Exploring Cybersecurity, Photography, Technology, and Nature with Khürt Williams
34 Year Old Kodak T-MAX Negatives
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400
I was bored. There wasn't anything on Netflix or Amazon Prime or Apple TV or Hulu or HBO Max that I wanted to watch. To distract my mind from boredom I rummage throuugh a set of negatives from my early early college days with 35mm film photography.
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400
When I was in college, the chemistry for developing 35mm colour film was expensive. As a student on a limited budget, black and white photography was an attractive option. I had access to the darkroom at the Media Centre at Drew University spendind hours experimenting and developing Kodak Tri-X Pan, Ilford HP5 and Kodak T-Max.
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400
Kodak T-MAX Professional is a black and white film that is for decades has been known for its high resolution, sharpness, and fine grain. It has a nominal sensitivity of ISO 100 or 400, making it a versatile choice for a wide range of lighting conditions.
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400
One of the key features of T-MAX Professional is its T-Grain emulsion technology, which produces extremely fine grain and smooth tonal gradations. This makes it a popular choice among photographers who want to achieve a high level of detail and sharpness in their images.
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400
T-MAX Professional also has a wide exposure latitude, which allows for greater flexibility in a variety of lighting conditions. It can be pushed to higher ISOs without sacrificing image quality, making it a useful tool for low-light situations or for creating dramatic effects.
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400
In addition to its technical features, T-MAX Professional is also known for its classic black and white look, with deep blacks and bright whites that create striking contrast. It has been a popular choice among fine art photographers, as well as for documentary, portrait, and landscape photography.
November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400November 1988 | Pentax P3 | SMC Pentax-A 50mm f/2 | Kodak T-MAX Professional ISO 400
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Author: Khürt Williams
Hello, I'm Khürt, a Gen X-er residing near Princeton University in Montgomery Township, New Jersey, with a passion for aquariums, terrariums, and photography, capturing moments with digital and 35mm film cameras. I find solace in the woods through hiking, and my eclectic musical tastes span soca, Afrobeat, calypso, 1990s rap, grunge rock, and alternative genres. My tech interests are towards open-source software, Linux, UNIX, and Apple products, particularly macOS.
View all posts by Khürt Williams
I often feel nostalgic for the 1980s; it was a time before the proliferation of social media and the internet. Life was certainly different back then. People didn't have the constant distraction of their phones, and there was a greater emphasis on spending time together in person. I feel as if it were easier to connect with others in a meaningful way, without the distractions of constant notifications and digital noise. People had more time to engage in hobbies, explore their interests, or simply spend time in the company of friends and family.
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I often feel nostalgic for the 1980s; it was a time before the proliferation of social media and the internet. Life was certainly different back then. People didn't have the constant distraction of their phones, and there was a greater emphasis on spending time together in person. I feel as if it were easier to connect with others in a meaningful way, without the distractions of constant notifications and digital noise. People had more time to engage in hobbies, explore their interests, or simply spend time in the company of friends and family.
It was a magical time.