Tag: Lens Review

Fujinon XF100-400mmF4.5-5.6 R LM OIS WR

I have rented this lens three times to use for birding photography. I have always admired Ray Hennessey's wildlife photography from afar, but earlier this year, I booked a few of his anytime bird photography workshops. During the spring migration of Warblers, I reserved several dates that worked with my schedule and Ray introduced me to these beautiful birds. I love the colour and behaviour of these delightful little birds.

I have only one lens for my Fujifilm X-T2; the Fujinon XF16-55mmF2.8 R LM WR. It's an excellent lens but lacks sufficient focal lens for wildlife photography. For the one-on-one workshops with Ray, I rented a Fujinon XF100-400mmF4.5-5.6 R LM OIS WR, a super-telephoto zoom lens, from Lensrentals.

Fujifilm seems to enjoy using a long and complicated naming convention for their products, and while the Fujinon XF100-400mmF4.5-5.6 R LM OIS WR has the longest name I have seen yet, every part of the name is significant. Similar to Nikkor for Nikon lens, Fujinon is the brand name of Fujifilm lenses. The XF means that the lens is designed for Fujifilm’s X-Mount cameras. The R indicates that the lens has an aperture ring, something that is infrequently found in lenses from the "Big Brands", but something that I consider a requirement for all my lenses. LM stands for Linear Motor, the auto-focus system inside the lens.

The “WR” signifies weather-resistance, which is quite useful if your camera is weather-sealed and you like shooting in damp conditions like in the rain or snow or near waterfalls or the ocean. I once was caught out in a thunder-storm with some friends and none of our Nikon’s was weather sealed. My friends' Nikon was soaked and stopped working. I once went out shooting during a light snowstorm. Melting snow caused my Nikon DSLR to start “throwing errors”. I like WR lenses.

The OIS stands for Optical Image Stabilisation with this lens having five stops of stabilisation. The Fujinon XF100-400mmF4.5-5.6 R LM OIS WR has a maximum aperture of f/4.5 or f/5.6 depending on the focal length setting.

The focal length of the Fujinon XF100-400mmF4.5-5.6 R LM OIS WR is 100-400mm which, when attached to a Fujifilm X-Mount camera with 1.52 (APS-C) crop factor, has an equivalent 35mm format full-frame focal length of 152-609mm, which makes it a super-telephoto lens. With the exception of wildlife, sports, and portrait photography, long and very long telephoto lenses are a lot less useful than a "standard" zoom.

Although the Fujinon XF100-400mmF4.5-5.6 R LM OIS WR is a 152-609mm 35mm full-frame, to me the lens did not feel as large or as hefty. A Nikon 600mm lens weighs 2.3 kg which is more than the weight of the Fujinon XF100-400mmF4.5-5.6 R LM OIS WR and Fujifilm X-T2 combined. I carried the Fujinon XF100-400mmF4.5-5.6 R LM OIS WR and Fujifilm X-T2 in my hand with a hand strap. I did not get tired from holding this kit in my hand and so saw no need to hang the kit off my shoulder.

My rental unit arrived with a plastic hood which extended this 10 cm long lens to 16.5 cm, however, the Fujinon XF100-400mmF4.5-5.6 R LM OIS WR lens is mostly made of metal. It feels and operates like a well-made product.

Auto-focus on the Fujinon XF100-400mmF4.5-5.6 R LM OIS WR lens is very quick and is nearly silent, which is precisely what I wanted while out in the field, huddled behind bushes while photographing birds with Ray. I did not use the manual focus.

As one would expect from Fujifilm, the Fujinon XF100-400mmF4.5-5.6 R LM OIS WR is a sharp lens.

The Fujinon XF100-400mmF4.5-5.6 R LM OIS WR is an excellent option for wildlife photography, although but may not reach far enough for some scenarios. Fujifilm makes two weather-resistant teleconverters, the Fujifilm XF1.4X TC WR and Fujifilm XF2X TC WR, which extend the zoom range to 213-853mm and 304-1218mm respectively. All I can say to that is “whoa”! I have not used these teleconverters.

To conclude, I think the Fujinon XF100-400mmF4.5-5.6 R LM OIS WR is an excellent option for wildlife photography. In fact, it may be the only option for the Fujifilm X-Mount system. If I had the budget for and a regular need for an expensive wildlife lens, the Fujinon XF100-400mmF4.5-5.6 R LM OIS WR lens would be definitely worth owning.

  • Name: Fujinon XF100-400mmF4.5-5.6 R LM OIS WR
  • Tested on: Fujifilm X-T2
  • Manufacturer spec sheet
    • Mount: Fujifilm X-Mount
    • Zoom/Prime: Zoom
    • Focal Length: 100-400mm (152-609mm FF FOV)
    • Maximum Aperture: f/4.5 (wide) and f/5.6 (telephoto)
    • Minimum aperture: f/22
    • Diaphragm Blades: 9 (rounded diaphragm opening)
    • Focus range: 1.75m to infinity
    • Weight: 1.375 kg
  • Product Ratings (1=miserable, 5=excellent):
    • Construction Quality: 4.5
    • Image Quality: 4.3
    • Overall Value For Price: 4.0
  • Recommended: Yes

Lens photos

All images below were captured hand-held with the camera set to 1⁄500 sec or 1⁄320 sec, auto ISO, auto aperture.

Prothonatary Warbler, Warbler, Bird, Yellow
Prothonotary Warbler | FujiFilm X-T2 | Fujinon XF100-400mmF4.5-5.6 R LM OIS WR @ 359.6 mm | 1⁄500 sec at f/5.6 | ISO 1250
Warbler, Bird, Black and White Warbler
Black and White Warbler | FujiFilm X-T2 | Fujinon XF100-400mmF4.5-5.6 R LM OIS WR @ 243.3 mm | 1⁄500 sec at f/5.0 | ISO 1600
Warbler, Black and White, Bird
Black and White Warbler | FujiFilm X-T2 | Fujinon XF100-400mmF4.5-5.6 R LM OIS WR @ 243.3 mm | 1⁄500 sec at f/5.0 | ISO 1600
Warbler, Bird, Yellow, Yellow Warbler
Yellow Warbler | FujiFilm X-T2 | Fujinon XF100-400mmF4.5-5.6 R LM OIS WR @ 400 mm | 1⁄500 sec at f/5.6 | ISO 2000
Warbler, Bird, Yellow, Yellow Warbler
Yellow Warbler | FujiFilm X-T2 | Fujinon XF100-400mmF4.5-5.6 R LM OIS WR @ 400 mm | 1⁄500 sec at f/5.6 | ISO 320
Warbler, Bird, Yellow, Blue-winged Warbler
Blue-winged Warbler | FujiFilm X-T2 | Fujinon XF100-400mmF4.5-5.6 R LM OIS WR @ 400 mm | 1⁄320 sec f/5.6 | ISO 3200
Warbler, Bird, Yellow, Blue-winged Warbler
Blue-winged Warbler | FujiFilm X-T2 | Fujinon XF100-400mmF4.5-5.6 R LM OIS WR @ 400 mm | 1⁄320 sec at f/5.6 | ISO 12800

SMC Takumar 28mm F3.5

I'm experimenting with some vintage Asahi lenses and Fotodiox adapters.

I'm experimenting with some vintage Asahi lenses and Fotodiox adapters. I have my father’s non-working Asahi Optical Co. Pentax Spotmatic II which, after he passed earlier this year, became even more precious to me. My first film camera was a Pentax P3 which I still own. Earlier this year (2019), as a tribute to my dad, I bought my own Asahi Optical Co. Pentax Spotmatic II on eBay with an Asahi Optical Co. Super-Multi-Coated Takumar 55mm f/2, and I have slowly started to re-learn film photography.

I also bought up a Fotodiox Lens Mount Adapter Compatible with M42 Screw Mount SLR Lens on Fujifilm X-Mount cameras lens adapter that I can use on my Fujifilm X-T2.

Many websites keep propagating the “story” that a 50mm focal length on a 35mm full-frame camera is roughly equivalent to the field-of-view (FOV) of the human eye. The statement always seemed odd to me, given that when I look straight ahead, keeping my eyes from moving side-to-side, I see “wider” than 50mm FOV. The “50mm is standard” mantra also seemed strange, given what I had learned about FOV in graduate school during my “vision” classes. We were being taught about the human eye because designing displays and image processing algorithms requires understanding human vision.

The focal length of the eye is 17 or 24mm. However, only part of the retina processes the main image we see. This part of the retina is called the cone of visual attention, which is about 55º wide. On a 35mm full-frame camera, a 43mm focal length provides an angle of view of approximately 55º. The 43mm focal length closely approximates the angle of view of the human eye.

43 is not roughly 50. That’s a round-up of nearly 14%. And then saying 52mm, when using a 35mm focal length on a crop factor camera, is close enough to 50 mm compounds the error (20%).

Maybe it’s the engineer in me, but these sort of “errors” get passed around and become “truth”, and then we get stuck with them1.

With the 43mm focal length in mind, I purchased an Asahi Optical Co. Super-Multi-Coated Takumar 28mm f/3.5 lens. This 28mm lens, when mounted to a Fujifilm X camera, provides a 42.56mm (28*1.52) full-frame equivalent field of view, which is near enough to the actual visible focal length of the human eye.

📷 Asahi Optical Co. SMC Takumar 28mm f/3.5 | Canon EOS 5D Mark IV | EF24-105mm f/4L IS USM | f/4.0

My purchase came directly from Japan with the lens in a leather pouch and the lens hood in another leather pouch.

On my Fujifilm X-T2, this lens has a 42.6mm full-frame equivalent field of view within the range of the visible focal length of the human eye, making this an excellent lens for travel street photography. Between 1962 and 1975, Asahi Optical Co., which eventually become Pentax, manufactured various version of the Takumar 28mm f/3.5 for its range of Spotmatic cameras. Asahi Optical produced this version of the lens with a multi-coated layer designed to reduce lens flare. The lens was sold from 1971 to 1975 and was given the Super-Multi-Coated label.

The first time I used this lens was during my trips into Philadelphia for daily radiation treatments for my Graves Eye Disease. After each treatment, while I waited for the valet to bring the car around, I would stand on the street and take photos. I have used the lens mostly for street photography ever since. Street photography was something I hadn’t done much with other cameras and lenses, but learning how to use this lens was a big help. Instead of pointing the lens at people, I practised by looking down at the flip screen to use focus-peaking, which made me seem less threatening as perhaps some people thought I was using a film camera.

Like most Asahi Optical Co. lenses from the era, the [Asahi Optical Co. Super-Multi-Coated Takumar 28mm f/3.5 is all-metal and glass construction, it feels solid in hand and compliments the look and feel of the Fujifilm X-T2, the focus ring is silky smooth, and the aperture ring gives noticeable clicks as it moves through the half-stops, the lens has a 49mm filter ring and comes with a plastic lens hood, the lens has a maximum aperture of f/3.5, and the minimum aperture is f/16, with intermediate stops at ½ increments. This lens is not a lens for bokehlicious photography. The Asahi Optical Co. Super-Multi-Coated Takumar 55mm f/2 is a better choice for that. I shot most of my images at f/5.6, which works well for street photography and seems to be one of the sweet spots for sharpness in this lens. Because the lens cannot communicate with the electronics in the Fujifilm X-T2, when I attach vintage lenses, I tend to shoot the glass at one aperture setting to make it easier for me to add that metadata to the image later.

I know not everyone will be as into vintage lenses, and losing access to auto-focus is a deal-breaker for some. Still, if you are interested in trying out old manual focus lenses, the Asahi Optical Co. Super-Multi-Coated Takumar 28mm f/3.5 is highly recommended. The lens is inexpensive, and both the build quality and image quality are great. The Super-Multi-Coated Takumar 28mm f/3.5 is my second Asahi prime lens after the Asahi Optical Co. Super-Multi-Coated Takumar 55mm f/2 and probably won't be my last.

  • Name: Asahi Optical Co. Super-Multi-Coated Takumar 28mm f/3.5
  • Mount: M42
  • Tested on: Fujifilm X-T2 with FotodioX M42-FX adapter
  • Zoom/Prime: Prime
  • Focal Length: 28mm
  • Maximum Aperture: f/3.5
  • Minimum aperture: f/16
  • Diaphragm Blades: 8
  • Price Paid: US$94.95
  • Product Ratings (1=miserable, 5=excellent):
  • Construction Quality: 4
  • Image Quality: 4.5
  • Overall Value For Price: 4.5
  • Recommended: Yes

Other Reviews:

Lens Photos

Holly Hedge Estate | Sunday 28 April, 2019 | FujiFilm X-T2 | SMC Takumar 28mm f/3.5 | 1⁄250 sec at f/5.6 | ISO 2000
Sansom Street, Philadelphia | Fujifilm X-T2 | Asahi Optical Co. SMC Takumar 28mm f/3.5 | f/5.6 | ISO 320
26 August 2019 | FujiFilm X-T2 | Asahi Optical Co. SMC Takumar 28mm f/3.5 | f/5.6 | ISO 400
Fujifilm X-T2 | Asahi Optical Co. SMC Takumar 28mm f/3.5 | f/5.6 | ISO 400
shaan williams
Wednesday 15 May, 2019 | FujiFilm X-T2 | SMC Takumar 28mm f/3.5 | 1⁄125 sec at f/5.6 | ISO 5000
Kiran | FujiFilm X-T2 | Asahi Optical Co. SMC Takumar 28mm f/3.5
New Hope, Pennsylvania. | 5 October 2019 | FujiFilm X-T2 | Asahi Optical Co. SMC Takumar 28mm f/3.5
West College Street, Oberlin College, Oberlin, Ohio | FujiFilm X-T2 | Asahi Optical Co. SMC Takumar 28mm f/3.5
Aug 26, 2019, West College Street | FujiFilm X-T2 | Asahi Optical Co. SMC Takumar 28mm f/3.5
  1. For example, the also erroneous statements that we all, regardless of size or physical activity, need to drink eight glasses of water a day. ↩

SMC Takumar 55mm F2

I'm experimenting with some vintage lenses and Fotodiox adapters. In a fit of nostalgia, I recently bought an Asahi Optical Co. Pentax Spotmatic II on eBay. It came with an Asahi SMC Takumar 55mm f/2 lens. This lens has an M42 mount. X-photographers such as Jonas Rask and amateurs such as Ritchie Roesch are adept at using vintage lenses with a Fuji X camera. I wanted to give it a try. I bought a Fotodiox Lens Mount Adapter Compatible with M42 Screw Mount SLR Lens on Fuji X-Mount Cameras and mounted the Asahi SMC Takumar 55mm f/2 lens to my Fuji X-T2.

All shots were handheld, so any softness in the photos is probably because of my unsteady hand. Please remember that this is a simple look at the results I might expect from this lens and adapter combination. It is not a review. I just want to be curious and find a reason to go out and shoot and have some fun. If attaching an old lens to my modern "digital photon capturing device" does that for me, it might do that for you. I'm just having fun. After all, I switched to the Fuji X system was the retro experience.

The Fuji X-T2 has an APS-C sensor. The crop factor is 1.5. That means the 55mm lens on this camera has the same FOV as an 82.5mm lens on a 35mm full-frame camera. Jonas Rask recommended the Mitakon Zhongyi Lens Turbo Adapter V2 for Full-Frame M42 Mount Lens to Fujifilm X Mount APS-C adapter.

The Lens Turbo Adapter V2 for Full-Frame M42 Mount Lens to Fujifilm X Mount APS-C Camera from Mitakon Zhongyi allows a full-frame M42 mount lens to be mounted onto a Fujifilm X mount camera. While doing so, the adapter approximates the lens's angle of view as if placed directly on a camera with a full-frame sensor while providing a 1-stop increase over the lens's aperture range.Jonas Rask

I could use the Asahi SMC with the Mitakon Zhongyi Lens Turbo Adapter V2 for Full-Frame M42 Mount Lens to Fujifilm X Mount APS-C adapter Takumar 55mm f/2 lens like a 55mm lens. I am considering buying an Asahi SMC Takumar 28mm f/3.5 lens. On the Fuji X-T2, the lens would offer a ~42mm FOV, which is a normal FOV. This lens and adapter combination would be perfect for street photography.

The focus peaking feature of the Fuji X-T2 is handy for manually focusing this lens. The lens adapter does not transmit aperture settings back to the camera body. My biggest challenge is remembering which aperture setting I used to take the shot. The following sample photos reflect my unscientific testing: attach the Asahi SMC Takumar 55mm f/2 lens to the Fuji X-T2 and shoot stuff around the neighbourhood. I shot using a modified version of Ritchie Roesch's Kodachrome II Film Simulation Recipe. The following is the result. The following JPEG images are straight out of cameras (SOOC).

Lens

  • Name: Asahi Optical Co. SMC Takumar 55mm f/2
  • Mount: M42
  • Tested On: Fujifilm X-T2 with FotodioX M42-FX adapter
  • Zoom/Prime: Prime
  • Focal Length: 55mm
  • Maximum Aperture: f/2
  • Minimum Aperture: f/16
  • Diaphragm Blades: 6
  • Price Paid: US$45
  • Product Ratings (1=miserable, 5=excellent):
  • Construction Quality: 4
  • Image Quality: 4.5
  • Overall Value For Price: 4.5
  • Recommended: Yes

Lens Photos

Shaan | FujiFilm X-T2 | Asahi Optical Co. SMC Takumar 55mm f/2 | f/5.6, ISO200
Straight Out of the Camera (SOOC) | FujiFilm X-T2 | Asahi Optical Co. SMC Takumar 55mm f/2 | f/5.6 | ISO200
Seiko 5 Automatic | FujiFilm X-T2 | Asahi Optical Co. SMC Takumar 55mm f/2 | f/5.6 | ISO200
Ikigai-SIPA | FujiFilm X-T2 | Asahi Optical Co. SMC Takumar 55mm f/2 | f/2.8 | ISO200
FujiFilm X-T2 | FAsahi Optical Co. SMC Takumar 55mm f/2 | f/5.6.0 | ISO200
Self Storage | FujiFilm X-T2 | Asahi Optical Co. SMC Takumar 55mm f/2 | f/5.6 | ISO200
Eno Terra, Kingston | FujiFilm X-T2 | Asahi Optical Co. SMC Takumar 55mm f/2 | f/5.6 | ISO200
Kingston Mill House at the D&R Canal | FujiFilm X-T2 | Asahi Optical Co. SMC Takumar 55mm f/2 | f/5.6 | ISO200
Kiran | FujiFilm X-T2 | Asahi Optical Co. SMC Takumar 55mm f/2 | f/5.6 | ISO800
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Lunch at Aunt Chubby's, Hopewell Township, Mercer County | FujiFilm X-T2 | Asahi Optical Co. SMC Takumar 55mm f/2 | f/5.6 | ISO500
Bokeh | FujiFilm X-T2 | Asahi Optical Co. Super-Multi-Coated Takumar 55mm f/2 | f/5.6 | ISO 400