On a conceptual level, I understand minimalism. However, on a practical level, when creating my photographs, I can't seem to create minimally. I did some research on the concept hoping to inform my photographic technique.
What is minimalism? It’s a movement that started growing curtsy of 20th century artists who relied on simple compositions to introduce a new and unique style. Their simplicity strived from the reduced number of elements in their compositions, elements such as shapes, textures, and colours.Mike Jones
That's the one definition I had in mind when I was as the Honey Brook Farm with my wife this weekend. I had my Nikon 35mm f/1.8 mounted on the Nikon D5100 and walked around the barn while she filled her bags with tomatoes, garlic, and other items.
I had no particular goal in mind but I focused on keeping the compositions simple. I aimed for having just a few elements -- one or two -- in each image. I avoided stark contrast between the foreground and the background.
It was only after shooting a set of 10 images that I realised that I had many images of windows and lights inside and outside the barn. I'm not sure why I was drawn to the lights.
I'm not happy with the compositions of the originals. I severally cropped the images to reduce elements but something is missing. I deleted most of the images.
It’s certainly difficult to try to build a story around an inanimate object, but place a human in the shot and, suddenly, there is a whole new level of depth to it.Mike Jones
I think I know what is missing from these images. The story. What is so interesting about the image of a fan? Of an outdoor light? Of two windows on a red barn? What story lies within each of these images? Or the set of images? What do you see?
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I'm not sure all images must tell a story. Think of the simple, yet deep, images by Weston or by Blossfeldt. They can be beautiful simply on their own.
Hi David,
I'm not familiar with Weston or Blossfeldt. Can you suggest books or articles to read?