Red Mill Museum Village

This summer I planned a photo field trip to the Red Mill Museum in Clinton with some of my photog friends. A few of us had been talking about shooting that location for quite some time. With the exception of Walt, we are all busy professionals. Walt is retired and perhaps has more free time than we do. The rest of us, Chris, Prasanna, and Ed, are balancing family and work and sometimes we just don’t take the time to get out with our cameras and pursue the hobby.

So I sent out some emails and we agreed on a date a few weeks into the future. I was excited. This was going to be a good test of my new Tokina AT-X 116 PRO DX-II 11-16mm f/2.8. I bought the lens about a month ago but I have not had many opportunities to use it. It’s a DX lens which means it was designed to be used on Nikon crop sensor — DX — camera bodies like my Nikon D5100. The lens is equivalent to approximately 16-24mm full-frame sensor lens.

It was just me and Ed. Walt, Chris, and Prasanna didn’t make it. Prasanna was concerned about the heat, Chris forgot he had other obligations and Walt simply forgot.

From the Red Mill Museum Village website

Ralph Hunt built the earliest section of this Mill to process wool sometime around 1810. His wool business failed, however, thanks to a permanent downturn in the market for domestic cloth. By 1820 Ralph confessed to the Census that “the establishment has been doing very little for two or three years past. The demand for the sale of the cloths and sattinets are very dull … a few of the farmers get their wool manufactured, but from the low prices of foreign cloths.” Things did not improve and Ralph lost all of the family’s property, more than 400 acres and mills on both sides of the river. He defaulted on his mortgage, and the Taylor family took ownership.

Ed showed up just a few minutes after I did. We set up outside the Red Mill with Ed shooting across to the Hunterdon Art Museum while I focused on getting a shot of the Red Mill. Having a wide lens really helped here. We then headed toward the metal bridge.

Nikon D5100 | Tokina AT-X 116 PRO DX-II 11-16mm F2.8 @ 13 mm | f/10 | ISO100

It took us almost 45 minutes just to cross the one-way metal bridge. Ed and I set up our tripods on the bridge to get some long exposure shots. The sun was quite bright at that time of day. We used neutral density (ND) filters to reduce the light entering the camera. This extended our exposure times to between four and eight seconds. When I am doing long exposure shots the tripods helps eliminate movement of the camera which can cause blurry captures. However, as cars slowly drove over the bridge, it would vibrate. We had to time our exposures just right.

My Tokina was wide enough to get a shot of the Red Mill Museum on the side of the damn and the Hunterdon Art Museum on the other. However, my ND filter — a 10 stop Hoya 77mm Pro ND 1000 — causes a bit of vignetting at the 11mm end. This sometimes happens with big stop ND filters and wide-angle lenses. The Tokina also exhibits some barrel distortion at the wide end. I decided to shoot the scene as a panorama.

The Red Mill Museum and Hunterdon County Art Museum, Clinton, New Jersey | Nikon D5100 | Tokina AT-X 116 PRO DX-II 11-16mm F2.8 @ 16 mm | f/10 | ISO100

I zoomed out to the other end of the lens range, 16mm (~24mm full-frame), and swivelled the base of the ball head. I shot four images with my Nikon mounted in portrait orientation and created the panorama in Photoshop. I'm surprised it came out as well as it did. The Tokina has some very slight barrel distortion when shooting at 16mm ( ~ 24mm full-frame ) and I was shooting of the axis of the camera body which added some additional distorting. Nothing that could not be fixed in Lightroom.

Nikon D5100 | Tokina AT-X 116 PRO DX-II 11-16mm F2.8 @ 12 mm | f/16 | ISO100

Once we crossed the bridge we set up on the view area near the courtyard of the Hunterdon Art Museum which was closed. I did not like the angle so I walked down to and under the bridge where I saw some fishermen. I used the bridge to frame a view of the shots. Bhavna didn’t like these as much as I did.

Later it started to get warm. Prasanna was justified in staying home. The heat and humidity were exhausting. I think the outdoor temperature soared to about 98ºF but with the humidity, it felt more like 104ºF. But Ed and I had persevered and got some good shots of the Red Mill Museum from multiple angles. We attempted some street photography but we succumbed to the heat and ended up at a local cafe for ice coffee and scones and conversation.

Nikon D5100 | Tokina AT-X 116 PRO DX-II 11-16mm F2.8 @ 13 mm | f/16 | ISO100

Ed remembered seeing a photo online with the sun setting in the background. We discussed the possibilities for how that could be done and realised that east was slightly off the far right side of the Red Mill and we think it’s definitely possible to do a sunset/night shoot. We both agreed that we should wait until the fall to capture some of the fall foliage in the background.

You know, I really do enjoy going out on field trips with people I know. It’s fun. Quite often I learn some new photography technique or a new tool or discover a new place to dine or visit with my family. This is one of the reasons I originally joined meetups. I enjoy the social aspect of photography.

Lights on Broad Street

These are two of the images I captured of City Hall in the Center City section of Philadelphia taken during the night photography course Philadelphia After Dark field trip led by the instructor, David Hartz.

These are both HDR images with one image used as the main element for the light trails. I applied the perspective correction and a film filter to both HDR images.

_NIKON D5100_20160430_1293_4_5_6_7_HDR
The best of my images taken during the Philadelphia at Night field trip led by instructor, David Hartz. The blue hour image license is CC0 via Unsplash.
[exif id="20887"]

I'm not sure which one I like better.; the one that was captured at blue hour while the sky was overcast or the one captured during the cross over to full night.

Which one do you prefer?

NOTE: The feature image license is Creative Commons Attribution Non-Commercial.

Ken Lockwood Gorge

If you live in New Jersey or are just travelling through and have some time, drop by the Ken Lockwood Gorge.

Loren Fisher setup a meetup at the Ken Lockwood Gorge through the Somerset Photography meetup. I had never been to the gorge. I didn't know what a Gorge was. Loren explained it to me.

Ed, Prasanna and I carpooled from Skillman. We stopped in Somerville and had a leisurely lunch at Hurry Chutney.

While Saturday -- the day before -- was warmer and sunny, today, Winter came back. We were all dressed in layers from head to toe. Some photographers forgot to bring gloves, but fortunately, Loren had some extras in his truck.

Ken Lockwood Gorge
Ken Lockwood Gorge · Sunday 23 March 2014 · Nikon D5100 · AF-S DX Nikkor 35mm f/1.8G
Ken Lockwood Gorge
Ken Lockwood Gorge · Sunday 23 March 2014 · Nikon D5100 · AF-S DX Nikkor 35mm f/1.8G

The sky was all grey. Soft lighting would prevail. I had rented a Sigma 8-16mm f/4.5 expecting I would get many wide-angle shots. However, this area still had snow and ice and minimal greenery. Most of the other photographers decided to do long-exposure photography. Ed had brought his neutral density filters with him. He was able to get some very long exposure images. Prasanna and I were a lot less prepared for that sort of photography.

Ken Lockwood Gorge
Ken Lockwood Gorge · Sunday 23 March 2014 · Nikon D5100 · AF-S DX Nikkor 35mm f/1.8G

The most prolonged exposure we could do without blowing out the image was ¼ second at f/29. I still think we got some great shots. I tried to extract more colour from the images. I wanted to make them look warmer and more "spring" like than the weather indicated.

Ken Lockwood Gorge
Ken Lockwood Gorge · Sunday 23 March 2014 · Nikon D5100 · Sigma 8-16mm f/4.5-5.6 DC HSM

I didn't use the Sigma 8-16mm as much as I thought I would. At one point, I took it off and shot exclusively with my Nikkor 35mm f1/.8. Maybe it was my familiarity with this lens, but I feel the images are sharper and livelier.

Ken Lockwood Gorge
Ken Lockwood Gorge · Sunday 23 March 2014 · Nikon D5100 · Sigma 8-16mm f/4.5-5.6 DC HSM

I enjoyed the hike, and I expect to return in the spring when the trees have some leaves, and the air is warmer. If you live in New Jersey or are just travelling through and have some time, drop by the gorge.

Ben, Khürt, Loren, Prasanna, and Ed at Ken Lockwood Gorge
Ben, Khürt, Loren, Prasanna, and Ed at Ken Lockwood Gorge · Sunday 23 March 2014 · Nikon D5100 · Sigma 8-16mm f/4.5-5.6 DC HSM