NOTE: I'll begin this experience report with a brief disclaimer. It's been less than three years since I returned to shooting 35mm film after switching to digital photography over 20 years ago. I've inundated myself with as much film education as possible between web articles and advice from experienced film shooters. But, with my former experience way in past and limited recent experience, this review is coming from a relative novice point of view.
... recently, three other films have appeared. They're not Lomography films, nor are they coming from Kodak or Fujifilm, the last two giant colour film producers. These three films come instead from Russia's Silberra, a boutique film brand which has until recently concentrated on black-and-white film.
Silberra's colour films span a trio of medium-speed ISOs: 50, 100 and 160. Where exactly they come from is a little bit of a mystery. The company's own website offers little info, and in fact didn't even list the 160 version of the film before a consignment of it arrived at London's Photographers Gallery at the end of 2020, which gave me a roll of it to test.
A lot of 35mm film has been discontinued over the last few years. We list ADOX Silvermax and SCALA 160, Fujicolor Pro 400H, and FujiChrome Velvia 100. This has driven up the price of remaining stock and the costs of other 35mm films as photographers seek alternatives. A single 36-exposure roll of Fujifilm Pro 400H sells for over $40 on Amazon.com, the only store where I have seen the film, listed for sale. But what the universe taketh away, it also giveth.
After reading Stephen's experience report, I decided to give Silberra Color 160 a try. I ordered a single roll from Blue Moon Camera ($11) and exposed the roll during September and October. I captured various subjects under varied lighting conditions. I only sent the film roll to Boutique Film Lab for processing ($5+$10 shipping). The developed and uncut negatives arrived this week, and yesterday I scanned them in using the Epson Perfection V600, Silverfast 9 and Negative Lab Pro. I followed the same guidelines for scanning and processing the scanned images I used for Kodak Pro Image 100. The recent update to Negative Lab Pro promised even better results, so I was excited.
The number of keepers from the roll of 36 was relatively low. Many of the images were out of focus or blurry. I'll admit that I am still re-learning how to use 35m films (after a 30-year hiatus), but I got more keepers when using Kodak Pro Image 100 or Kodak Vision 250D. I like how darker skin tones are rendered in Kodak Pro Image 100. Overall the images seem more neutral. I don't particularly appreciate how Silberra renders skin tones.
I am disappointed with the result, but I am still happy I could try this 35mm film. I learned that Kodak Pro Image 100 might be the ideal and currently available 35mm film that produces results that I like. I'll be sticking to that for a while, at least, until Kodak discontinues that film.
I haven't written in my journal or blog since the end of August. I was just mentally tired preparing for the CCSP exam then disappointed that the testing centre cancelled the test. I reschedule, and I will be sitting the exam this Saturday, so I'll be prepping the whole week. Instead of the normal breakdown of each day of the week, I will lump it all together.
What's a wide-angle lens? It's any lens that is below 35 mm on a crop-sensor camera or 50 mm on a full-frame. The wide-angle view is perfect for capturing a broad vista like a landscape, seascape, or cityscape.
My favourite lens for my Minolta XD-11 35mm film camera is the MD Rokkor-X 45mm F:2 lens. I prefer something closer to 40mm, like the Minolta M-Rokkor 40mm F/2, but that lens is over $1200 on eBay, and I don't own the similarly expensive Minolta CLE.
The Fujinon XF27mmF2.8 lens is my favourite lens for my crop-sensor, Fuji X-T3. Some may think that 27mm is a weird focal length. However, I think it is the perfect "normal" focal length. Normal is defined as the diagonal dimension of the film dimension or image sensor, which is 28mm (APS-C), 43mm FF and 54mm (GFX medium format).
The math works out as follows:
Full frame sensor dimensions are 36mm x 24mm; therefore, diagonal measurement is 43.27mm.
GFX sensor dimensions are 43.8mm x 32.9mm therefore diagonal dimension is 54.78mm. Corresponding crop factor is 43.27/54.78 = 0.78988682 or ~ 0.79.
APS-C sensor dimensions are 23.6mm x 15.6mm therefore diagonal dimension is 28.29mm. Corresponding crop factor is 43.27/28.29 = 1.5295157299 or ~ 1.53.
Neither the 50mm nor 35mm lenses are "normal" lenses. 50mm became the standard when Leica rose in popularity. Because a 50mm lens was the optimal design to reduce visual distortions and maximize resolution on 35-mm film, the Leica I came with a fixed, nonremovable 50-mm lens. While the 1932 Leica II introduced interchangeable lenses, its built-in viewfinder was specifically designed to work with a 50-mm lens. Digital cameras do not have these optical limitations.
The ~41mm full-frame field of view suits the everyday documentary style photography that I find myself doing during these "no-travel-stay-close-to-home" pandemic times. Of course, I also have my Fujinon XF16-55mmF2.8 R LM WR. The ~41mm full-frame field of view provides a field of view in the range of the human eye.
Many websites keep propagating the "story" that a 50mm focal length on a 35mm full-frame camera is roughly equivalent to the field-of-view (FOV) of the human eye. First of all, the human eye is not a camera. Even though the focal length of the eye is 17 or 24mm, only part of the retina processes the main image we see. This part of the retina is called the cone of visual attention, which has a field of view between 50-55º wide. On a 35mm full-frame camera, a 38-43mm focal length provides an angle of view of approximately between 50-55º.
One of the many ways one can widen the range of one's lens is to stitch together many vertical frames shot while panning the camera from one side to the other. Some cameras, e.g. Fuji X-series and Apple's iPhone, have a built-in panoramic mode that automatically does the stitching in the camera. A sturdy tripod and Adobe Photoshop can make the process easy for the cameras that don't have built-in panoramic mode. All of the images below are panoramas created either in-camera or via Adobe Photoshop.
When shooting panoramas, I try to use the camera in portrait orientation. This maximizes the number of vertical pixels. For example, my Fuji X-T3 camera sensor has 6000x4000 pixels. If I shoot my set of images for the panorama in portrait orientation, I will have 6000 vertical pixels across the set of images.
Sandbridge, Virginia Beach | Friday 2 August, 2013 | FujiFilm X-E1 | XF18-55mmF2.8-4 R LM OIS @ 18 mm | 1⁄680 sec at f/8.0 | ISO 200Salvo, Outer Banks | Sunday 30 August, 2015 | Apple iPhone 6 | iPhone 6 back camera 4.15mm f/2.2 | 1/2500 sec at f/2.2 | ISO 32
Beneduce Vineyards
While I have a few camera shops nearby where I can drop off a roll of 35mm film, most don't develop the film themselves but instead outsource the process to labs in New York City or Philadelphia. I have been mailing my undeveloped 35mm film to California and New Hampshire labs and paying for developed negatives and scanned images. The cost of developing and scanning was about $25-$30 per roll. Shooting film is an expensive hobby.
I bought an Epson V600 Perfection Photo scanner to scan some very old family portraits earlier this year. It was a fun but tiring exercise, but I was happy to preserve some family photographic history. I wanted to develop my photo scanning skill, primarily to eliminate the cost of scanning film, but I also wanted to see if I could match or improve the scans from the various labs. At first, I used Silverfast 9 with the Epson V600 but struggled to find a consistent workflow. But after reading Matt Wright's article about Picking your Color Negative Film Stock, I installed Negative Lab Pro for Lightroom, followed Matt's advice, and rescanned some Kodak Pro 100 negatives. The results were so much better than what I have received that I sent out my last few rolls for development only.
Unless you do your film developing and scanning at home, film photography can be frustrating. You expose a roll of film over a day or perhaps a few weeks. You mail or drop the film off at a lab for developing and scanning. You wait. A few weeks later, you get your negatives or scans back. Unless you shoot polaroids, there is no instant in film photography. The scans below are my own from a set of negatives from a roll of Kodak Vision3 250D that I exposed in August. The film roll was developed by Boutique Film Labs in Juliet, Tennesse.
It was the weekend after I broke my Fuji X-T2. I wanted to try to achieve another success with the Minolta XD-11 and Kodak Vision3 250D.
We were at Beneduce Vineyards to hear "Fitz" perform in the band "Winery Katz". Fitz and his wife Monica are friends with our other friends, Matt and Jean. Matt is a guitar instructor who performs as one half of the Acoustic Road duo. A month earlier, during our visit to Unionville Vineyard to hear Acoustic Road, I had asked Fitz when he would be perfuming. He replied that he was performing with musicians on August 14, and we immediately reserved a table. He cheekily named the band "The Winery Katz". Bhavna told her family, and before we knew it, we had three more couples with us - Bhavna's older sister, Nilima and her husband Mukesh, her younger brother Uday and his wife Bhairavi, and Uday's work-mate Oleg and Monica. The more, the merrier. It was a fun evening.
The sky indicated we might get a bit wet, but it lasted only a few minutes. We had a wonderful time dining on wine and charcuterie.
Kiran started her Oberlin College experience in the fall of 2019. That first semester weekend, we had the Oberlin College's fast and furious tour for first-year students and returned to New Jersey with thoughts of exploring the town and the college campus later. But then COVID ruined those plans, and she transitioned to remote instruction from our home in New Jersey. However, Oberlin College allowed fully vaccinated students this summer, and Kiran took the opportunity. The summer session ended, and Kiran opted to stay on campus until the fall semester started in October. But she needed her fall and winter clothes. We agreed to make the drive over the Labour Day weekend, and Kiran decided to give us that campus tour we never had.
Bhavna and I rented an AirBnB off North Main Street on the edge of the Oberlin College campus, about a block away from downtown Oberlin. It's a beautiful 1900's house which our host, Linda, has sectioned off into upstairs and backend guest rooms. We had the top level with two bedrooms, a kitchen, a private bathroom, and a small deck area. It was way more than we needed, but Bhavna thought it might be more fun and convenient than a hotel room at the Marriott in Elyria.
Linda's AirBnB | Friday 3 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄40 sec at f/8.0 | ISO 2500Linda's AirBnB | Friday 3 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄15 sec at f/8.0 | ISO 6400Linda's AirBnB | Friday 3 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄40 sec at f/8.0 | ISO 5000Linda's AirBnB | Friday 3 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄12 sec at f/8.0 | ISO 6400Linda's AirBnB | Friday 3 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄250 sec at f/2.8 | ISO 160Linda's AirBnB | Friday 3 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄250 sec at f/8.0 | ISO 320
After getting Kiran settled in one of the worst maintained college resident rooms I have ever seen, we walked over to Aladdin's Eatery for dinner. I think the owners were too clever with the menu. Instead of keeping it simple, with recognizable names, the menu played off the Aladdin theme a bit too much. We enjoy eating middle eastern food and are familiar with the food names, but the menu at Aladdin's had some idiot name instead of falafel. I had to read the ingredients to understand that the item was indeed felafel. They were also out of the only Lebanese beer on the menu. So much for providing an immersive experience. I ordered a glass of water. I'm too much beer snob to drink the piss water (aka. Budweiser or Miller Lite) that some Americans call beer. Maybe when all the baby boomers are dead, restaurants will stop putting that garbage on the menu. The new generation of beer drinkers won't drink that swill.
After dinner, we took a quick stroll through Downtown Oberlin before heading back to the house to shower and relax.
Aladdin's Eatery Oberlin | Friday 3 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1/1600 sec at f/2.8 | ISO 320Friday 3 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄40 sec at f/8.0 | ISO 320Tappan Square | Friday 3 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄40 sec at f/5.6 | ISO 2000Corner of Tappan Square | Friday 3 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄60 sec at f/5.6 | ISO 1000Aladdin's Eatery Oberlin | Friday 3 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄60 sec at f/5.6 | ISO 2500Oberlin Bike Shop | Friday 3 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄60 sec at f/5.6 | ISO 4000
I think Oberlin is a boring town. I think most small towns in New Jersey have something unique about them that makes them worth visiting. Princeton has the University. Hopewell has some excellent farm to table and vegetarian restaurants, an award-winning distillery and a micro craft brewery. Montgomery Township, where I live, has beautiful parks and hiking trails in Sourland Mountain. Ringoes and Asbury have wineries. Oberlin offers none of that. It's bland. Generic. I think this annoyed me the most.
Allen Memorial Art Museum | Saturday 4 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 32.1 mm | 1⁄60 sec at f/8.0 | ISO 160Saturday 4 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 38.8 mm | 1⁄70 sec at f/8.0 | ISO 320Saturday 4 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 44.1 mm | 1⁄80 sec at f/8.0 | ISO 1000South Main Street | Saturday 4 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 30.2 mm | 1⁄50 sec at f/8.0 | ISO 400Saturday 4 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 30.2 mm | 1⁄105 sec at f/8.0 | ISO 320
The downtown is two square blocks just off the southeastern section of the Oberlin College campus between West College Street, Main Street, South Professor Street and Vine Street. These streets are mainly lined with old town shop front ends and restaurants. I woke up early the following day, I walked downtown and photographed what I thought might be interesting, but I think overall, the photographs are uninspiring. I photographed the early morning light of the storefronts on West College Street, making my way down to East College Street and then back over to South Main Street.
Saturday 4 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 42.7 mm | 1⁄70 sec at f/8.0 | ISO 160Saturday 4 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 21.3 mm | 1⁄30 sec at f/11 | ISO 400Saturday 4 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 31.1 mm | 1⁄110 sec at f/11 | ISO 320Gibson's | Saturday 4 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 35.3 mm | 1⁄55 sec at f/11 | ISO 320Saturday 4 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 32.1 mm | 1⁄45 sec at f/11 | ISO 250Saturday 4 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 55 mm | 1⁄340 sec at f/2.8 | ISO 320Saturday 4 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 25.7 mm | 1/1250 sec at f/2.8 | ISO 320The Feve | Saturday 4 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 30.2 mm | 1/1250 sec at f/2.8 | ISO 320
I was killing time while waiting for the coffee shop, Local Coffee, to open at 8 AM. Honestly, I was annoyed. Except for weekends, most of the coffee shops in the Princeton area open around 7 AM. If you open your coffee shops at 8 AM, you will find that most people are already well on their way to work. Even with remote work, at 8 AM, I have already drunk my first cup of coffee, eaten breakfast and am sitting at the computer catching up on blog posts. The other coffee shop in Oberlin opens at 9 AM.
I walked into Local Coffee, ordered a cappuccino and was immediately disappointed that they could not make me a bagel with lox and cream cheese. Argh!
The Local Coffee & Tea | Saturday 4 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 24.9 mm | 1⁄180 sec at f/2.8 | ISO 320
Bhavna and Kiran joined me a little later, and after breakfast, Kiran gave us a tour of her campus.
Unfortunately, it seems that Oberlin College has chosen to use the short break between Summer and Fall sessions to dig up the campus ground outside all significant buildings and install pipes for their Sustainable Infrastructure Program. The campus is an absolute mess with construction equipment and mud and dirt everywhere. I photographed what I could, but this was not the beautiful campus that Kiran described.
Oberlin College claims that all faculty and staff have been vaccinated. But they won't let anyone tour the buildings unless they are vaccinated and wear a face mask. If everyone in the building is vaccinated, I refuse to wear a face mask. It serves no purpose. After this visit, I can't believe that the administrators of this college are educated, rational people. We did not tour the inside of the buildings. I doubt it would have made much difference. The architecture of the buildings is some of the least interesting I have ever seen on a college campus. I don't care if your college was founded in 1833 if your oldest buildings look like they were built in 1933.
Saturday 4 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 55 mm | 1/1600 sec at f/2.8 | ISO 320Saturday 4 September, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR @ 47 mm | 1⁄150 sec at f/6.4 | ISO 160Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄100 sec at f/8.0 | ISO 320Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1/1100 sec at f/8.0 | ISO 320Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄180 sec at f/8.0 | ISO 320Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄75 sec at f/8.0 | ISO 160Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄950 sec at f/8.0 | ISO 320Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄340 sec at f/8.0 | ISO 320Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄220 sec at f/8.0 | ISO 320Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄220 sec at f/8.0 | ISO 320Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄950 sec at f/8.0 | ISO 320Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄40 sec at f/8.0 | ISO 400Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄680 sec at f/8.0 | ISO 160Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄80 sec at f/8.0 | ISO 320Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄125 sec at f/3.6 | ISO 320Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄680 sec at f/5.6 | ISO 320Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄220 sec at f/5.0 | ISO 320
After we toured the Oberlin College campus, we toured the downtown, and Kiran showed us some of the murals she had discovered.
Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄450 sec at f/9.0 | ISO 160
I noticed the colourful mural on the wall of the outdoor space of the Thi Ni Thai restaurant. Then I saw the tuk tuk. We all agreed it was beautiful and we wanted Thai for dinner.
Thi Ni Thai | Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄550 sec at f/8.0 | ISO 160Thi Ni Thai | Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1/1250 sec at f/8.0 | ISO 160tuk tuk | Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄850 sec at f/2.8 | ISO 160
Kiran had ordered some ice cream from her favourite ice cream shot, Cowhaus Creamery, which had relocated to Elyria from its usual downtown Oberlin location because of the pandemic. We picked up the ice cream, put it in a cooler. It was lunchtime, so we drove to a gastropub in Elyria, Foundry Kitchen and Bar, where I had an excellent beer. I chatted with our wait staff, and we learned that there was a brewery, Unplugged Brewing, a short walking distance from the gastropub.
The food and the beer at the Foundry Kitchen and Bar were excellent, and walking to the brewery allowed us to burn off some of the calories we had just consumed.
Foundry Kitchen and Bar | Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄350 sec at f/8.0 | ISO 320
Working from home over the last two years of this pandemic, it can be easy to forget how fortunate one is. Some of the restaurants and shops in Princeton did not survive the lockdown, but most did. Some even thrived as residents filled their outdoor spaces. But the many empty boarded-up storefronts in Elyria made me realize just how fortunate we are.
Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄450 sec at f/8.0 | ISO 160Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1/1600 sec at f/8.0 | ISO 160Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄600 sec at f/8.0 | ISO 160Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄900 sec at f/8.0 | ISO 160Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄900 sec at f/8.0 | ISO 160
I do not think I would ever walk into Boomers for a craft beer.
Boomers | Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1/1000 sec at f/8.0 | ISO 320
Unplugged Brewing was a farther walk than I anticipated, but the friendly taproom staff served us a flight of some pretty delicious ales. Kiran is not yet twenty-one, but we agreed to take her on future trips after her birthday in November. We bought some canned beer to bring back to New Jersey.
Unplugged Brewing Company | Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄90 sec at f/8.0 | ISO 320Unplugged Brewing Company | Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄40 sec at f/8.0 | ISO 400Unplugged Brewing Company | Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄50 sec at f/2.8 | ISO 160Unplugged Brewing Company | Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄70 sec at f/2.8 | ISO 320
We left the brewery and went back to the house for a shower. The showers in the student housing where Kiran was staying for the month between summer and fall and the shower was, to use her words, "disgusting", so she used the shower at the house.
Unplugged Brewing Company | Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄80 sec at f/2.8 | ISO 320
Dinner at ThiNi Thai was delicious. Apparently, the Thai phrase translates to "is here". The owners of the Feve, a popular restaurant on South Main Street, opened the restaurant at the beginning of January 2020. They were inspired by a trip to Chiang Mai, a city in the mountainous northern region of Thailand, where they met their tour guide and friend Aon Krittathiranon who helped them develop the menu. Aon is a co-owner and moved to Oberlin to join the project as the restaurant's chef.
I ordered a Tuk Tuk cocktail. We sat outside on the "patio" right under the dragon on the mural. We talked with Kiran about the upcoming school year, her internship, early graduation and what to expect after that.
Bhavna | Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄210 sec at f/2.8 | ISO 320Kiran | Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄55 sec at f/2.8 | ISO 160Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄60 sec at f/2.8 | ISO 320Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄480 sec at f/2.8 | ISO 320Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄40 sec at f/8.0 | ISO 1250Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄40 sec at f/8.0 | ISO 1600Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄75 sec at f/2.8 | ISO 160Saturday 4 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄100 sec at f/2.8 | ISO 320
On Sunday, Bhavna and I went home. The flowers below are from Linda's garden.
Sunday 5 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄140 sec at f/8.0 | ISO 320Sunday 5 September, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄300 sec at f/8.0 | ISO 160
Last week we had a lot of rainfall in a relatively short period. Many towns flooded. Many basements were destroyed. Lives were lost. I’m sure you’ve read about it.
On Friday, I called the Fujifilm repair facility in Edison to inquire about the status of my damaged X-T2. The person who answered the phone told me that it would cost nearly $600 to repair. I was disappointed, very disappointed. I ask for my broken companion to be returned to me.
When Bhavna woke up, I told her about the cost, and she agreed that she didn't think it was worth it to repair. I had bought the X-T2 used for $1000. I told her it made more sense to buy another used one. She agreed.
I looked on KEH and MPB and Lensrentals. Initially, I focused on buying an X-T2, but I mainly found silver body choices, and I prefer the black body. KEH and MPB sell used X-T2 bodies for $630 to $790 depending on the condition (Excellent to Like New). I noticed that MPB and KEH had more used black body X-T3 models for sale for $900-$1029 for bodies in Excellent to Like New condition. A new X-T3 sells for $1200. I discussed with Bhavna, and she suggested that since we did not vacation in 2019 and 2020, perhaps it was ok to spend that money and get something "new".
My "Like New" Fujifilm X-T3 arrives this Wednesday. Yay!
Last week I bought a pre-owned "Like New" Fuji X-T3 from MPB. I had expected delivery today, but it arrived one day earlier on Tuesday. It was a pleasant surprise and lifted my spirits. During my last meeting of the day, I programmed the settings on the cameras using my memory of what was set on my Fuji X-T2. The Fuji repair site in Edison has still not returned my broken companion.
This morning as I inspected the unit more closely, I realised that though used, it is in excellent shape with no scratches or dings. I want it to stay that way. After some thought, I bought a pre-owned Fujifilm BLC-XT3 Bottom Leather Case from Adorama for $34. The Fujifilm BLC-XT3 is a genuine leather bottom case designed for X-T3, that according to Fujifilm's description, has premium textures and normally retails for $77. My web searches found other attractive (and handmade) options, but they all cost two to three times more. I cannot justify spending that much money.
I also realise that I want a new L-bracket (base plate and L-plate). I have a Really Right Stuff (RRS) BXT2B-L for the Fuji X-T2. It sort of fits and would work in a pinch but doesn't fit snugly in the right places. The Fuji X-T3 is a slightly longer and broader camera by an mm or so. But the RRS BXT3-L plates for Fuji X-T3 seems so expensive. I'm on a hunt for a used one. The best price I have found so far is one in "EX" condition on KEH. I don't require it right now. I'll hold off and maybe find one cheaper.
Two weeks ago, Bhavna and I had stopped at Magnifico's late at night, and since my broken Fuji was still out for repair, I exposed a few frames of a 35mm roll of Kodak Velvia 100 that I had in my Minolta XD-11. We had driven to Source Brewing to pick up the new release and ended up staying to sit in the back lawn and enjoy a flight before heading home. The sunset was setting as we were leaving.
On the way up through New Brunswick, we stopped for soft-serve ice at Magnifico's, a popular ice creamery we often visited when my nephews lived in South River. Honestly, despite some blurring from low shutter speeds, some of the images from the Minolta are decent. I sent the film off for development and scanning to Boutique Film Lab.
As you may know, in July, Fujifilm has discontinued Velvia 100. The film cannot be sold or developed after September 2021. This is the last roll of Fuji Velvia for me.
I've been preparing to sit the CCSP certification exam for several months. Despite knowledge of the material, some people, like myself, don't perform well on multiple-choice tests. We do better on practical tests or tests where you write in your answer. I completed an online CCSP training course a few months ago, and since then, I have been taking practice tests. I completed a practice test every chance I had, especially this week. I feel confident that I will pass the exam on Saturday.
Magnifico's | Friday 27 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄40 sec at f/7.1 | ISO 640Magnifico's | Friday 27 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄40 sec at f/7.1 | ISO 1000Magnifico's | Friday 27 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄70 sec at f/7.1 | ISO 320Magnifico's | Friday 27 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄40 sec at f/7.1 | ISO 640
Saturday 28 August 2021
I was excited about today. Today was supposed to be special in a few ways. I would participate in The Photographers Group one day project, One Summer Day.
The 28th is the last Saturday of blissful August. Our objective for this project is to chronicle the day, to visually record this summer day from dawn to dusk. We will create an online gallery of all the photos and the top photos will be exhibited at the South Harrison Street Outdoor Gallery and compiled into a book.
I had a busy day ahead of me. Blood draws in the morning for my quarterly blood work. Then stop in at Sakrid Coffee Roasters for a cappuccino. Then home for two hours to watch the F1 qualifying race for the Belgian Grand Prix at Spa-Francorchamps. Then back out to Princeton University for about an hour to help an international student - child of some doctors from St. Vincent - get his smartphone set up on Verizon. Then back home to relax until my scheduled three-hour exam for my CCSP certification.
I’m interviewing with Amazon Web Services on Monday, and I wanted to mention that I had passed the exam. I had prepared for this certification which I feel will help open doors to more career opportunities. I completed my online training months ago and have been doing practice tests and exams to prepare for the exams. This week I did about eight hours of testing, and I felt confident I would pass the exam. It also meant that I had very little time this week for photography.
But at 2 PM, when I arrived at the testing centre, I found the doors locked, and no one answered the phone. This was the end of my excitement for the day. I checked my email and found this disappointing message.
**PLEASE DO NOT REPLY TO THIS EMAIL **
Client name: (ISC)2
Site name: Pearson Professional Centers-Princeton(Trenton) NJ
Exam name: Certified Cloud Security Professional (CCSP)
Exam date and time: 28 Aug 2021 2:00 PM
Case ID: 06992499
Dear Khurt L Williams,
\*This is a system generated message.\*
Unfortunately, we are unable to deliver your exam as scheduled on 28 Aug 2021 2:00 PM. We know this is disappointing news, and we sincerely apologize for the inconvenience.
We are working to clear out your existing appointment. In most circumstances, you can select a new appointment for your exam on our website by signing in to your account.
Some event- or window-based exams may not be available for rescheduling on our website. If you are not able to reschedule, your program-specific customer service team is available to assist you. Additionally, if you have any special accommodations, you must call to reschedule your exam.
Please allow one business day before trying to choose a new appointment date through our website.
Thank you for your patience. We look forward to seeing you for your test soon.
Thank you,
Pearson VUE Customer Service
An automated system generated message with no explanation and no contact information?
I am so furious. Livid. Too angry to continue the one summer day project.
I found a new exam date, September 18, but I’m worried about how I’ll maintain my momentum until then. I have strong knowledge of the subject is but sitting exams is challenging for me. I’m also worried that the testing centre will also cancel the new exam date with no explanation.
I feel defeated. I don’t know how to let go of the anger. But I have to find a way before my interview with AWS on Monday. But for now, I want to sit on the couch.
I want to mention that we've had overcast conditions the entire weekend. Any thoughts of Komerebi are dashed. Flat light from the giant softbox that is the sky.
Where's the sun | Saturday 28 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄60 sec at f/7.1 | ISO 6400Blood draw | Saturday 28 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄40 sec at f/7.1 | ISO 800Sakrid Coffee | Saturday 28 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄40 sec at f/2.8 | ISO 250Sakrid Coffee | Saturday 28 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄40 sec at f/2.8 | ISO 160Sakrid Coffee | Saturday 28 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄40 sec at f/2.8 | ISO 250Lupita Bodega | Saturday 28 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄80 sec at f/2.8 | ISO 160Lupita Bodega | Saturday 28 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄75 sec at f/2.8 | ISO 160Sir Alphonso Mango | Saturday 28 August, 2021 | FujiFilm X-T3 | XF27mmF2.8 | 1⁄70 sec at f/2.8 | ISO 160
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