I believe that Haas, Ghirri and Eggleston continued to use Kodachrome even beyond 1974 when the new version came out, but it seems they used it less extensively, especially Eggleston, who became known for his work with color negatives. Still, each of these three photographers captured some of their most recognizable images on the second era of Kodachrome. And that’s the look that the film simulation recipe below is based on.
Yet another excellent film simulation recipe with which I can experiment to create one for my X-T2. Thank you, Ritchie!
The following images were hurriedly taken short after reading this article. I apologize for the banality of the subject material.