Kodak Pro Image 100 with Minolta X-700 and MD Rokkor-X 45mm F:2

In October I shot a roll of Kodak Pro Image 100 35mm Colour Negative Film.

NOTE: I’ll begin this experience report with a brief disclaimer. It’s been less than three years since I returned to shooting 35mm film after switching to digital photography over 20 years ago. I’ve inundated myself with as much film education as possible between web articles and advice from experienced film shooters. But, since my prior experience with film is decades old, this review is from a rather novice point of view.

I started drinking ales from Flounder Brewing about five years ago. Back then, founder Jeremy Lees and his friends brewed up a batch of beer when they could, sometimes once a month, sometimes more. Whenever they had a batch of beer for sale, they emailed a mailing list with dates and times. One release day was not unusual to see a line of beer geeks, growlers in hand, standing outside their "brewery", a small space inside an industrial building in Hillsborough. Eventually, word spread, the lines got longer, the beer got better and more varied, and the team were able to expand. Flounder Brewing retained its small-town micro-brewery feel, but Jeremey had a vision for growing into a space that reflected the historic farm town character of Hillsborough. This year he had the green light to start renovating a barn on the historic farm property at Clerico Lane.

To continue the sense of the community that Flounder Brewing Co. has created over the year, Jeremy hosted a monthly socially-distanced and fully-masked outdoor beer garden at the new property with stringent rules. Throughout the summer and fall, Bhavna and I attended each of these outdoor beer gardens. We brought portable chairs and tables and found a spot under the trees. It was a joy to be with people (from eight feet away) enjoying the same beer, food and local musician.

On one of these occasions in October, I attached an MD Rokkor-X 45mm F2 lens to my Minolta X-700 and loaded a roll of Kodak Pro Image 100 35mm Colour Negative Film for the first time. I had read that the look of Pro Image was somewhere between Kodak Portra and Kodak Ektachrome E100. It took me a few weeks to expose the entire cartridge. I somehow got 38 exposures from a 36-exposure roll.

These are the best of them. You can tell where I struggled with focusing the lens. Many of the photos are slightly out of focus. I struggled to get proper exposure. I think the results are better than my first try with FPP RetroChrome film, but my technique still needs work. This is the first year I have been using a film camera since 1999.

Kodak Pro Image 100 is a professional-grade colour-negative film designed for 35mm cameras. It is known for its fine grain, vibrant colours, and sharpness, making it a popular choice among professional and amateur photographers. It’s also a lot cheaper than most of Kodak’s other professional 35mm films, such as Kodak Portra.

Kodak Pro Image 100 is relatively light-sensitive, making it suitable for various lighting conditions. Its colour reproduction is well-balanced, with accurate skin tones and a natural colour rendition, making it ideal for portrait photography.

Kodak Pro Image 100 is also known for its wide exposure latitude, meaning that it can handle overexposure and underexposure well, providing more flexibility in challenging lighting situations. Additionally, it has a broad tonal range, which enables it to capture subtle variations in highlights and shadows.

Overall, Kodak Pro Image 100 is a versatile film well-suited for various photographic applications, including portraits, landscapes, and street photography.

Name Kodak Professional Pro Image 100
Type Colour (negative)
Native ISO 100
Format(s) 35mm
Lab The Darkroom
Process C-41

Flounder Brewing Co. Beer Garden

Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2

Brick Farm Tavern

Bhavna and I have had dinner at the Brick Farm Tavern each week since just after the "stay in your home order" were lifted, and Governor Murphy permitted outdoor dining. It's us once a week "socially distanced" outing. The tables are spaced 8-10 feet apart. The food at the tavern is delicious farm to table, and we are surprised by something new every week.

Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2

Cousins Maine Lobster

I discovered Cousins Maine Lobster Truck too late in the summer to fully take advantage, but now I have developed a weekly habit of dropping in wherever they are for a lobster roll or lobster grilled cheese sandwich.

Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2

Quaker Road Section of D&R Canal

Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2
Sunday 1 November 2020 · Minolta X-700 · MD Rokkor-X 45mm F2

Random

Kodak Tri-X Pan 400 Memories

Bhavna found some treasure in a box in the basement.

Early in my photography journey, shooting with 35mm black and white film was easier. I felt that 35mm colour film was too distracting and did not have the pretension "art" look I was into then.

Tri-X panchromatic (Tri-X Pan) film was popular with photojournalists and many amateurs. Eastman Kodak manufactured it. Sales of Tri-X declined in the 1970s and 1980s due to the falling price and increasing popularity of colour films. Tri-X fell out of use in newspaper journalism with the onset of online newspapers and colour print media, though it remained popular in documentary journalism for a while.

KODAK TRI-X Pan Film was a venerable classic, boasting an impressive ISO 400 rating, making it the ideal choice for various photographic scenarios. This panchromatic film performed well when faced with dimly lit subjects or fast-paced action. It excelled when I needed to capture subjects demanding a substantial depth of field and fast shutter speeds or when I wanted to extend the reach of my flash. TRI-X Pan (TX) Film 6043 was readily available in 35mm film sizes.

TRI-X Pan Film was highly recommended for push-processing applications, opening up creative possibilities by pushing the boundaries of its inherent capabilities.

Drew University, Jan Term 1988, Winter, Snow
Tuesday 12 January 1988 · Pentax P3 · SMC Pentax-A 50mm f/2
Drew University, Jan Term 1988, Winter, Snow
Tuesday 12 January 1988 · Pentax P3 · SMC Pentax-A 50mm f/2

Since I found only one set of Kodak Tri-X Pan negatives in my "film treasure chest", since it's over 30 years later, my memory is faulty about the dates. However, these photographs were captured around the Drew University campus using my budget-friendly Pentax P3 and SMC Pentax-A 50mm f/2 lens.

Drew University, Jan Term 1988, Winter, Snow
Tuesday 12 January 1988 · Pentax P3 · SMC Pentax-A 50mm f/2

Drew University offered compressed courses during the six weeks between December break and the start of the Spring semester. I can tell it's winter from the photographs, and the campus seems free of people. I speculate this was one of the many "Jan Terms" I was on campus. I don't know if this was Jan Term 1987-88 or 1988-89, but it was Jan Term 1987-88. The photographs have a theme around reflections, and the pictures of the Media Resource Center make me think this was the Jan Term when I took my first darkroom photography course.

Drew University, Jan Term 1988, Winter, Snow
Tuesday 12 January 1988 · Pentax P3 · SMC Pentax-A 50mm f/2

I learned about the relationship between ISO, aperture and shutter speed and how aperture affects depth of field. This is often referred to as the exposure triangle. My assignments were shot on 35mm black and white film on my Pentax P3 and SMC Pentax-A 50mm f/2 lens and developed in the Drew University darkroom in the campus Media Resource Center. I was supposed to think about composition somewhere between learning to use the camera and exposing film and adequately.

Drew University, Jan Term 1988, Winter, Snow
Tuesday 12 January 1988 · Pentax P3 · SMC Pentax-A 50mm f/2

Digital cameras were not generally available in the mid-1980s. Today, what can be learned in minutes with a digital camera, took weeks of effort shooting and developing film in the darkroom and making prints. My first photography course was supposed to be about the "art of photography", but given the steep learning curve, I spent more time thinking about the technical considerations required to make good photos.

Drew University, Jan Term 1988, Winter, Snow
Tuesday 12 January 1988 · Pentax P3 · SMC Pentax-A 50mm f/2
Drew University, Jan Term 1988, Winter, Snow
Tuesday 12 January 1988 · Pentax P3 · SMC Pentax-A 50mm f/2

Ilford HP5 400 Memories (Old Negatives)

Bhavna found some treasure in a box in the basement.

Ilford HP5 35mm B&W Film I recently purchased a Kodak Scanza film scanner from Amazon.com to scan some of my mid-80s Kodachrome slides, but the scanner can scan B&W white negatives. Early in my photography journey, shooting in B&W was easier. 35mm Colour film was too distracting and did not have the "art" look I was into at the time. But after scanning dozens of frames of T-MAX 400, I was surprised to find 24 frames of Ilford HP5 35mm B&W Film negatives in my film photograph "archives".

Ilford HP5 35mm B&W Film was a high speed (ISO 400) traditional panchromatic film imported into USA and old between 1976–1989. Ilford is a manufacturer of photographic materials based in Mobberley, Cheshire, UK and is known worldwide for its black and white films, papers and chemicals. The company declared bankruptcy in 2004. Harman Technology Ltd bought the rights to the band "Ilford Photo". The successor to Ilford HP5 is Ilford HP5 Plus.

Since I found only one set of Ilford HP5 negatives among my "film treasure chest", and since over 30 years later, my memory is faulty, I can only speculate that either Ilford HP5 35mm B&W Film was expensive or not to my liking. Comparing Ilford HP5 negatives to Kodak T-MAX negatives, I think I prefer the Ilford HP5. At present, a 36-exposure roll of Ilford HP5 Plus is cheaper than Kodak Tri-X 400 or Kodak T-MAX 400, so assuming it was always this way, my tastes have changed.

11 November, 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Ilford HP5 400

The film strip did not have any dates but based on the "Happy Birthday" sign and the International House banner, and I deduced that the negatives are from November 1988, my fall Sophomore semester at Drew University. I think everyone else had left for Thanksgiving, and only my roommate and myself were left in the International House.

11 November, 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Ilford HP5 400
11 November, 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Ilford HP5 400

Rajat Sikka was my roommate in my sophomore semesters (1987-1988) at Drew University. He and I roomed together because Raj insisted, and I had no good reason to say no. Raj, as it turned out, was a womanizing-boozing-smoking-party young man. He hooked up with a different girl each weekend, even while dating several others. I could not keep track of their names and faces, but they were always white and blond. Arjun was a year ahead of us, but he and Raj were inseparable. We spent a lot of time in the basement at the International House eating rasgulla and gulab jamun, smoking, and talking bullshit. Raj, Arjun and another student, Finn McClain, were my ticket to all the fabulous weekend parties. I attend a few, but not a lot.

Arjun Erry, Rajat Sikka, Raj’s Chicka, and myself, International House, Drew University | 11 November, 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Ilford HP5 400

This might have been Jamie coming to drive me to his home for Thanksgiving. I remember spending at least one Thanksgiving with Jamie's family.

Jamie Brestlin | 11 November, 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Ilford HP5 400
Downtown Madison | 11 November, 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Ilford HP5 400

I'm not sure about how it fared during the COVID-19 lockdown, but the Callaloo Cafe had been around for a very long time.

Calaloo Cafre, Morriston | 11 November, 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Ilford HP5 400