and loaded a roll of Kodak Pro Image 100 35mm Colour Negative Film for the first time. I had read that the look of Pro Image was somewhere between Kodak Portra and Kodak Ektachrome E100. It took me a few weeks to expose the entire cartridge. I somehow got 38 exposures from a 36-exposure roll.

These are the best of them. You can tell where I struggled with focusing the lens. Many of the photos are slightly out of focus. I struggled to get proper exposure. I think the results are better than my first try with FPP RetroChrome film, but my technique still needs work. This is the first year I have been using a film camera since 1999.

Kodak Pro Image 100 is a professional-grade colour-negative film designed for 35mm cameras. It is known for its fine grain, vibrant colours, and sharpness, making it a popular choice among professional and amateur photographers. It’s also a lot cheaper than most of Kodak’s other professional 35mm films, such as Kodak Portra.

Kodak Pro Image 100 is relatively light-sensitive, making it suitable for various lighting conditions. Its colour reproduction is well-balanced, with accurate skin tones and a natural colour rendition, making it ideal for portrait photography.

Kodak Pro Image 100 is also known for its wide exposure latitude, meaning that it can handle overexposure and underexposure well, providing more flexibility in challenging lighting situations. Additionally, it has a broad tonal range, which enables it to capture subtle variations in highlights and shadows.

Overall, Kodak Pro Image 100 is a versatile film well-suited for various photographic applications, including portraits, landscapes, and street photography.

Name Kodak Professional Pro Image 100
Type Colour (negative)
Native ISO 100
Format(s) 35mm
Lab The Darkroom
Process C-41

Flounder Brewing Co. Beer Garden

Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2

Brick Farm Tavern

Bhavna and I have had dinner at the Brick Farm Tavern each week since just after the "stay in your home order" were lifted, and Governor Murphy permitted outdoor dining. It's us once a week "socially distanced" outing. The tables are spaced 8-10 feet apart. The food at the tavern is delicious farm to table, and we are surprised by something new every week.

Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2

Cousins Maine Lobster

I discovered Cousins Maine Lobster Truck too late in the summer to fully take advantage, but now I have developed a weekly habit of dropping in wherever they are for a lobster roll or lobster grilled cheese sandwich.

Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2

Quaker Road Section of D&R Canal

Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2

Random

Dilemma

Alphie behind the screen door, stalking birds.

Over the years, I have owned more than a few cameras, though I was never a collector. Whenever a new camera sparked my interest, the old model was sold and the money put toward the new camera. Most often, the improvements were significant, and the old camera was quickly forgotten. However, recently I have gone on a buying spree, and I have collected too many cameras that I rarely use.

I am minimising my minimal legacy film camera collection. But I have a dilemma; shall I keep my X-700 or the XD-11 I bought on eBay last night? When the XD-11 arrives, I will have several film cameras; Pentax Spotmatic II, Pentax ES II, Pentax P3, Pentax P3n, Dad's Canon EOS Rebel 2000, Minolta X-700 and the Minolta XD-11. I think that's too many and I have already decided to sell the three older Pentax cameras - Spotmatic II, ESII and P3 - and keep the P3n but sell the Canon EOS Rebel 2000. It's the least desirable of the cameras.

But I enjoyed shooting the X-700 so much that I want to keep it. But I expect that I'll enjoy using the XD-11 as much as the X-700. I'm uncertain how to justify keeping both once the more capable XD-11 arrives. I want to keep them both, but I don't need three film cameras.

I’m not sure I’ve figured out my used camera spending sweet spot. I know that some of my purchases this year have left me feeling “anxious”. In retrospect, my Pentax Spotmatic II (US$80) and ES II (US$158) purchases seem ill-considered. I have used both cameras only a few times, with weight and ease of use being detractors.

I’ve had real joy using my Minolta X-700. Found on Facebook Marketplace and sold by the original owner who was excited to find out that we lived just minutes apart and hiked the same nature trials, I paid US$70 for the body, two lenses, a camera bag, and two Minolta flash units. I feel quite pleased with this purchase, and I use this camera often.

This month I bought a Pentax P3n ($35) and a Minolta XD-11 ($245). I’m already regretting both purchases; the P3n because I’m concerned I won’t use the camera as much, and the XD-11 feels like an indulgence. I’m hoping the XD-11 is even more fun to use than the X-700 but if it isn’t I’m prepared to shoot a few rolls and resell it. And I’ll probably shoot a few rolls in the P3n and sell that too.

I guess I know that I’ve fallen in love with the X-700, but we’re not yet exclusive, and I’m dating other cameras, looking for the one.

Submitted for the 100DaysToOffload project.