Keeper Rate

One of the appeals of photography is the ability to capture fleeting moments. As photographers, we see a scene or even unfolding, and we desire to preserve that moment. It takes awareness of time and space (composition), attention to detail, practice and patience. It takes time to learn and master the camera and lens settings and the interactions of reflected light. The photographer must learn to work within the limitations of the equipment and their knowledge and experience. The photographer must learn to see how the camera sees. It can be rewarding and frustrating.

When my first child Shaan was born Bhavna, I tried to capture as many of these moments as possible. In 1999, we used my Pentax P3, a 35mm manual focus single-lens reflex (SLR) film camera I purchased in 1988 for a college photography course. Before our kids came along, I used that Pentax to document our college post-college experience, travel and events. There was no screen to check the photos, and only after the 35mm film roll had been processed and printed could we see what we had captured. As the parent who spent most of the time with Shaan, Bhavna used the camera more than I did. We developed a lot of rolls of 35mm film, and we caught a lot of memorable moments. But Bhavna was not as adept at using the Pentax as I was. There were a lot of missed moments, and it was an expensive endeavour to purchase, develop and print each roll. Our keeper rate was relatively low. We stopped getting prints and requested scans saved to a compact disk to reduce costs. But I wanted more.

Drew University, 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional 400

Circa 2001, we bought our first digital camera, a Sony DSC-S70. The point-n-shoot was easier for Bhavna to use. Our keeper rate went up, and with autofocus, the 3.4-megapixel sensor produced images suitable enough for standard size prints1. I had very little control over aperture, exposure, no control over ISO, and no manual focus capability. All images were recorded as JPEG. I soon outgrew the limitations of that fully automatic camera. I wanted more.

Shaan | 2 October, 2001 | Sony DSC-S70 | Carl Zeiss 7-21mm f/2-2.5

In 2006, I bought a Nikon D40, my first APS-C digital single-lens reflex (DSLR). The Nikon D40 had double the pixel count of the Sony, used interchangeable lenses, a sensor with better dynamic range and colour, which could use larger memory cards. I took a lot of photographs with that camera. I was immediately able to check the screen to see the result. If I didn’t like the result, assuming the moment had not passed, a quick change in aperture, shutter speed, or ISO and a push of the shutter button allowed for correction. The instant feedback loop was encouraging. I learned quickly. My keeper rate went up. I wanted more.

Salisbury Road, Montgomery Township
Salisbury Road, Montgomery Township | 26 January, 2011 | Nikon D40 | 35 mm f/1.8

I would take hundreds of photos on any given shooting day. The idea was to pay attention (via the LCD screen) to what was going on in the camera and the frame to have more “keepers” and less junk to sort through at the end of the day. Patience and the process of creating the image have always been essential to every legendary pro, notably nature photographers2 who are known to spend hours in the same place to capture a cherished moment. As I grew more confident in capturing those moments, I found myself snapping at the right time instead of all the time.

The Statue of Liberty, Liberty Island, New Jersey
The Statue of Liberty, Liberty Island, New Jersey | 15 August, 2012 | Nikon D40 | 18-55 mm f/3.5-5.6

I bought more lenses, and in 2011, I upgraded my camera body to a Nikon D5100, a 16 mega-pixel DSLR with a faster frame capture rate, better dynamic range, and live view. Live view allowed me to see the scene or subject as the sensor saw. It allowed me to adjust camera and lens settings dynamically. My actions became more deliberate. I experimented with different types of photography - macro, high dynamic range, landscape, portraits, nature, action, etc. I learned faster. My keeper rate went up, and my confidence increased. I wanted more.

Duke Farms, Hillsborough Township
Duke Farms, Hillsborough Township | 27 April, 2013 | Nikon D5100 | 18-55 mm f/3.5-5.6
Rock Brook, Montgomery Township
Rock Brook, Montgomery Township | 31 July, 2016 | Nikon D5100 | Tokina AT-X 116 PRO DX II 11-16mm F2.8

In 2018, I accidentally dropped my Nikon, breaking the mirror box. I sold all my lenses and bought into the Fuji X camera system. More megapixels, an even higher dynamic range, because it’s mirror-less, the Natural Live View inside the viewfinder allows me to see what the camera sensor sees. The Fuji system camera controls (shutter speed, ISO, and exposure compensation) and lens controls (aperture) are right at hand. As I adjust the settings on the camera, the viewfinder dynamically changes to show the scene exactly the way the camera’s sensor would record it. I no longer had to guess, imagine, or be concerned about how the photography would be recorded. I took fewer shots. My keeper rate went up. I wanted more.

Red Mill Museum and Main Street Bridge, Clinton Township
Red Mill Museum and Main Street Bridge, Clinton Township | 26 January, 2019 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR

In 2020 I bought an old Minolta 35mm film camera and lens, and I tried shooting 35mm film alongside my Fujifilm. I am not good at it. I once again have to learn to imagine what the camera sees. What I see through the viewfinder bears no resemblance to what will be recorded onto the frame of 35mm film. My vision is worth nothing. It is still an expensive endeavour to purchase ($8-$10), develop ($5-$7), and (now) scan ($4-$5) one roll of 35mm film. That doesn’t include shipping. My keeper rate is low.

I know how I learn. I learn best with feedback. Instant feedback. My photography improved rapidly when I switched from 35mm film photography to digital photography. The improvement encouraged me to learn more. Once the equipment is purchased, there is no cost to expose a frame in digital photography. One-shot or 100 shots. The price is the same. I learned faster because I could look at the result on the screen, adjust the settings and try again. Rinse later repeat. With Fuji's Natural Live View feature, I can see the results in real-time BEFORE I push the shutter button. I am more deliberate with my photography. The results encourage me to continue to learn and grow. My keeper rate is higher.

With 35mm film, none of this is possible. This is frustrating to me. I am re-learning at a snail's pace, and with each roll of 35mm film I develop, I think to myself, “what a f**king waste of money”. The photos below are from a 36 exposure roll of Kodak Professional T-MAX 400 35mm film. One of three 35mm film rolls (the other are FPP and New Classic EZ400) that I exposed between January and February. By the time I finished telling the roll of film, shipped it for development, got the negative back and scanned them, I had forgotten “why”, “how”, and “when” I took each frame. I know I used my XD-11 and MD Rokkor-X 45mm lens, but I know nothing else. These photographs are like the little bits of odd and ends of cloth used to make ill-fitting clothing.

I need to reset my expectations. I think I’ll put the 35mm film photography on the shelf for a bit. I’ll continue to shoot 35mm film but at a slower pace, maybe expose a few rolls over a month; My Fujifilm digital mirror-less camera makes me feel like “I can do it”. The 35mm film camera makes me feel like an idiot.

January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400
January 2022 | Minolta XD-11 | MD ROKKOR-X 45mm F2 | Kodak Professional T-MAX   ISO 400

  1. In the 1990s, that would be either 4"x6" or 5"x7" prints. 
  2. I learned a lot about patience when I first tried bird photography

My Best Images From 2021

Once again, Brent Huntley has invited photographers to participate in his yearly Top Images from the Photography and Travel Community photography project

It is another new year and time for the annual round-up of my favourite previous year’s images. Once again, Brent Huntley has invited photographers to participate in his yearly Top Images from the Photography and Travel Community photography project. It's a year-in-review project, and photographers are encouraged to choose their top "10(ish)" images, publish them to a website, and submit the link to Brent for inclusion in a photography blogroll. You can review all the Best of the Year submissions or just the 2019 and the 2020. It's a fun way to review the year in pictures with far away (and near) photography enthusiasts, and each year I discover interesting photography blogs to add to my RSS reader.

This post also aligns with the Lens-Artists Challenge #180 – Favorite Images of 2021.

Selecting just ten photographs from the thousands I made this year is challenging and even more so by the ongoing global pandemic, limiting travel and public experiences. I spent even less time outdoors in 2021 than I did in 2020. Most of these photographs are not to my usual standards as you would expect. As a friend used to say, these photographs are the cream of the “crap”. My choices below are based on my emotional connection to each image.


waves
Waves | 4 February, 2021 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR

At the end of 2020, my contract with my last client ended. In June of 2021, I continued to work remotely but for a different client. I had much time to explore the waves of emotions crashing over me. The future continued to feel “unsettled”.


people running in snow while snowing
Winter | 7 February, 2021 | FujiFilm X-T2 | MD ROKKOR-X 50mm F1.7

Winter brought a lot of snow, much more than I have experienced in recent memory. I was still unemployed, there was no vaccine, and I was challenged to assemble the words to express my feelings.


woman smiling
25 years together | 4 May, 2021 | FujiFilm X-T2 | XF27mmF2.8

This year, Bhavna and I celebrated 25 years of marriage, a bright spot in a year that would continue to be the “new normal”.


kids playing
No worries | 23 May, 2021 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR

After the “new normal” school year that these kids have had, it was great to see the return of some “normal” activities. Given how long I went without employment, I was still feeling out of sorts, but I was happy that I had finally signed a contract. I was still feeling blue but happy for the green.


Cat
Sir Alphonso Mango | 8 June, 2021 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR

Our cat Sir Alphonso Mango is now almost two years old. My youngest daughter, Kiran, is attempting to complete her studies at Oberlin College sooner. She will be away for all semesters this year and the next. I have set up an office with Alphie as my daytime companion in her room. He enjoys listening in on the Teams conference calls.


Ray's Reserve cocktail
Ray's Reserve | 19 June, 2021 | Apple iPhone 11 Pro | iPhone 11 Pro back dual camera 6mm f/2

With little else to do, Bhavna and I spent the summer outdoors at some of our “safe spaces”, including the Brick Farm Tavern, Flounder Brewing and Sourland Mountain Spirits. These spaces are our "away” from home spaces. I just loved the colour of this cocktail, Ray’s Reserve, named for the distillery’s founder, Ray Disch.


Rahul | 27 June, 2021 | FujiFilm X-T2 | MD ROKKOR-X 50mm F1.7

The best thing about being vaccinated is that we could finally hug each other and regain some of the intimacy denied during the lockdown. I had so missed these summer BBQs with family. My nephews were sporting new haircuts, and I had to capture the smiles. When adapted to my Fuji X-T2, the Minolta MD Rokkor-X 50mm F1.7 is an excellent portrait lens. Look at that bokeh!


dragonfly
Dragonfly | 3 July, 2021 | FujiFilm X-T2 | XF100-400mmF4.5-5.6 R LM OIS WR

In 2019, I started getting into bird photography, photographing warblers with a rented XF100-400mmF4.5-5.6 R LM OIS WR. I was smitten and planned to buy this lens to use in 2020. Inspired by Stephen Gingold and local photographer David Mathre, I rented this lens again and went out chasing dragons. I want this lens but struggle with the $1800 price tag.


woman smiling
Bhavna | 10 July, 2021 | Minolta XD-11 | MD ROKKOR-X 45mm F2

I continued to relearn 35mm film photography. I had more keepers in 2021. I grew weary of the increasing cost of 35mm film, film developing and scanning. I bought an Epson V600 film scanner and learned how to scan and colour-balance the film myself. I am saving about $8-$10 per roll of film. I have also limited myself to using 35m film stock priced under $10 per 36 exposure roll. My current favourite is Kodak Pro Image 100.


Flounder Brewing at Carriage Farm
Flounder Brewing at Carriage Farm | 16 July, 2021 | FujiFilm X-T2 | MD ROKKOR-X 50mm F1.7

Some old spaces moved to new locations. After years in a tiny industrial garage, Flounder Brewing finally completed the restoration of the 150-year-old farmhouse at Carriage Farm. The new site in the farm country in Hillsborough is fantastic. The taproom only has a few ales, but Bhavna and I invited our friend Ed Velez as our “plus one” when the brewery had a soft opening weekend for Delta House members only. Having a beer at Flounder Brewing became an almost weekly habit.

Note: I dropped and broke my Fuji X-T2 in August and replaced it with a Fuji X-T3.


ababoned freight car in Lambertville
Look | 10 October, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR

This is my favourite image of the year. On a drizzly autumn day in October, I went on a quest. I had read about and heard about an abandoned freight car on some railroad tracks in Lambertville. The freight car has seen better days but has inspired multiple graffiti artists.


Hiking
Mountain Lakes Nature Preserve | 16 October, 2021 | FujiFilm X-T3 | XF27mmF2.8

We hiked a lot less than we did last year. Maybe it was some pandemic-fueled ennui, but we lost our motivation. But, one weekend, while exploring Billie Johnson Mountain Lakes Nature Preserve, Pettoranello Gardens, and Community Park North, I saw a family cross a narrow wooden bridge I had not noticed before. I had promised Bhavna we would go hiking this weekend, so later that day, we returned to Billie Johnson Mountain Lakes Nature Preserve and explored one of the loop trails. We had so much fun hiking and exploring this new space.


Macro
Autumn Macro | 17 October, 2021 | FujiFilm X-T3 | XF27mmF2.8 + Fujinon MCEX-16

"It's for you", Bhavna yelled from the kitchen. I opened the package, saw the [Fujinon MCEX-16]] macro extension tube, and was upset and excited. I was upset because had I checked the mail sooner, I could have used the extension tube to photograph the fall berries and wildflowers I saw during the previous day’s hike. But I was excited because, with winter arriving, I had the means to transform ordinary things into extraordinary photographs. I experimented on some autumn leaves.


Aunt Chubbie's at Christmas
Aunt Chubbie's at Christmas | 7 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR

Before the pandemic, before taking to a nearby trail for a hike., I had a semi-regular habit of breakfast at Aunt Chubby’s. The restaurant re-opened for indoor dining earlier in the year, but Bhavna and I did not feel comfortable dining indoors until after our Pfizer vaccine booster. We started to feel almost normal.

Scottish-inspired Saturday

Saturday

Perhaps it's the season, but I thought about Hogmanay and the annual bonfire at the Brearley House in Lawrenceville for some reason. Because of the pandemic, the in-person Hogmanay celebrations and bonfires were cancelled in 2020 and 2021. But I wanted to see Brearley House, so I planned a weekend visit last week. I tried to walk from Port Mercer Canal House along the D&R Canal Trail to the Brearley House.

More inspiration hit, and soon I was ordering black pudding and rashers of bacon online. They arrived earlier this week, just in time for the weekend.

My Scottish-inspired breakfast is incomplete without baked beans, sausage, tattie scones and salted mushrooms. However, rashers of bacon, black pudding, tomato, fried eggs, and toast are still a delicious and hearty prep for walking the D&R Canal trail from Port Mercer Canal House to Brearley House.

Rasher of bacon, black pudding, tomato, fried eggs, toast | 18 December 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR

I read about some of Princeton University's Scottish origins and was not surprised to discover that John Witherspoon, for whom Witherspoon Street is named, was a Scot. Princeton University was initially called the College of New Jersey, which should not be confused with the current university of the same name.

I’m not sure that all Princetonians recognize that Witherspoon was a Scottish Presbyterian minister persuaded to leave his parish in Paisley, Scotland, to take up the presidency of the College of New Jersey in 1768. After the early deaths of the previous five presidents, it was Witherspoon alone who over the following 26 years transformed the struggling college into a major institution of American higher education. Even fewer of us, I suspect, realize that Nassau Hall itself was largely built with Scottish money.

In 1753–54, the Presbyterian Synod of New York, desperate for funds to establish its new college, dispatched Gilbert Tennant and Samuel Davies (the College’s fourth president) to the U.K. in search of financial help. In Scotland they found success.

On May 31, 1754, the General Assembly of the Church of Scotland resolved that “a general collection” should be made “at all the church-doors in Scotland” on behalf of the College of New Jersey. As a result, the very substantial sum of £3200 was raised, and that money largely paid for the building of Nassau Hall.

Interesting trivia, John Witherspoon is related to the actor Reece Witherspoon.

Until 1697, every Governor of East Jersey was Scottish, and Scots maintained great influence in politics and business even after 1702, when East Jersey and West Jersey were merged to become a Royal Colony.

I found this quite interesting considering that information passed down from my mother and grandmother indicates that I am the descendant of [Scots] who became landowners and whalers in Bequia.

One young Bequian, William “Old Bill” Wallace Jr., son of the late, Scottish-born owner of the large, but by now defunct sugar plantation in Friendship, determined that whaling would be the key to the future of his island and its struggling population. He left home in 1855 at the age of 15 to work as an apprentice on a New England whaleship. He returned to his native island in the late 1860s with two New England whaleboats, the Iron Duke and the Nancy Dawson, ready to commence his whaling operation in Friendship Bay. A second station - set up by landowner Joseph "Pa" Ollivierre, son of a Bequia-based French cotton planter - swiftly followed, and whaling went on to become the premier economic activity on the island for many years to follow.

Brearley House and a walk along the D&R Canal

The universe was cooperating to make my Scottish-inspired day. The air was cold and damp, and the sky was 100% overcast. Grey skies. Check. Cold and damp. Check. I might as well be in Scotland.

Due to the rains, the bridge at Port Mercer was closed. I chose to reverse the order of my walk. I drove to the Brearley House, captured a few images, and started walking the Brearley Meadow Trail toward the D&R Canal.

The Brearley House was erected in 1761 on the Great Meadow on the farming and grazing land of the Leni-Lanapi People who lived in the area thousands of years before the arrival of Europeans.

In fact, students of Lawrence Middle School in archaeological digs beginning in 1998 uncovered projectile points and other artifacts from the fields around the house.

1761 Brearley House
1761 Brearley House | 18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR

Typical of many 181h century colonial houses, the Brearley House is built in the Georgian style English manor houses, albeit smaller.

1761 Brearley House
1761 Brearley House | 18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR

The house changed ownership many times, undergoing alterations that damaged the home. In 1998 the Lawrence Historical Society, the Township of Lawrence, and the New Jersey Historic Trust funded an effort to restore the Brearley House to its 18th-century charm.

1761 Brearley House
1761 Brearley House | 18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
1761 Brearley House
1761 Brearley House | 18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR

Restored by the noted Philadelphia firm of Theodore H. Nickels, the exterior and interior of the house look much as they did in 1761, or as much as modern research and technology and present day needs make feasible. An addition on the southeast corner houses modern kitchen and restroom facilities as well as handicap accessibility. The addition is similar in size and shape to other such features in 181h century houses in New Jersey, but no attempt has been made to suggest that it is anything but modern. The basement and attic house state of the art heating and air-conditioning, but ducts and electric wiring have been concealed as much as possible. Two rooms on the second floor have been fitted with a small efficiency kitchen and a bathroom to convert them into an apartment for a resident caretaker, who is deemed necessary on such a secluded site. The house is once more a one family home with a concerned, permanent owner - the citizenry of Lawrence Township. Tom Fawcett, who was so distressed that his boyhood home had not been maintained after his family sold it, would indeed be proud.

1761 Brearley House
1761 Brearley House | 18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR

D&R Canal Trail

Over the next 150 years, the lack of natural drainage from the D & R Canal construction and the building of many primary and secondary roads caused the Great Meadow to become wooded wetlands. I met a man and a woman walking two dogs along the trail. After I snapped their photo, the man asked what I was up to, and I explained how the cancellation of the Hogmanay celebrations had inspired my Scottish breakfast, and the weather for the photo walk agreed with the theme. Guess what? The man is from Scotland.

18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR

Port Mercer Canal House

After about thirty minutes of brisk walking, I arrived at the The Port Mercer Canal House. As I mentioned earlier, the bridge over the canal was closed. The D&R Canal, the Port Mercer Canal House and the Port Mercer area are listed on the National Register of Historic Places and are part of a New Jersey State Park.

The Port Mercer Canal House was built in the 1830's next to a swing bridge over the Delaware and Raritan Canal to house the bridgetender and his family. The D&R Canal provided a safe and short waterway from Philadelphia to New York City from its opening in 1834 until 1932.

18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR
18 December, 2021 | FujiFilm X-T3 | XF16-55mmF2.8 R LM WR

Belle Mara

Subconsciously I had also planned to attend the soft opening of Belle Mara Spirits, right next door to Flounder Brewing. The head distiller and co-founder, Camden Winkelstein, was the head distiller at Sourland Mountain Spirits during the first few months of 2015. I attended that opening and the tour at Sourland Mountain Spirits back then and was impressed when I learned that Camden had recently married and then went off to Scotland to earn a Masters in Brewing and Distilling from Heriot-Watt University in Edinburgh.

We are a different kind of distillery with a unique approach to making spirits that blends traditional production techniques from Scotland with distinctly American innovations.

Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8

The word bellemara roughly translates to “beauty of the sea”, which is an odd name to assign to something about an hour from the ocean, but Camden has his reasons.

Our Founder and Head Distiller, Camden, had first-hand experience with the sea during his years in the Navy. He dreamed of how he wanted to create something that captured the calm and peaceful feeling that we all get when staring out over the ocean and the seed for Bellemara was planted.

Currently, Belle Mara is distilling a single malt spirit only while hoping to bring a gin and Scotch to market.

Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8
Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8
Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8
Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8
Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8
Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8
Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8
Belle Mara | 18 December, 2021 | FujiFilm X-T3 | XF27mmF2.8

This is my entry for Lens-Artists Challenge #178 – You Choose.