Film Photography Project RetroChrome 400 Color Slide Film - Expired

I think I have wasted enough money on expired 35mm films.

I think I have wasted enough money on expired 35mm films. The recent experience exposing an expired roll of Kodak GT 800-4 35mm film was disappointing. My [first time exposing a 35mm roll of Film Photography Project (FPP) RetroChrome 400] Color Slide Film was a couple of years ago using an Asahi Spotmaic II. At the time, I was relearning film photography, and I blamed myself and my camera for the crappy result. This time I know that the problem is not me. The problem is not my camera. It’s the film.

Ok, I admit that the decision to use this film is mine and that I did not carefully read the literature on the Film Photography Project website.

RetroChrome is government surplus High Speed Eastman Ektachrome color positive film/daylight balanced.

The film is cold-stored 2004 expired. The film performs excellent at its intended box speed of 400 iso which leads us to believe that this film has been stored in the “deep freeze” for the past decade.

Argh!!!!

I like the look of Kodak Ektachrome E100G, a roll of which I exposed for the first time a few years ago. I think I underexposed that first roll, but the results were still quite good. Ektachrome E100 is a color reversal camera film known for its beautiful color. Like most slide films, it has a super fine grain, rich saturated colour, and is excellent for daylight exposures.

On the other hand, the grainy, washed-out colours of FPP RetroChrome 400 with grey shadows devoid of detail was disappointing. I shot this film at box speed in bright daylight on a winter afternoon, but the frames appear as if they are underexposed. Had I known this, I would have maybe exposed set my XD-11 to expose at ISO 300 or 200.

It is not at all what I had expected. Furthermore, FPP RetroChrome 400 is expensive, almost as expensive as Ektachrome. I can understand that some people may like the look of FPP RetroChrome 400. I don’t know why?

I have made a decision. I will carefully read the notes for any 35mm film I purchase going forward. I will not buy any more expired 35mm films. I like predictable results.

Name FPP RetroChrome 400.
Type Colour (reversal)
Native ISO 400
Format 35mm
Process E-6
Lab Boutique Film Labs
Scanner Epson Perfection V600
Software SilverFast 9 SE
12 December, 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FPP RetroChrome 400
12 December, 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FPP RetroChrome 400
12 December, 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FPP RetroChrome 400
12 December, 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FPP RetroChrome 400
12 December, 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FPP RetroChrome 400
12 December, 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FPP RetroChrome 400
12 December, 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FPP RetroChrome 400
12 December, 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FPP RetroChrome 400
12 December, 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FPP RetroChrome 400
12 December, 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FPP RetroChrome 400
12 December, 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FPP RetroChrome 400
12 December, 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FPP RetroChrome 400
12 December, 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FPP RetroChrome 400
12 December, 2021 | Minolta XD-11 | MD ROKKOR-X 50mm F1.7 | FPP RetroChrome 400

Isolation Photo Project, Day 66

A few weeks ago, I exposed a roll of RetroChrome 400 35mm film with my Pentax Spotmatic II at the Delaware & Raritan Canal State Park.

NOTE: I'll begin this experience report with a brief disclaimer. It's been less than two years since I returned to shooting 35mm film after switching to digital photography over 20 years ago. I've inundated myself with as much 35mm film education as possible between web articles and advice from experienced film shooters. But, with my former experience way in the past and limited recent experience, this review is coming from a relatively novice point of view.

A few weeks back, I went on a photography adventure with my Asahi Optical Co. Pentax Spotmatic II and the SMC Takumar 55mm f/2 lens, armed with a roll of Film Photography Project RetroChrome 400 35mm Colour Reversal Film. I couldn't contain my excitement, snapping away all 35 frames in a few hours. Finding the right shutter speed and aperture settings to centre the metering needle was challenging, and it forced me to explore the Pentax ES II setting. Most of my frames were born along the Delaware & Raritan Canal State Park, near the iconic Kingston Mill House—my frequent muse. Out of the lot, I cherry-picked the top ten images to share.

My canvas was the scenic Delaware & Raritan Canal State Park Trail, near the Kingston Lock and the picturesque Kingston Grist Mill. It felt like the perfect stage to test my 35mm film skills.

Kingston Locktender's House
Kingston Locktender's House · Friday 8 May 2020 · Asahi Pentax Spotmatic SPII · SMC Takumar 55mm f/2
Kingston Locktender's House
Kingston Locktender's House · Friday 8 May 2020 · Asahi Pentax Spotmatic SPII · SMC Takumar 55mm f/2
Kingston Lock
Kingston Lock · Friday 8 May 2020 · Asahi Pentax Spotmatic SPII · SMC Takumar 55mm f/2

According to the Darkroom website's description, RetroChrome is a special 35m film originally designed for industrial and governmental purposes. Kodak sold it as a colour reversal camera film tailored for daylight photography, with applications ranging from news and sports to industrial shots. This expired 35mm film has been in cold storage since 2004, and despite its age, it was expected to perform well at its intended box speed of 400 ISO.

When I received an email from Darkroom, I expected it would say that the cartridge was blank. However, the email brought a pleasant surprise—a notification from Darkroom that my FPP RetroChrome 400 Colour Slide Film was successful with the E-6 development process. The Darkroom's NORITSU KOKI EZ Controller had worked its magic. The email said that the negatives were now scanned and ready for download. I had opted for the high-resolution Super Scans producing JPEG images at 4492×6774 pixels.

Kingston Grist Mill
Kingston Grist Mill · Friday 8 May 2020 · Asahi Pentax Spotmatic SPII · SMC Takumar 55mm f/2
Kingston Grist Mill
Kingston Grist Mill · Friday 8 May 2020 · Asahi Pentax Spotmatic SPII · SMC Takumar 55mm f/2
Kingston Grist Mill
Kingston Grist Mill · Friday 8 May 2020 · Asahi Pentax Spotmatic SPII · SMC Takumar 55mm f/2
Kingston Grist Mill
Kingston Grist Mill · Friday 8 May 2020 · Asahi Pentax Spotmatic SPII · SMC Takumar 55mm f/2

I added EXIF data to my images using Exif Editor.

While I had a fair idea of how the scanned negatives would turn out, thanks to samples on the Film Photography Project website and Flickr, I knew mastering exposure with my Spotmatic II required finesse.

As for the film's signature grain and colour cast, it delivered as expected. Some frames did lean towards slight overexposure, but a little tweak in Adobe Lightroom added that missing pop. Still, the grain remains noticeable. While I like the shots of Kingston Mill House and Lochtender's house, I admit that the greenery didn't excite me.

Would I go on another RetroChrome 400 adventure? Absolutely, but next time, I'd enlist the aid of my Pentax ES II or Pentax P3 for automatic metering and aperture priority. Scenes featuring vintage diners and 1970s cars parked against downtown backdrops could make for captivating subjects.

Millstone River
Millstone River · Friday 8 May 2020 · Asahi Pentax Spotmatic SPII · SMC Takumar 55mm f/2
Millstone River
Millstone River · Friday 8 May 2020 · Asahi Pentax Spotmatic SPII · SMC Takumar 55mm f/2

How about you? Have you ventured into the world of PP RetroChrome 400 Colour Slide Film? What's your take on the enchanting grain and hues it brings to life?

Submitted as part of the 100DaysToOffload project.