Minolta XG-1 - Experience Report

Released in 2021 by the New Classic Film project, EZ400 is a panchromatic black and white negative 35mm film that delivers what some describe as "retro yet sharp images".

I acquired more Minolta photographic gear during the second year of the global pandemic after buying a used X-700 and MD Rokkor-X 50mm f/1.7 lens in 2020. I bought a used Minolta XD-11, MD Rokkor-X 45mm f/2 lens, MD W.Rokkor-X 28mm f/2.8 lens, and other non-Minolta branded lenses. I also bought a used Pentax P3n even though I already had a working Pentax P3 from college. I convinced myself that I needed aperture priority. All of this gear worked, and I enjoyed using them. I had developed some G.A.S.

With poor judgment, I bought two used Minolta XG-1 bodies, one of which the seller told me did not work. I purchased these in person and tested the mechanicals, confirming the seller's claim. I don't remember what I paid, but it was a nominal amount, perhaps $20. One of the camera bodies has a sticky on-off switch. The other camera body had a jammed shutter curtain, but I convinced myself I could fix it.

Carriage Farm · Sunday 8 January 2023 · Minolta XG-1 · MD Rokkor-X 50mm F1.7

But soon, I lost my enthusiasm for fixing them and put them on a shelf where they sat until a few weeks ago. At the beginning of the year, I decided to simplify and minimise my film photography. I sold the Pentax P3n and SMC Pentax-A 50mm f/1.8 lens. I sold it after replacing my Fujifilm XF27mmF2.8 lens with the Fujifilm XF27mmF2.8 R LM WR lens. It was time to sell the Minolta XG-1s, as is, for parts. But first, I wanted to see if I could successfully expose some frames. I loaded a New Classic EZ 400 cartridge into the Minolta XG-1 with the sticky on-off switch.

Carriage Farm · Sunday 8 January 2023 · Minolta XG-1 · MD Rokkor-X 50mm F1.7

The New Classic EZ 400 is a black and white film that the Chinese company Luckyfilm manufactured for 35mm cameras. Luckyfilm has been producing photographic materials since 1958. The company produces a range of film products for both professional and amateur photographers, and their products are known for their quality and affordability. New Classic EZ 400 was hyped as a good choice for photographers who want a versatile, high-quality film that can be used in various situations.

Belle Marra · Sunday 8 January 2023 · Minolta XG-1 · MD Rokkor-X 50mm F1.7

Of the four cartridges of the New Classic EZ 400 I bought last year, I have used two and given two away. This was the last one of the four. Here's what I wrote after the first time I used New Classic EZ.

I exposed the first roll at box speed at Palmer Square and around my neighbourhood. I sent the cassette off for Boutique Film Lab to develop. Here are some frames scanned with an Epson V600 with my scanning workflow. All film frames were exposed at box speed. The results are okay, nothing spectacular. But EZ 400 is low-price and an excellent alternative black and white film to put in my Minolta. I have four more rolls of EZ400. Maybe it will grow on me.

Flounder Brewing · Sunday 8 January 2023 · Minolta XG-1 · MD Rokkor-X 50mm F1.7

It did not grow on me.

I'm not too fond of the strong contrast and chunky grain. I've said it before. I'm not too fond of grain. I'm not too fond of this film stock. New Classic EZ 400 is more affordable than most black and white film stock, but Kentmere 400 is just as inexpensive, and I got much better results.

Doug Duschl,Head Brewer at Flounder Brewing Co. · Sunday 8 January 2023 · Minolta XG-1 · MD Rokkor-X 50mm F1.7
Name New Classic Film EZ400 400
Type Black and White (negative)
Native ISO 400
Format 35mm
Process Black and White
Lab Boutique Film Labs
Scanner Epson Perfection V600
Software SilverFast 9 SE and Negative Lab Pro
Sunday 8 January 2023 · Minolta XG-1 · MD Rokkor-X 50mm F1.7
Sunday 8 January 2023 · Minolta XG-1 · MD Rokkor-X 50mm F1.7
Sunday 8 January 2023 · Minolta XG-1 · MD Rokkor-X 50mm F1.7
Sunday 22 January 2023 · Minolta XG-1 · MD Rokkor-X 50mm F1.7
Sunday 22 January 2023 · Minolta XG-1 · MD Rokkor-X 50mm F1.7
Sunday 22 January 2023 · Minolta XG-1 · MD Rokkor-X 50mm F1.7
Sunday 22 January 2023 · Minolta XG-1 · MD Rokkor-X 50mm F1.7
Sunday 22 January 2023 · Minolta XG-1 · MD Rokkor-X 50mm F1.7
Sunday 22 January 2023 · Minolta XG-1 · MD Rokkor-X 50mm F1.7

If you like Minolta SLRs, you might also enjoy my reviews of the XD-11, the X-700, and the XG-1. Or check out all of my camera reviews here.

34 Year Old Kodak T-MAX Negatives

I was bored. There was nothing on Netflix or Amazon Prime, Apple TV or Hulu, or HBO Max that I wanted to watch. To distract my mind from boredom, I rummage through a set of negatives from my early college days with 35mm film photography.

In college, the chemistry for developing a 35mm colour film was expensive. As a student on a limited budget, black-and-white photography was an attractive option. I had access to the darkroom at the Media Centre at Drew University, spending hours experimenting and developing Kodak Tri-X Pan, Ilford HP5 and Kodak T-Max.

Kodak T-MAX Professional is a black-and-white film known for its high resolution, sharpness, and fine grain for decades. It has a nominal sensitivity of ISO 100 or 400, making it a versatile choice for various lighting conditions.

One of the key features of T-MAX Professional is its T-Grain emulsion technology, which produces extremely fine grain and smooth tonal gradations. This makes it a popular choice among photographers who want to achieve a high level of detail and sharpness in their images.

T-MAX Professional also has a wide exposure latitude, allowing for greater flexibility in various lighting conditions. It can be pushed to higher ISOs without sacrificing image quality, making it a useful tool for low-light situations or for creating dramatic effects.

In addition to its technical features, T-MAX Professional is known for its classic black-and-white look, with deep blacks and bright whites that create a striking contrast. It has been popular among fine art photographers and documentary, portrait, and landscape photography.

November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional   ISO 400

Terra Momo Bread Co.

The fog and dim light seemed like a good day to use Kosmo Foto Agent Shadow.

A few weeks ago I completed a virtual workshp on the Zone System, led by photographer Ossian Lindholm. It's part of my efforts to nreak out of my pandmeic rut.

Ansel Adams developed the Zone System, a technique for translating perceived light into specific densities to allow better control over finished photographs. Though he lived well before the time of megapixels and monitors I think he would have embraced the creative possibilities of the digital age.