Isolation Photo Project, Day 61

Over on 35mmc, Babak Farshcian wrote a detailed article about his process for collecting metadata for his analogue photography using the Android app, Exif Notes. While I found the article interesting, I don't use Android1, so I focused on reading about his process and reasoning.

For me, the inability to automatically capture metadata is one deficiency of film photography, and one of the reasons I abandoned 35mm film for digital in 1999. While analogue photography is still part of my photographic hobby, I do it more like a nostalgic “fun thing” to do, and I won't be in a darkroom lab anytime soon.

When I use my Fuji X-T2, the date, time, ISO, shutter speed, aperture, focal length, exposure compensation, camera model, lens model and location are all automatically recorded into the image file, even when I shoot in full manual mode. With analogue photography, nothing is registered into the medium. It has been challenging.

With the Spotmatic II, I set the aperture and shutter speed manually. The Pentax ES II has aperture-priority auto-exposure. I don’t know what shutter-speed the camera’s exposure system has chosen. I started using the Byword app to take notes when I am using one of my Asahi Pentax Spotmatic II or Pentax ES II camera, but it was tedious to use. I had accepted that the camera model, lens model, and ISO information are the only practical bits of information I could track effortlessly.

When I develop my film, I have the negatives scanned to JPEG files so that I can later add the camera, lens and film information via Exif Editor, assuming I know it. When using adapted legacy prime lenses on my Fujifilm X-T2 the lens information and aperture values are not recorded into the RAF digital file. Sometimes I will use one aperture for the entire shoot and then use Exif Editor to add the missing information.

A few people in the comment section of Babak’s article mentioned some iPhone apps they have used to help capture information for each frame. One such app was PhotoExiF which I installed and configured. I can see how it will make it easier to track shot information when using my film cameras or when using adapted legacy lenses on my Fuji X-T2.

But there are some drawbacks to the app. The small text orange coloured is barely legible, a challenge for my 54-year-old eyes to read. A separate macOS app, PhotoExifDesktop, is needed to make full use of the XML file exported from the iOS app. The developer didn’t sign this free app with an Apple-approved digital certificate. macOS won’t install the app unless I bypass the security settings on macOS. That’s not going to happen2.

Also mentioned in the comments is Film Rolls, an app which is easier for me to use (legible text) than the PhotoExiF app. I had no problems adding information about a few lenses and cameras and creating an entry for a roll of film. Adding frame info was quick and painless.

However, the app documentation requires using iTunes to export an XML file. Of course, iTunes no longer exist, but the export can be done from the Finder app. The app makes it faster to capture exposure information when shooting but don’t reduce the effort needed to add information to the image files. Adding meta-data to images is still a process of reading the XML and manually tagging each file.

I have recently scanned some old family photos to digital. The photographs are no less significant because I don’t know when/where/how they ware taken. But storytelling elders can help give context and meaning to old photographs. My mom has helped identify people and places with handwritten notes on the back of some of the prints. I imported the scanned images into Adobe Lightroom and tagged and caption each scan.

I will never receive an award for how hard it was to take a photograph, and I want to have metadata information, but I think that jumping through hoops to get that metadata gets in the way of being in the moment with my photography.

Submitted as part of the 100DaysToOffload project.

  1. I’ve never owned an Android device. Except for a Dell laptop running Windows XP, BSD UNIX and Linux were my defaults until the switch to Mac. The server hosting this website is all Linux. 
  2. I've worked in cyber-security for almost two decades. In my knowledgeable opinion, installing unsigned software is very much like having unprotected sex with a random stranger during a global pandemic. 

Isolation Photo Project, Day 60

I've taken many workshops but always in person; never online. I know many photographers are struggling right now, and some have attempted to move their workshops online. Given the cost (between $700-1100) of some online workshops, I have some serious concerns about how instructors will organise the online workshops to provide value for students.

My understanding is that a workshop is designed to teach new techniques in the field, teach new techniques in a studio or teach post-production and business skills. The first two are not possible remotely, so I assume these online workshops will focus on the latter.

For example, the Bruce Gilden Street Photography workshop is $950. Brian won't be there to coach his students around their local streets. From what I read, he will provide some initial instruction, assign homework, critique student images, and help them create a photobook. Is that worth $950? In my opinion, these are not workshops. They are "teach yourself stuff and get a photo critique" web seminars. The Arcanum, which shut down in the spring of 2019, was very much like that.

Would you pay $950 for two sessions of photo-critique? Am I too critical? Can online workshops provide value?


My hair has become unmanageable. I went looking for electric hair clippers, but it seems most online stores are out of stock and prices on eBay are double or triple the norm. But I am desperate. Last night I found a highly rated men's hair clipper, the Wahl Cordless Magic Clip, for sale on Sally Beauty for $116. That's way more than the normal price, but I have limited options. I've never cut my hair. I've always used a barber, most recently the Revival Barber Shop in Hillborough where expert hairstylist Angel, Aaron and Victor know me well. It's also where my nephews get their cool young boys haircuts. Trust me when I tell you that it will be extremely challenging for me to do a High Drop Fade + Crew Cut by myself. I just want it shorter at this point.


I made a peach vodka cocktail. I modified a Kentucky Peach Vodka Cocktail recipe I found on Creative Culinary. Shall I call this the Roaring Peach Vodka Cocktail? The drink was sweeter than I liked so one modification I'll try is using unsweetened lemonade.

Roaring Peach Vodka Cocktail

  • Servings: 1
  • Difficulty: easy
  • Print

Ingredients


- 1 oz Sourland Mountain Spirits Peach Flavoured Vodka
- 12 oz Sourland Mountains Spirits 1 Year Bourbon Whiskey
- 2 oz Lemonade
- 12 oz Simple Syrup

Directions

  1. Combine all the ingredients in the shaker with ice and shake well.
  2. Pour into an ice-filled glass and garnish with lemon and/or peach slices. Or not.

The recipe above uses markup, which allows it to be imported directly into most recipe apps including AnyList.

Submitted as part of the 100DaysToOffload project.

Isolation Photo Project, Day 59

Today was another uneventful day with beautiful outdoor weather and back to back conference calls. It was the kind of weather that would find me in the nearby woodlands for a Saturday morning hike, followed by brunch on the patio at the Brick Farm Tavern with a friend or brother-in-law, followed later in the day with a small cocktail at the Sourland Mountain Spirits. These days, it's just another day.

Bocce Ball | Wednesday 20 May, 2020 | Day 59 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR | f/8.0 | ISO 400

I remarked to some colleagues in the UK and Bhavna when she came home later in the day, that I needed some time off, a vacation. But where would I go? What could I do? In the time of a pandemic, a "staycation" just feels like a very long weekend. A few of my colleagues had planned vacations before COVID-19 and were working with human resources to get the days back. The whole thing is complicated by policies that require employees to use vacation time or lose them.

Wednesday 20 May, 2020 | Day 59 | FujiFilm X-T2 | XF16-55mmF2.8 R LM WR | f/8.0 | ISO 400
Submitted as part of the 100DaysToOffload project.